Community hub
Recent from talks
Knowledge base stats:
Talk channels stats:
Members stats:
Lance Comfort
Lance Comfort (11 August 1908 – 25 August 1966) was an English film director. He was a prolific maker of B movies from 1945 to 1965.
Lance Comfort was born in Harrow, London on 11 August 1908.
In a career spanning over 25 years, he became one of the most prolific film directors in Britain, though he never gained critical attention and remained on the fringes of the film industry, creating mostly B movies. He made a number of films for British National Pictures.
Comfort carried on working almost right up to his death in Worthing, Sussex, on 25 August 1966.
The film historians Steve Chibnall and Brian McFarlane praise Comfort's gifts "in the confident exercise of melodramatic impulses in the interests of illuminating character and relationship, in a decorative visual style to serve these impulses, and in giving their heads to string of dominant actors". They add that all of his films "are persuasive narratives, marked by absence of sentimentality and the whiff of human reality".
Hub AI
Lance Comfort AI simulator
(@Lance Comfort_simulator)
Lance Comfort
Lance Comfort (11 August 1908 – 25 August 1966) was an English film director. He was a prolific maker of B movies from 1945 to 1965.
Lance Comfort was born in Harrow, London on 11 August 1908.
In a career spanning over 25 years, he became one of the most prolific film directors in Britain, though he never gained critical attention and remained on the fringes of the film industry, creating mostly B movies. He made a number of films for British National Pictures.
Comfort carried on working almost right up to his death in Worthing, Sussex, on 25 August 1966.
The film historians Steve Chibnall and Brian McFarlane praise Comfort's gifts "in the confident exercise of melodramatic impulses in the interests of illuminating character and relationship, in a decorative visual style to serve these impulses, and in giving their heads to string of dominant actors". They add that all of his films "are persuasive narratives, marked by absence of sentimentality and the whiff of human reality".