Last Tango in Paris

Last Tango in Paris (Italian: Ultimo tango a Parigi; French: Le Dernier Tango à Paris) is a 1972 erotic drama film directed by Bernardo Bertolucci. The film stars Marlon Brando, Maria Schneider and Jean-Pierre Léaud, and portrays a recently widowed American who begins an anonymous sexual relationship with a young Parisian woman.

The film premiered at the New York Film Festival on 14 October 1972 and grossed $36 million in its U.S. theatrical release, making it the seventh highest-grossing film of 1973. The film's raw portrayal of rape and emotional turmoil led to international controversy and drew various levels of government censorship in different jurisdictions. Upon release in the United States, the MPAA gave the film an X rating. United Artists Classics released an R-rated cut in 1981. In 1997, the original cut of the film was reclassified as NC-17.

Paul, a middle-aged American hotel owner mourning the suicide of his wife Rosa, meets a young, engaged Parisian woman named Jeanne at an apartment that both are interested in renting. Paul takes the apartment after they begin an anonymous sexual relationship there. He insists that they not share any personal information, even given names, much to Jeanne's dismay. At one point in their relationship, he rapes her. Despite this, she tells him that she tries to leave him, but can't bring herself to do it. The affair of Paul and Jeanne continues for some time until Paul decides to leave Jeanne, after which she arrives at the apartment and finds that he has packed up and left without warning.

After attending his wife's viewing, Paul meets Jeanne on the street and says he wants to renew the relationship. He tells her of the recent tragedy of his wife. As he tells his life story, they walk into a tango bar, where he continues telling her about himself. The loss of anonymity disillusions Jeanne about their relationship. She tells Paul she does not want to see him again. Paul, not wanting to let Jeanne go, chases her through the streets of Paris. While running, she continually yells at him to go away and tells him that their relationship is over. Despite her threats to call the police, he chases her all the way back to her building where she is living with her mother and forces his way into her apartment. He mocks her for running away from him, followed by him saying he loves her and wants to know her name.

Jeanne takes a gun from a drawer. She tells Paul her name and shoots him. Paul staggers out onto the balcony, mortally wounded, and collapses. As Paul dies, Jeanne, dazed, mutters to herself that he was just a stranger who tried to rape her and she did not know who he was, as if in a rehearsal preparing herself for questioning by the police.

Bernardo Bertolucci developed the film from his sexual fantasies: "He once dreamed of seeing a beautiful nameless woman on the street and having sex with her without ever knowing who she was." The screenplay was by Bertolucci, Franco Arcalli, and Agnès Varda (additional dialogue). It was later adapted as a novel by Robert Alley. The film was directed by Bertolucci with cinematography by Vittorio Storaro.

Bertolucci originally intended to cast Dominique Sanda, who developed the idea with him, and Jean-Louis Trintignant. Trintignant refused and, when Brando accepted, Sanda was pregnant and decided not to do the film. Brando received a percentage of the gross for the film and was estimated to have earned $3 million.

Maria Schneider stated in 2001 that her role in the original script was intended to be played by a boy.