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Late Neolithic

In the archaeology of Southwest Asia, the Late Neolithic, also known as the Ceramic Neolithic or Pottery Neolithic, is the final part of the Neolithic in the Near East, following on from the Pre-Pottery Neolithic and preceding the Chalcolithic. It is sometimes further divided into Pottery Neolithic A (PNA) and Pottery Neolithic B (PNB) phases.

The Late Neolithic began with the first experiments with pottery, around 7000 BCE, and lasted until the discovery of copper metallurgy and the start of the Chalcolithic around 4500 BCE.

The Neolithic of the Southern Levant is divided into Pre-Pottery and Pottery or Late Neolithic phases, initially based on the sequence established by Kathleen Kenyon at Jericho. In the Mediterranean zone, the Pottery Neolithic is further subdivided into two subphases and several regional cultures. However, the extent to which these represent real cultural phenomena is debated:

In the eastern desert regions of the Southern Levant—the Badia—the whole period is referred to as the Late Neolithic (c. 7000–5000 BCE). It is marked by the appearance of the first pastoralist societies in the desert, who may have migrated there following the abandonment of the large PPNB settlements to the west.

In the southern Negev and Sinai Deserts, the Late Neolithic is characterised by the pastoralist Timnian culture, which persisted through to the Bronze Age.

The Late Neolithic began around 6,400 BCE in the Fertile Crescent, succeeding the period of the Pre-Pottery Neolithic. By then distinctive cultures emerged, with pottery like the Halafian (Turkey, Syria, Northern Mesopotamia) and Ubaid (Southern Mesopotamia).

The northern Mesopotamian sites of Tell Hassuna and Jarmo are some of the oldest sites in the Near-East where pottery has been found, appearing in the most recent levels of excavation, which dates it to the 7th millennium BCE. This pottery is handmade, of simple design and with thick sides, and treated with a vegetable solvent. There are clay figures, zoomorphic or anthropomorphic, including figures of pregnant women which are taken to be fertility goddesses, similar to the Mother Goddess of later Neolithic cultures in the same region.

Pottery was decorated with abstract geometric patterns and ornaments, especially in the Halaf culture, also known for its clay fertility figurines, painted with lines. Clay was all around and the main material; often modelled figures were painted with black decoration. Carefully crafted and dyed pots, especially jugs and bowls, were traded. As dyes, iron oxide containing clays were diluted in different degrees or various minerals were mixed to produce different colours.

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Later part of the Neolithic period in Southwest Asia
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