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Laith Ashley
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Laith Ashley De La Cruz[1] (born July 6, 1989) is an American model, actor, activist, singer-songwriter, and entertainer of Dominican descent.

Key Information

Early life

[edit]

Laith grew up in a Dominican American household[2][failed verification] in Harlem, New York. He practiced individual and team sports and by age 9 was already into boxing, baseball and particularly basketball, his preferred sport. He continued playing sports into high school, including competitively, sometimes in the boys' team. He was named the top athlete amongst both boys and girls by the school's athletic director.[3] His father was Roman Catholic and his mother Pentecostal Christian which influenced some of the attitudes held by family during his coming out.

First, Laith came out as homosexual when he was 17 years old,[4] although he never called himself a lesbian. He explained, "Being assigned female at birth, I thought I was a lesbian, even though I hated the word.”[2] Later, at age 19, he realized that he was transgender after watching videos produced by transgender people on YouTube. This prompted him to come out as a transgender man in 2013.[2] Laith began medically transitioning in January 2014 with masculinizing hormone therapy. His voice deepened and he quickly grew a beard. Nine months later, he had a double mastectomy[2] and adopted the name Laith (meaning "lion" in Arabic) having admired the works of Laith Hakeem.[citation needed]

Laith attended business school and studied psychology at Fairfield University in Connecticut.[5] He subsequently worked at Callen-Lorde Community Health Center, where he worked with LGBT homeless youth as a social worker.[2] He explained in an interview, "When I was a kid, I'd always wanted to be a performer, singer, dancer — but as a guy. But then, I didn't think it was possible. I did what my parents said: went to college, got a 9-to-5 job... and people would always tell me, 'You should model!'"[6]

Career

[edit]

Modeling career

[edit]

In January 2014, Laith began his transition process.[7] Soon after, in 2015, Laith organized a photo shoot with a friend,[6] and he posted the images on Instagram.[8] The images caused viral attention,[8] and many people posted negative comments. He was on the verge of deleting his Instagram account due to the negative comments, but Laverne Cox then reposted his images on her account. This helped inspire him to continue his online presence.[9][10] Since that time, Laith has modeled for a variety of venues and campaigns, including Barneys (photographed by Bruce Weber),[11] in Calvin Klein and in Diesel (shot by David LaChapelle) becoming the first-ever transgender man to be featured in a Diesel campaign.[2] Laith Ashley has also appeared on the covers of renowned fashion and lifestyle publications including in British GQ, Vogue France, Out Magazine,[3] Elle UK,[11] Attitude UK[12] Gay Times, FTM Magazine[13] and Cassius,[14] amongst others. In June 2016, Laith was featured in Attitude UK as the magazine's Summerwear and Underwear Special.[15] He appeared in a number of fashion shows including the Gypsy Sport catwalk at New York Fashion Week[5] and the Marco Marco Fashion Show at L.A. Style.[16] He is represented by the Slay Model Management agency.

Acting and music career

[edit]

In addition, Laith has done musical and television work. In 2016, Laith appeared in Strut, a television program about transgender models, which was produced by Whoopi Goldberg.[6] In June 2018, Ashley performed his music, including his single "Can't Wait" at L.A. Pride.[17] The bill included acts such as Jessica 6, Icona Pop, Keke Wyatt, Eve, Cece Peniston, Kim Petras, Jesse Saint John, Allie X, Gio Bravo, Karisma, and Saturn Rising.[18] In September 2018, Ashley released a music video for his song "Before You Go".[19][20] Furthermore, in 2018, Laith became the first transgender member of the Pit Crew in RuPaul's Drag Race. He appeared in the "Pants Down Bottoms Up" mini-challenge in Season 10.[21] In 2019, he collaborated with Kay'Vion on the latter's album Braille releasing jointly the single "Favorite".[22][better source needed] In January 2023, he starred as the love interest in the Taylor Swift music video "Lavender Haze".[23][24][25]

Activism

[edit]

Laith Ashley is an activist particularly in transgender issues. He worked with FLUX, a division of the AIDS Healthcare Foundation, which is dedicated to raising awareness and providing support to trans and gender-nonconforming people,[26] actively takes part in Pride parades, and has talked on numerous occasions of the dangers of transphobia and visibility of ethnic minorities.[27] He has also appeared in a great number of LGBTQ public awareness campaigns including a high-profile campaign by T-Mobile,[28][29] the "We Are Bold" campaign by AT&T and GLAAD[30] He has also talked about challenges of transitioning, about bullying, racism and very notably the visibility of transgender people in the modelling industry.

In a lengthy interview with The Huffington Post titled "I Am Trans, But It’s Not All I Am", Laith Ashley said he aspired to be more than just a transgender man. "I try to be open, more open than others may be. I try to think of it as a cis gender person who is looking at their gender as another other than their own, and if this is something they have never thought about or researched. It’s normal that they will have a lot of questions, it’s just how you ask them. You have to at least be sensitive. I think it’s important to talk about it but we want to let people know we are people just like everyone else. Don’t put us on display and under a spotlight and make it uncomfortable. I want to show everyone that yes I am trans, but its not all that I am. The same goes for all trans people. Everyone’s transition is their own; my story, my transition, my identity is my own. Everyone’s identity, trans or not, is their own... There are people that went male/female or female/male and people that are in between. I think before I was in the industry and working with the LGBT industry, I was very on the masculine spectrum; Now I feel more fluid."[31]

Filmography

[edit]

Television

[edit]
Date Series Role Episode
2016 I Am Cait Himself Guest in the reality show / Docuseries in "Partner Up" episode[32]
2016 Strut 6 episodes[33]
2018 RuPaul's Drag Race Model
(in the Pit Crew) 		"Breastworld"[34][35]
2018 Pose Sebastian "Love Is the Message"
2019 LOGO Himself "Laith Ashley - The Heartthrob"[36]

Music videos

[edit]
Year Title Performer(s) Album
2021 "Girl Baby" Ezra Michel
2023 "Lavender Haze" Taylor Swift Midnights

Discography

[edit]

Songs

[edit]
  • 2017: "Can't Wait"[17]
  • 2017: "Before You Go" [1][19]
  • 2019: "Like Me"
Featured in
  • 2018: "Favorite" (Kay'Vion feat. Laith Ashley)[22]
  • 2021: "Every Morning" (Peppermint feat. Laith Ashley)[2]

Podcasts / Interviews

[edit]
Date Series Episode
2017 Susanna Giménez Interview on talk show Susanna Giménez (Episode 16.4)[37][38]
Aug. 1, 2017 LGBTQ&A "Laith Ashley: Everything is a Spectrum, Nothing is Binary"
Oct. 2, 2017 LatiNation Report "Laith Ashley - Transgender Model & Singer
Inspiring and Educating"[39]
Jan. 5, 2019 British GQ online[40] "Laith Ashley on transitioning and life as a model"
Jan. 29, 2018 Hollywood Unlocked[41] "Laith Ashley opens up about his transition from a woman to a man"

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Laith Ashley

View on Grokipedia
from Grokipedia
Laith Ashley De La Cruz (born July 6, 1989) is an American model, actor, singer-songwriter, dancer, and activist of Dominican descent who was born female and began medically transitioning to male in 2013 at age 24. Raised in a Dominican-American household in Harlem, New York, Ashley reported feeling a mismatch between his biological sex and internal sense of self from childhood, leading him to explore binding and eventually hormone therapy after college, followed by a double mastectomy nine months later to align his body with his male identity. His modeling career gained traction through viral social media images and landmark campaigns, including becoming the first openly transgender man to appear in a Levi's advertisement in 2017 and later posing for Abercrombie & Fitch. Ashley expanded into acting and music, notably featuring as the male lead opposite Taylor Swift in her 2022 "Lavender Haze" music video, which amplified his visibility while underscoring industry tokenism toward transgender figures. As an advocate, he promotes greater representation for transgender men in media and fashion, drawing from personal experiences of discrimination and the physical demands of fitness modeling post-transition.

Early Life and Background

Childhood and Family Origins

Laith Ashley De La Cruz was born female on July 6, 1989, in Harlem, New York City, to parents of Dominican descent. As a child of immigrants, he was raised in a Dominican-American household that emphasized traditional Latino cultural values, including strong family ties and the importance of education. Ashley's early years were shaped by the vibrant, multicultural environment of Harlem, where his family maintained connections to Dominican heritage through language, cuisine, and community practices common in immigrant Latino families. The household was religiously oriented, with his father adhering to Roman Catholicism and his mother following Pentecostalism, influencing daily routines and moral upbringing. These dynamics fostered a structured family environment focused on discipline and communal support, typical of many Dominican American families navigating urban life in New York.

Education and Pre-Transition Experiences

Laith Ashley graduated from Fairfield University in Connecticut in 2012 with a bachelor's degree in psychology. Following graduation, Ashley relocated to New York City and began working at the Callen-Lorde Community Health Center, where he served as a counselor supporting LGBTQ+ youth. In this role, he engaged in community outreach and provided guidance to at-risk individuals, drawing on his psychology background prior to entering the entertainment industry.

Gender Transition

Onset of Gender Dysphoria

Laith Ashley has reported an early awareness of gender incongruence beginning in toddlerhood. At age three, he emulated his father's behaviors, such as wearing boxing gloves, and preferred playing on boys' teams during school activities. By age four, Ashley described knowing he "felt differently" but lacking the vocabulary to articulate it, later characterizing this as feeling like "a boy in a girl’s body." He recalled a persistent sense of misalignment between his body and internal sense of self by age five. Throughout childhood, Ashley experienced discomfort in feminine roles, including general unease with expectations tied to his natal female body. This period involved attempts to suppress these feelings, such as efforts to "pray the gay away," reflecting initial conflation of gender-related distress with sexual orientation amid limited conceptual frameworks for transgender experiences. He did not encounter explicit transgender terminology until college, where exposure prompted further self-exploration, though retrospective accounts emphasize predating childhood roots rather than adolescent onset. In the context of natal females, Ashley's self-reported early-onset pattern aligns with a subset of gender dysphoria cases documented in clinical literature, where persistent cross-sex identification emerges prepubertally, though prevalence of gender dysphoria in children is estimated at approximately 0.002-0.003% for natal females compared to 0.005-0.014% for natal males in clinical studies. and often intertwined with co-occurring factors like athletic involvement or body image concerns. No formal diagnosis of gender dysphoria prior to adulthood is detailed in available accounts, with initial framing influenced by peer suggestions of lesbian identity during adolescence, which Ashley rejected as incompatible with his self-perception. These reports prioritize subjective recall over contemporaneous records, a common limitation in retrospective gender narratives.

Medical and Social Transition Process

Laith Ashley initiated medical transition at age 24 in January 2014, beginning masculinizing hormone replacement therapy with testosterone injections. This regimen induced secondary male sex characteristics, including a deepened voice, rapid facial and body hair growth, and increased muscle mass distribution typical of androgen exposure in individuals with female-typical chromosomal and gonadal profiles. In October 2015, approximately 21 months into hormone therapy, Ashley underwent chest masculinization surgery, involving bilateral mastectomy and contouring to reduce breast tissue and create a male-typical thoracic appearance. No verified records indicate hysterectomies, phalloplasty, or other genital surgeries as part of his process up to 2024. Socially, Ashley changed his name from Laleh Ashley to Laith Ashley concurrent with medical steps, adopting he/him pronouns and presenting publicly as male. He first gained public visibility as a transgender man through modeling campaigns and media profiles in 2016, following hormone-induced changes that aligned his physique with industry standards for male models, such as enhanced upper-body musculature and reduced subcutaneous fat. These alterations facilitated professional opportunities, as pre-transition female-typical features had previously limited such pursuits.

Biological and Psychological Outcomes

Despite masculinizing hormone therapy initiated in January 2014, Laith Ashley retains fundamental biological markers of female sex, including XX chromosomes and a skeletal frame shaped by female puberty, such as relatively broader hips (Ashley stands at 5'11", which is above average for cisgender males in the United States). Testosterone induces secondary sex characteristics like voice deepening, facial and body hair growth, increased muscle mass, fat redistribution to an android pattern, and clitoral enlargement, but these do not alter reproductive anatomy absent surgical intervention; Ashley underwent top surgery but has not publicly detailed hysterectomy or oophorectomy. Persistent female reproductive function is common in transgender men on long-term testosterone, with studies showing that up to one-third of those achieving amenorrhea may still ovulate, and vaginal bleeding or spotting occurs in 18-27% after three months of therapy. Long-term hormone therapy in transgender men suppresses but does not eliminate ovarian function, maintaining risks like potential polycystic ovary-like morphology without conferring male gonadal equivalents such as prostate tissue or spermatogenesis. Bone density may benefit from testosterone's anabolic effects on cortical bone, yet transgender men face elevated fracture risks if estrogen deprivation from oophorectomy occurs without monitoring, as endogenous testosterone production remains absent. These physiological limits underscore that interventions approximate but do not replicate male biology, particularly when initiated post-puberty as in Ashley's case at age 24. Ashley has reported personal satisfaction with his transition, describing joy and professional opportunities emerging post-2014, attributing authenticity to improved well-being. In a 2023 interview, he noted researching expectations from prior transitioners, framing his experience as aligning with anticipated changes despite societal policing of trans visibility. However, he acknowledged trauma responses, such as reluctance to celebrate milestones, ten years into therapy in 2024. Broader studies on transgender men indicate hormone therapy correlates with reduced depression and anxiety in many cases, alongside quality-of-life gains, though outcomes vary and long-term data beyond five years remain limited, with some persistence of mental health challenges. Self-reported improvements dominate, yet methodological critiques highlight selection bias in affirmative care cohorts, where baseline dysphoria severity influences trajectories, and regret or detransition rates, though low (around 1-2%), may underrepresent due to social pressures. Ashley's accounts align with positive trajectories but reflect individual variability rather than universal resolution.

Professional Career

Entry into Modeling

Following the physical changes from testosterone therapy initiated in early 2014, Ashley pivoted to male modeling by leveraging his masculinized physique. In 2015, he collaborated with a photographer friend for an informal shoot featuring Calvin Klein underwear, which he shared on Instagram; the images quickly went viral, drawing widespread notice for his transitioned appearance and marking his initial foray into public visibility as a model. This social media breakthrough facilitated his professional debut with a Barneys New York campaign, photographed by Bruce Weber, which showcased Ashley in underwear and positioned him as one of the earliest transgender men in major retail advertising. The exposure highlighted how hormone-induced traits like increased muscle mass and facial hair enabled his marketability in men's fashion, contrasting his pre-transition experiences. By 2017, Ashley secured further recognition as the first transgender man in a Diesel "Make Love Not Walls" campaign, appearing alongside cisgender male models and solidifying his entry into high-profile brand work. Early photoshoots emphasized athletic builds and androgynous appeal, with digital features in outlets like Out magazine amplifying his post-transition aesthetic.

Expansion into Acting and Music

In 2016, Ashley appeared in the Go90 series Strut, a docu-soap produced by Whoopi Goldberg that followed aspiring transgender models during New York Fashion Week. He later portrayed the character Sebastian in the 2018 first-season episode "Love Is the Message" of the FX drama Pose. Additional television credits include roles in Wicked City on Allblk and the 2021 revival Noah's Arc: The 'Rona Chronicles. Ashley's acting portfolio expanded into film with his debut feature role as the stripper Ajax in the 2023 comedy My Divorce Party, directed by Hoesu Lee. That same year, he gained wider visibility as the love interest in Taylor Swift's music video for "Lavender Haze," the lead single from her album Midnights, which premiered on January 26, 2023, and featured Ashley in intimate scenes with Swift amid psychedelic visuals. In 2025, he starred as Dell, a transgender handyman, in the Revry original comedy series Unconventional, which explores queer family dynamics and premiered episodes starting February 2025, emphasizing themes of identity and relationships. As a singer-songwriter, Ashley independently released the single "Can't Wait" in 2017, followed by "Before You Go" later that year. His subsequent solo output included the 2019 single and EP "Like Me." Ashley has also contributed guest vocals to tracks such as "Favorite" by Kay'Vion in 2018 and "Every Morning" by Peppermint in 2021.

Notable Collaborations and Milestones

In 2017, Ashley marked a professional milestone as the first transgender man featured in a Diesel campaign, "Make Love Not Walls," which highlighted his entry into high-profile fashion advertising despite subsequent backlash leading to the brand's removal of related imagery. A notable music video collaboration followed in June 2021, when Ashley appeared in Ezra Michel's "Girl Baby," portraying a parental role alongside Gottmik in a production directed by Bob the Drag Queen, emphasizing themes of trans family support. Ashley achieved wider visibility in January 2023 through his role as the love interest opposite Taylor Swift in the "Lavender Haze" music video from her album Midnights, a casting that drew attention to his modeling and acting presence in mainstream pop culture. That same year, he received the Ilka Award from the Latino Commission on AIDS at their Cielo Gala for his stigma-defying professional roles, and the InterPride Trailblazer Award recognizing his boundary-breaking work in fashion and entertainment.

Activism and Public Advocacy

Core Advocacy Efforts

Laith Ashley's core advocacy centers on promoting visibility for transgender men and addressing health disparities within transgender communities through organizational partnerships and public outreach. He has actively participated in efforts to highlight the underrepresentation of trans men in media and discourse, arguing that societal focus often prioritizes trans women, which limits broader transgender narratives. A key component of his work involves collaboration with FLUX, the transgender-focused division of the AIDS Healthcare Foundation, where he has contributed to campaigns aimed at HIV prevention, testing, and wellness services tailored for transgender and non-binary individuals. These initiatives seek to build community capacity and reduce health risks exacerbated by stigma and limited access to care. Ashley has also engaged with Folx, a telehealth platform providing hormone therapy and related services, to advocate for expanded healthcare access amid barriers like discrimination and cost. His efforts intersect with Latino transgender issues, as evidenced by his 2023 recognition from the Latino Commission on AIDS at their Cielo Gala for advancing health equity in these overlapping demographics.

Positions on Transgender Visibility and Policy

Laith Ashley has consistently advocated for greater visibility of transgender men in media and public discourse, emphasizing that they receive far less attention than transgender women. In a 2018 interview, he stated that "it blows people’s minds that trans guys can be so invisible. The gaze is not on us. It’s on trans women," highlighting the disparity in representation. He discloses his transgender status in professional contexts to demonstrate diverse human experiences, asserting that "visibility is important, and I want to show all the ranges of being a human being. Being trans doesn't look one way." Ashley critiques media portrayals for often sensationalizing or oversexualizing transgender individuals, which he says leads to intrusive scrutiny not applied to cisgender people. Regarding gender conceptualization, Ashley endorses a spectrum model, describing transgender experiences as diverse and non-binary in presentation for many. In a 2016 statement, he noted, "I think trans is a big spectrum. There were people that went male/female or female/male and people that are in between." He has affirmed that "not every trans person wants to look this way. There are a lot of people who identify as trans, but the way they present themselves to the world is not so binary," while personally identifying as a binary transgender man. Ashley has described his own gender expression as fluid, comfortable in both femininity and masculinity, and views the world as "vast" and "diverse." Ashley has shared experiences of transphobia intersecting with racism in media and brands, such as when Diesel removed his campaign images in September 2017 following transphobic comments, rather than retaining them. He has criticized limited roles for trans men in media, often reduced to stereotypes like "playing the gay lover to a cisgender gay man," and calls for broader representation. While he transitioned medically at age 23 after therapy and research, and has counseled LGBTQ+ youth, no public statements articulate specific policy positions on youth transitions, sports participation, or related regulations.

Controversies and Criticisms

Experiences with Transphobia and Platform Restrictions

In December 2018, Ashley described facing significant transphobia within the modeling industry following his public transition, including backlash that led him to feel like "a liar" and contemplate deleting his social media presence. This stemmed from earlier visibility, such as his 2017 appearance in Diesel's "Make Love Not Walls" campaign, after which the brand removed photos featuring him amid transphobic online criticism. In March 2024, Ashley claimed TikTok suspended his ability to go live on the platform, citing a violation for "promoting sexual activity and services" during a session where he asserted no such content occurred, framing it as an unjust restriction potentially linked to his transgender status. TikTok did not publicly respond to the specific allegation in available reports. Ashley has also reported experiencing intersectional discrimination combining transphobia with racism, particularly as a Black transgender man of Dominican descent, citing instances where brands overlooked him due to biases against both his gender identity and ethnicity. In a 2019 interview, he highlighted "shocking" transphobia from cisgender gay men and urged greater allyship, while in recent social media posts, he attributed missed professional opportunities to corporate racism and transphobia. These accounts remain self-reported without independent corroboration from the implicated parties.

Debates on Transgender Representation and Ideology

Laith Ashley's portrayal as a physically imposing, masculine trans man has drawn acclaim from transgender advocates for subverting stereotypes that depict trans men as effeminate or non-conforming to traditional male norms. Supporters highlight his modeling and media appearances as exemplars of diverse masculinities that expand visibility beyond more common representations of trans women, potentially fostering broader acceptance. In discussions, Ashley has noted the relative underrepresentation of trans men in public discourse compared to trans women, attributing it to societal policing of gender expressions and arguing that "everything is a spectrum, nothing is binary." Critics, however, question whether such hyper-masculine representations reinforce gender essentialism by implying that transgender validity hinges on embodying exaggerated male traits through medical interventions, rather than acknowledging immutable biological sex differences. This body-focused visibility, as seen in Ashley's fitness-oriented modeling, has been critiqued for objectifying trans men and prioritizing aesthetic alignment over holistic experiences, potentially marginalizing those who do not achieve similar physical outcomes. Some within the transgender community have called for Ashley to address perceived oversights toward trans women in his narratives on attraction and identity, viewing them as insufficiently attentive to intersecting oppressions. These representational debates intersect with broader ideological contentions over transgenderism's foundations, where empirical scrutiny challenges affirmative models promoted in mainstream media and academia. The 2024 Cass Review, an independent NHS-commissioned analysis, determined that the evidence supporting puberty blockers and cross-sex hormones for gender-dysphoric youth is of low quality, with weak study designs, high risks of bias, and insufficient long-term data on benefits versus harms like infertility and bone density loss; it recommended caution against routine affirmation, noting an "explosive" rise in referrals—predominantly adolescent females—potentially influenced by social factors. This contrasts with ideologically driven sources that normalize transitions without caveats, often downplaying comorbidities such as autism (prevalent in up to 20-30% of gender clinic referrals) or trauma as causal drivers better addressed through therapy. Detransition data further underscores risks overlooked in celebratory representations, with rates difficult to ascertain due to loss to follow-up exceeding 30% in some cohorts and underreporting from stigma. A 2021 survey of over 17,000 trans-identifying individuals found 13.1% had detransitioned, with 82.5% citing external pressures but others internal reevaluations of identity; critiques note affirmative clinics' poor tracking inflates low-regret claims, while independent analyses reveal discontinuation rates up to 10-30% in long-term follow-ups. Evidence of social contagion, including peer and online influences on sudden-onset dysphoria—disproportionate among females post-2010—suggests visibility like Ashley's may inadvertently amplify identification without resolving underlying psychological vulnerabilities, as parent-reported clusters in Littman's 2018 study indicated friendship-group onsets tied to media exposure. Such findings, marginalized in bias-prevalent institutions, prioritize causal realism: biological sex dimorphism persists post-transition, informing policy debates on fairness (e.g., retained advantages in sports) and urging representations to convey evidentiary limits rather than ideological certainty.

Media Output

Filmography and Television Roles

Laith Ashley debuted on television in the 2016 Oxygen reality series Strut, a docuseries executive produced by Whoopi Goldberg that followed aspiring transgender models during New York Fashion Week; Ashley appeared as himself, showcasing his entry into the modeling world through competitive challenges and personal narratives. In 2018, Ashley made a guest appearance in the FX drama series Pose, portraying a character in the episode "Aftermath" of season 1, which explored ballroom culture and transgender experiences in 1980s New York. Ashley competed as a contestant in season 14 of RuPaul's Drag Race in 2022, bringing visibility to transgender male perspectives in the competitive format focused on drag performance and challenges. His role in the 2022 ABC series Wicked City marked an early scripted television credit, where he appeared in the pilot episode as a supporting character amid the thriller's narrative of crime and intrigue in Los Angeles. In film, Ashley featured in My Divorce Party (2024), a comedy-drama about marital dissolution and self-discovery, contributing to ensemble scenes that highlighted diverse personal stories. Ashley appeared in the 2023 sports drama The Long Game, playing a minor role in the story of Mexican-American golfers overcoming discrimination to compete in Texas tournaments during the 1950s. Most recently, in 2025, Ashley starred as Dell, a transgender handyman and contractor, in the Revry comedy series Unconventional, a multi-episode narrative centered on queer chosen family dynamics, unconventional relationships, and identity exploration; the series premiered on February 11, 2025, with Ashley's portrayal drawing on his personal experiences for authenticity.

Discography and Music Releases

Laith Ashley has pursued a music career as a singer-songwriter, releasing a limited number of singles independently. His debut single, "Can't Wait", was issued on February 13, 2017, marking his entry into music production alongside his modeling and acting endeavors. The track, available on platforms such as Spotify and Apple Music, features Ashley's vocals over contemporary production but did not achieve notable commercial chart performance. In the same year, Ashley followed with "Before You Go", another single released in 2017. A music video for the song premiered on YouTube on September 14, 2018, directed by Deondray and Quincy Gossfield, emphasizing themes of relationships and self-reflection through visual storytelling. Like its predecessor, the release remained confined to streaming services without broader industry accolades or sales data reported. Ashley's most recent solo output, the single "Like Me", arrived in 2019. Distributed via major digital platforms, it continues his pattern of self-released R&B-influenced tracks focused on personal empowerment, though reception has been limited to niche audiences on services like SoundCloud and Last.fm, with no documented chart entries or certifications. To date, Ashley has not issued full-length albums, prioritizing singles that align with his multifaceted public persona.
YearTitleFormatNotes
2017"Can't Wait"SingleDebut release; streaming platforms
2017"Before You Go"SingleMusic video released September 2018
2019"Like Me"SingleLatest solo output; digital distribution

Interviews, Podcasts, and Public Appearances

In August 2017, Ashley appeared on the LGBTQ&A podcast hosted by Jeffrey Masters, where he described gender and sexuality as existing on a spectrum rather than binaries, attributing lower visibility of transgender men to societal focus on transgender women and noting continued scrutiny of his gender presentation after transitioning. He emphasized that transgender experiences vary widely, rejecting rigid categorizations. Ashley also guested on the Argentine television program Susanna Giménez in 2017, discussing his transition, modeling career, and personal identity in a conversational format. In the same year, he participated in an interview with Grok Nation, addressing common misconceptions about transgender individuals and advising against invasive personal questions. In June 2020, Ashley joined the Conversations With podcast to explore authenticity, linking it to addressing economic disparities faced by people of color within LGBTQ communities while sharing his own path to self-expression. More recently, in February 2024, he featured on the Shut Up, Chanel podcast, reflecting on relationships, flirtation, and asexual experiences alongside host Chanel Perrillo. In October 2024, Ashley contributed to an Out magazine discussion on self-acceptance, recounting his dual coming-out processes—as gay before transitioning and as transgender afterward—and how these shaped his resilience. In May 2025, Ashley spoke at Guttman Community College's President's Speaker Series, engaging students on his multifaceted career and identity as an actor, model, and activist. That August, in a YouTube short interview, he recounted his Latino upbringing in New York, highlighting his immigrant parents' emphasis on education and early gender nonconformity. These appearances consistently highlighted Ashley's trans masculine perspective, focusing on personal navigation of identity without broader policy advocacy.

References

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  4. https://www.menshealth.com/fitness/a43980721/laith-ashley-interview/
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  28. https://www.sciencedirect.com/science/article/pii/S2666379124000636
  29. https://rep.bioscientifica.com/view/journals/rep/168/5/REP-24-0163.xml
  30. https://tau.amegroups.org/article/view/11807/html
  31. https://qnews.com.au/new-york-male-model-describes-his-joy-after-transitioning/
  32. https://pmc.ncbi.nlm.nih.gov/articles/PMC7894249/
  33. https://www.nature.com/articles/s41562-023-01605-w
  34. https://segm.org/ajp_correction_2020
  35. https://nypost.com/2016/03/09/transgender-instagram-star-takes-fashion-world-by-storm/
  36. https://www.imdb.com/name/nm8038990/
  37. https://pose-fx.fandom.com/wiki/Laith_Ashley
  38. https://www.out.com/gay-tv-shows/laith-ashley-unconventional-revry
  39. https://www.yahoo.com/lifestyle/laith-ashleys-first-big-film-163751000.html
  40. https://www.rollingstone.com/music/music-news/laith-ashley-lavender-haze-taylor-swift-1234670837/
  41. https://gayety.com/laith-ashley-embraces-the-joy-of-the-journey-in-new-revry-series-unconventional
  42. https://music.apple.com/us/artist/laith-ashley/1208290540
  43. https://open.spotify.com/artist/2dveZQ7yzlVqwZjexNAXMU
  44. https://www.youtube.com/watch?v=zBTaOLpKLns
  45. https://www.thepinknews.com/2021/06/14/gottmik-ezra-michel-girl-baby-laith-ashley/
  46. https://www.elle.com/culture/celebrities/a42686359/laith-ashley-taylor-swift-lavender-haze-music-video-midnights/
  47. https://www.dailymail.co.uk/femail/article-11684467/Hes-got-Lavender-Haze-Meet-trans-model-Laith-Ashley-Taylor-Swifts-new-music-video.html
  48. https://ktla.com/business/press-releases/ein-presswire/635645881/singer-actor-model-and-activist-laith-ashley-to-be-honored-by-latino-commission-on-aids-at-2023-cielo-gala/
  49. https://medium.com/interpride/interpride-to-honor-laith-ashley-with-the-interpride-trailblazer-award-at-the-inaugural-interpride-3db08fa5c4fb
  50. https://www.dazeddigital.com/beauty/article/44078/1/laith-ashley-munroe-bergdorf-grooming-regime-trans-male-visibility
  51. https://www.lgbtqnation.com/2018/12/trans-male-model-laith-ashley-speaks-transphobia-modeling-industry/
  52. https://www.thepinknews.com/2024/03/25/trans-model-laith-ashley-banned-tiktok-live/
  53. https://www.yahoo.com/news/laith-ashley-says-tiktok-suspended-125919101.html
  54. https://www.thepinknews.com/2019/09/12/laith-ashley-transphobia-gus-kenworthy-attitude-magazine-interview/
  55. https://www.intomore.com/culture/you/the-trans-male-threat/
  56. https://sk.sagepub.com/ency/edvol/download/the-sage-encyclopedia-of-trans-studies/chpt/masculinities.pdf
  57. https://www.youtube.com/watch?v=MZWLRlsM_ws
  58. https://cass.independent-review.uk/home/publications/final-report/
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  60. https://segm.org/Final-Cass-Report-2024-NHS-Response-Summary
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  62. https://segm.org/regret-detransition-rate-unknown
  63. https://quillette.com/2023/02/10/social-contagion-and-transgender-identities/
  64. https://deadline.com/2025/02/revry-unconventional-trailer-kit-williamson-1236281981/
  65. https://genius.com/artists/laith-ashley/q/start-making-music
  66. https://www.youtube.com/watch?v=RE46gLk7pGM
  67. https://www.last.fm/music/Laith%2BAshley
  68. https://soundcloud.com/laith-ashley
  69. https://podcasts.apple.com/us/podcast/laith-ashley-everything-is-a-spectrum-nothing-is-binary/id1151561226?i=1000390557363
  70. https://www.youtube.com/watch?v=RDsLIaCz83c
  71. https://www.youtube.com/watch?v=VHtrH-t98bw
  72. https://www.listennotes.com/podcasts/conversations-with/the-beauty-of-authenticity-JG7YPqR2XFV/
  73. https://www.youtube.com/watch?v=lp-JLkG5_Co
  74. https://www.out.com/lexuscelebratescomingout/laith-ashley-vincint-johnny-sibilly-and-more-on-their-personal-journeys-to-self-acceptance
  75. https://www.youtube.com/shorts/ksQqM4sH1W0
  76. https://www.youtube.com/shorts/ddNprcbwuxE
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