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L. Lawrence Weber
L. Lawrence Weber (c. 1872 – 22 February 1940) was an American sports promoter, stage show producer and theater manager. He was active in arranging vaudeville shows, legitimate theater and films. He once tried to bypass laws against importing a boxing film to the US by projecting it on a screen just across the border in Canada and filming the screening from the USA side.
L. Lawrence Weber was born in New York City in 1869. At the age of thirteen, in 1882, he organized a company of young amateur minstrels who toured Long Island, New York. He posted the company's bills, took tickets and performed on stage. In 1883, he joined the Excelsior Minstrels. For a period Weber was the secretary of the British Minister to Japan, and became the American representative of the Japanese Government Tea Syndicate. In 1897, Weber was proprietor of Weber's Olympia Company and the Marion Extravaganza Company. These consisted of two touring theater companies and two other attractions.
Weber became one of the leaders of the Columbia burlesque wheel, or the Eastern Wheel, with Samuel Scribner and Gus Hill, later to be part of the Columbia Amusement Company. They wanted to attract women to their shows, and promoted relatively clean entertainment. In 1908, they banned wrestling and prize fighting from their circuit. However, Columbia set up a second circuit in 1915, the American Burlesque Association, that staged raunchier shows.
On 4 December 1910, Weber announced a plan to form a circuit of popular theaters, the Lawrence Weber Co-operative Booking Circuit. The investors were Weber, Sam A. Scribner, John Herbert Mack and Rudolph K. Hynicka. They planned to acquire forty theaters in cities around the United States and Canada, and to supply them with forty theater companies playing in rotation. They would put on equal numbers of melodramas, society plays, comedy dramas, farce comedies and musical comedies, charging popular prices. The partners were all associated with the "Eastern Wheel" of burlesque theaters, which had a similar business model. In 1914, Weber joined The Lambs Club.
Weber was one of the sponsors of a film made of a boxing match in Havana, Cuba, on 5 April 1915 between Jack Johnson and Jess Willard. He obtained the copyright on the film. He was refused permission to import it on the basis of a Federal law prohibiting import of such films for public exhibition. Weber argued that this law was not constitutional, since it infringed on the rights of states. The case was heard in the Supreme Court in December 1915, and decided against Weber. In 1916, Weber made a widely publicized attempt to bypass the restriction. He set up a motion picture camera 8 inches (200 mm) south of the border between New York and Canada, pointing to a screen on the Canadian side on which each frame of the film of the 1915 Havana fight was projected, thus creating a duplicate negative. He lost the court case that followed on the basis that he had violated the spirit of the law.
Weber, Bobby North, Aaron Hoffman and Harry J. Cohen organized Popular Plays and Players, the precursor of Metro Pictures. In 1914, the Popular Plays and Players production company issued a film version of Jules Verne's Michael Strogoff. In March 1915, Weber, whom Variety described as a "colorful showman, sports promoter", was involved in founding Metro Pictures. As of June 1915, Weber was acting head of Popular Plays and Players.
Weber later formed the L. Lawrence Weber Photodrama Corporation to make films, and in 1917, made Raffles, the Amateur Cracksman, starring John Barrymore. Variety said, "By virtue of its artistry, intensely sustained suspense and irrefutable logic, [the film] must grip audiences for many seasons." The production company made The Blue Pearl in 1920 based on the play by Anne Crawford Flexner, starring Edith Hallor, Lumsden Hare, Earl Schenck and John Halliday.
In 1919, John Golden arranged a meeting with his fellow producers J. Fred Zimmerman Jr., Archibald Selwyn, Florenz Ziegfeld Jr., Winchell Smith and Weber with the goal of cooperating on common issues such as censorship and ticket speculation. He wanted to set up a forum so the producers could share ideas, and wanted stop the rival organizations poaching each other's stars. This led to formation of the Producing Managers' Association, which may have inadvertently shown actors the value of organizing into the Actors' Equity Association.
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L. Lawrence Weber
L. Lawrence Weber (c. 1872 – 22 February 1940) was an American sports promoter, stage show producer and theater manager. He was active in arranging vaudeville shows, legitimate theater and films. He once tried to bypass laws against importing a boxing film to the US by projecting it on a screen just across the border in Canada and filming the screening from the USA side.
L. Lawrence Weber was born in New York City in 1869. At the age of thirteen, in 1882, he organized a company of young amateur minstrels who toured Long Island, New York. He posted the company's bills, took tickets and performed on stage. In 1883, he joined the Excelsior Minstrels. For a period Weber was the secretary of the British Minister to Japan, and became the American representative of the Japanese Government Tea Syndicate. In 1897, Weber was proprietor of Weber's Olympia Company and the Marion Extravaganza Company. These consisted of two touring theater companies and two other attractions.
Weber became one of the leaders of the Columbia burlesque wheel, or the Eastern Wheel, with Samuel Scribner and Gus Hill, later to be part of the Columbia Amusement Company. They wanted to attract women to their shows, and promoted relatively clean entertainment. In 1908, they banned wrestling and prize fighting from their circuit. However, Columbia set up a second circuit in 1915, the American Burlesque Association, that staged raunchier shows.
On 4 December 1910, Weber announced a plan to form a circuit of popular theaters, the Lawrence Weber Co-operative Booking Circuit. The investors were Weber, Sam A. Scribner, John Herbert Mack and Rudolph K. Hynicka. They planned to acquire forty theaters in cities around the United States and Canada, and to supply them with forty theater companies playing in rotation. They would put on equal numbers of melodramas, society plays, comedy dramas, farce comedies and musical comedies, charging popular prices. The partners were all associated with the "Eastern Wheel" of burlesque theaters, which had a similar business model. In 1914, Weber joined The Lambs Club.
Weber was one of the sponsors of a film made of a boxing match in Havana, Cuba, on 5 April 1915 between Jack Johnson and Jess Willard. He obtained the copyright on the film. He was refused permission to import it on the basis of a Federal law prohibiting import of such films for public exhibition. Weber argued that this law was not constitutional, since it infringed on the rights of states. The case was heard in the Supreme Court in December 1915, and decided against Weber. In 1916, Weber made a widely publicized attempt to bypass the restriction. He set up a motion picture camera 8 inches (200 mm) south of the border between New York and Canada, pointing to a screen on the Canadian side on which each frame of the film of the 1915 Havana fight was projected, thus creating a duplicate negative. He lost the court case that followed on the basis that he had violated the spirit of the law.
Weber, Bobby North, Aaron Hoffman and Harry J. Cohen organized Popular Plays and Players, the precursor of Metro Pictures. In 1914, the Popular Plays and Players production company issued a film version of Jules Verne's Michael Strogoff. In March 1915, Weber, whom Variety described as a "colorful showman, sports promoter", was involved in founding Metro Pictures. As of June 1915, Weber was acting head of Popular Plays and Players.
Weber later formed the L. Lawrence Weber Photodrama Corporation to make films, and in 1917, made Raffles, the Amateur Cracksman, starring John Barrymore. Variety said, "By virtue of its artistry, intensely sustained suspense and irrefutable logic, [the film] must grip audiences for many seasons." The production company made The Blue Pearl in 1920 based on the play by Anne Crawford Flexner, starring Edith Hallor, Lumsden Hare, Earl Schenck and John Halliday.
In 1919, John Golden arranged a meeting with his fellow producers J. Fred Zimmerman Jr., Archibald Selwyn, Florenz Ziegfeld Jr., Winchell Smith and Weber with the goal of cooperating on common issues such as censorship and ticket speculation. He wanted to set up a forum so the producers could share ideas, and wanted stop the rival organizations poaching each other's stars. This led to formation of the Producing Managers' Association, which may have inadvertently shown actors the value of organizing into the Actors' Equity Association.