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Larry Darmour
Larry Darmour
Larry Darmour
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Lawrence J. Darmour (1895–1942) was an American film producer, operator of Larry Darmour Productions from 1926, and a significant figure in Hollywood's low-budget production community.

Key Information

Career

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Darmour was born in Flushing, Queens, New York. After completing his education at Princeton University, he entered the motion picture industry as a film inspector for the Gaumont company. Within the year he was a newsreel cameraman, offering his footage to both the Gaumont and the Mutual weekly newsreels. He enlisted in the U. S. Army during World War I and served in the Signal Corps as a cameraman. He had the distinction of being the first American soldier on the battlefield at Chateau-Thierry; he had been taking a stroll along the front the night before the Allied forces were scheduled to attack. He awoke to find himself in the middle of a barrage, the only soldier on the field.[1]

After the war he resumed his work in newsreels.[2] He joined Lewis J. Selznick's company as editor of its newsreel, and was promoted to vice president of Selznick's distributing arm.

Producer

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In 1925 Darmour organized Standard Cinema Corporation, best known today for releasing short comedies produced by Joe Rock and starring Stan Laurel. The following year, Darmour opened his own studio at 5823 Santa Monica Boulevard in Los Angeles.

In September 1927 he produced the first of the Mickey McGuire series of short subjects, based on the Fontaine Fox comic strip and starring a young Mickey Rooney. The series ran for seven years, encompassing some 60 two-reel comedies between 1927 and 1934. They were released through Joseph P. Kennedy's FBO, and then FBO's successor RKO Radio Pictures. Rooney's popularity prompted Darmour to expand his line of comedy shorts, including the Toots and Casper series with Thelma Hill and Bud Duncan, and star vehicles for Karl Dane and George K. Arthur, Alberta Vaughn, Louise Fazenda, and others.

Majestic Pictures

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Entering the feature-film market in 1931, Darmour founded Majestic Pictures, with himself as company president.[3] The company's first feature was Sea Devils (1931), starring Molly O'Day. Majestic began producing a stream of dramas and thrillers for small neighborhood theaters. Darmour gave these films higher production values than the usual independent features, with expensive-looking sets (often rented from larger studios) and big-name casts familiar from major motion pictures. Majestic's most famous feature is probably The Vampire Bat (1933), a horror thriller starring Lionel Atwill, Fay Wray, Melvyn Douglas, Dwight Frye, and George E. Stone. Majestic ceased operations in 1935 when film executive Herbert J. Yates consolidated several smaller studios into the new Republic Pictures.[4] Larry Darmour withdrew from Republic and arranged to release his films through Columbia Pictures.

Columbia Pictures

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Darmour produced dozens of action and western features for Columbia. In 1937 he took over Columbia's popular Jack Holt series, and signed Ken Maynard for a series of westerns. He also produced Columbia's "Ranger" westerns with Bob Allen and a companion series of westerns with Bill Elliott. Darmour's name does not appear on his Columbia productions – this was company policy at Columbia, where staff producers like Jack Fier often worked without screen credit.

In 1940 Darmour was entrusted with production of Columbia's serials. Darmour, already very busy with feature films, placed serial veteran and comedy director James W. Horne in complete charge of the serial unit. Horne freely indulged his sense of humor in such serials as The Green Archer, Terry and the Pirates, and Holt of the Secret Service (Holt's last film for Darmour, and only serial). Horne's serials combine action and adventure with tongue-in-cheek comedy.

Darmour was also assigned Columbia's Ellery Queen series of detective-mystery features, which he produced through 1942.

Illness and death

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Darmour underwent an abdominal operation in late 1941 and never recovered; he died three months later.[5] His production units became the responsibility of Columbia staff producer Rudolph C. Flothow. The Majestic physical plant, known informally as "the Darmour studio", continued to operate as the Larry Darmour Studio after his death, and closed its doors in 1949.

Filmography

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In addition to numerous shorts and serials, Darmour produced the following feature films:

References

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Revisions and contributorsEdit on WikipediaRead on Wikipedia

Larry Darmour

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from Grokipedia
''Larry Darmour'' is an American film producer known for founding and operating Larry Darmour Productions from 1927 and serving as a prominent figure in Hollywood's low-budget, Poverty Row film community during the late silent and early sound eras. Born on January 8, 1895, in Flushing, New York, Darmour established his production company in 1927, focusing on economical genre films that included comedy shorts, westerns, action pictures, serials, and mystery features, many distributed through major studios such as RKO and Columbia. His credits encompass a range of notable B-movies and chapterplays, including Air Eagles (1931), Mutiny Ahead (1935), Reformatory (1938), the Ellery Queen series beginning with Ellery Queen, Master Detective (1940), and serials such as Holt of the Secret Service (1941) and The Spider Returns (1941). Darmour's prolific output helped sustain independent production in Hollywood's competitive landscape, particularly through his long-term association with Columbia Pictures in the late 1930s and early 1940s. He was married to Alice Whittaker from 1921 until his death on March 17, 1942, in Hollywood, California, due to complications from surgery.

Early life

Birth, family, and education

Larry Darmour was born Lawrence Joseph Darmour on January 8, 1895, in Flushing, Queens, New York, as the son of James Frank Darmour and Julia Ducey. He grew up at 187 Amity Street in Flushing, Long Island, alongside his six siblings: Mary Laurentia, Frank, Frances M., Marguerite Catherine, Julia, and Agnes L. Darmour was described in contemporary records as standing 5 feet 8½ inches tall and weighing 150 pounds, with blue eyes and brown hair.

Entry into the film industry

Larry Darmour began his career in the motion picture industry as a film inspector for the Gaumont company in New York City in 1915. He advanced to the position of newsreel cameraman, supplying footage for both Gaumont and Mutual weekly newsreels. Later that year, Darmour was selected as a cinematographer for Mutual on Henry Ford's Peace Ship expedition aboard the Prinz Oscar II, which departed Hoboken on December 4, 1915; he documented the voyage's visits to neutral European countries including Holland, Sweden, Norway, and Denmark, returning to the United States on January 24, 1916. These early experiences in newsreel photography preceded his transition to military service in 1917.

World War I service

Signal Corps cameraman

Larry Darmour enlisted in the U.S. Army in 1917 and served during World War I as a 1st Lieutenant in the Signal Corps' Photographic Branch, Training Section, Air Division, working as a cameraman. Assigned to General John J. Pershing's staff, he conducted aerial photography of enemy positions from airplanes, earning a reputation as a daredevil cameraman who captured significant wartime footage. Among his reported exploits, Darmour became the first American soldier on the battlefield at Chateau-Thierry after inadvertently wandering into the front lines the night before an Allied attack, waking up amidst a barrage as the sole soldier on the field; this distinction appears in biographical accounts and publicity material but is anecdotal in nature. He also made the first pictures of the emplacement of "Big Bertha," one of the long-range guns used in the bombardment of Paris. Just prior to his resignation from service, Darmour was assigned to photograph the Paris Peace Conference. Following the war, he returned to civilian newsreel work.

Newsreels and Selznick executive roles

In 1919, Larry Darmour resumed his career in newsreels, taking a position as assistant to Pell Mitchell, editor of the Gaumont Graphic and Gaumont News. In August 1922, Darmour joined Lewis J. Selznick's company as editor of its newsreel division and was later promoted to vice president of Selznick's distributing arm. In 1925, he organized the Standard Cinema Corporation, which released short comedies produced by Joe Rock and starring Stan Laurel. The Standard Cinema Corporation served as an important precursor to Darmour's later independent producing activities but remained distinct from the founding of his own Larry Darmour Productions.

Larry Darmour Productions

Founding and short comedy series

In 1926, Larry Darmour established Larry Darmour Productions by opening his own studio at 5823 Santa Monica Boulevard in Los Angeles, providing a dedicated facility for his independent short subject output. On March 26, 1929, he expanded operations by taking over the Cal-Art plant at Santa Monica and Van Ness avenues, renaming the facility Darmour Studios and equipping it with RCA Photophone sound recording technology to adapt to the emerging sound film era. Darmour launched his most successful venture in September 1927 with the Mickey McGuire two-reel comedy series, which starred a young Mickey Rooney as the mischievous title character and drew from Fontaine Fox's Toonerville Folks comic strip. The series ran through 1934 and comprised approximately 60 shorts, initially distributed by Film Booking Offices (FBO) before transitioning to RKO Radio Pictures. The popularity of Mickey McGuire proved instrumental in building Darmour's financial success and elevating his studio's profile as a reliable source of family-oriented comedy shorts. Alongside the flagship Mickey McGuire series, Darmour Productions produced several other two-reel comedy vehicles during this period, including the Toots and Casper series featuring Thelma Hill and Bud Duncan, films starring the comedy team of Karl Dane and George K. Arthur, and additional series headlined by Alberta Vaughn and Louise Fazenda. This steady output of short comedies established the foundation for Darmour's later shift to feature film production in 1931.

Majestic Pictures

Feature film production

In 1931, Larry Darmour founded Majestic Pictures, serving as the company's president. The studio's first feature film was Sea Devils (1931), starring Molly O'Day, marking its entry into feature production with a focus on content aimed at smaller neighborhood theaters. As a Poverty Row operation, Majestic specialized in low-budget dramas, thrillers, and westerns, but stood out for comparatively higher production values than typical for the tier, often achieved through rented sets and facilities from major studios and the inclusion of recognizable name casts. This approach allowed some Majestic films to approach major-studio quality in select aspects despite limited resources. The studio's most famous production was the horror film The Vampire Bat (1933), starring Lionel Atwill, Fay Wray, Melvyn Douglas, and Dwight Frye. Other notable releases included The Sin of Nora Moran (1933) and The Scarlet Letter (1934), the latter regarded as Majestic's highest-regarded achievement for its spectacular production values and cast that rivaled major studio output. Majestic Pictures ceased independent operations in 1935 when Herbert J. Yates consolidated several small studios into Republic Pictures, incorporating Majestic primarily for its distribution network. Darmour declined to join Republic and instead shifted to releasing his productions through Columbia Pictures.

Columbia Pictures period

B-films, serials, and Ellery Queen series

In 1935, following the end of Majestic Pictures, Larry Darmour arranged to produce films for release through Columbia Pictures, where he focused on low-budget B-films, particularly westerns and action pictures. His output included the Jack Holt series beginning in 1937, Ken Maynard westerns, the "Ranger" series starring Bob Allen, and a companion series with Bill Elliott. Due to Columbia's policy regarding staff producers, Darmour's name frequently did not appear on screen credits for these productions. In 1940, Columbia entrusted Darmour with oversight of its serial unit, and he delegated operational control to veteran director James W. Horne, noted for infusing projects with a blend of action and comedy. Among the serials produced under this arrangement were The Green Archer (1940), Terry and the Pirates (1940), Holt of the Secret Service (1941, which marked Jack Holt's final collaboration with Darmour), and White Eagle (1941). Darmour also launched Columbia's Ellery Queen mystery film series, which ran from 1940 to 1942. He negotiated an agreement with authors Manfred B. Lee and Fred Dannay in May 1940 for the use of their material and characters. The inaugural entry, Ellery Queen, Master Detective (1940), starred Ralph Bellamy. Subsequent films in the series featured Ralph Bellamy and later William Gargan, with titles including Ellery Queen's Penthouse Mystery (1941) and A Desperate Chance for Ellery Queen (1942).

Personal life and death

Marriage, illness, and legacy

Larry Darmour married Alice Whitaker Jones on July 2, 1921, in Manhattan, New York. The marriage endured until his death more than two decades later. Following his passing, Alice succeeded him as president of the company, handling negotiations such as the future of its Columbia production contract in April 1942. In late 1941, Darmour underwent an abdominal operation that led to prolonged illness. He died of a heart attack on March 17, 1942, in Hollywood, California, at the age of 47. He was survived by his widow, Alice Whitaker Darmour, and three sisters. Darmour stands as a significant figure in Hollywood's Poverty Row community, distinguished by his high-volume production of low-budget films during the late 1920s and 1930s. He achieved notable success with the Mickey McGuire comedy series starring Mickey Rooney, which generated substantial wealth and established his studio's reputation. His output also included contributions such as The Vampire Bat, several Columbia serials, and the Ellery Queen film series. The facility informally known as Darmour Studios continued operating under his name until its closure in 1949.
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