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Laughter (book)
Laughter: An Essay on the Meaning of the Comic is a collection of three essays by French philosopher Henri Bergson, first published in 1900. It was written in French, the original title is Le Rire. Essai sur la signification du comique. It is the first book by a notable philosopher on humor.
As Mark Sinclair comments in Bergson (2020), with this essay, 'Bergson belongs to the small number of major philosophers to have addressed in depth the topic of laughter and the comic as its source'. Furthermore, Sinclair says that the essay is 'a transitional, pivotal moment in Bergson's philosophy as a whole'.
The three essays were first published in the French review Revue de Paris. A book was published in 1924 by the Alcan publishing house. It was reprinted in 1959 by the Presses Universitaires de France, on the occasion of the hundredth anniversary of the birth of Bergson.
In a foreword published in 1900, but suppressed in 1924, Bergson explains that through the three articles, he wanted to study laughter, especially the laughter caused by the comic, and to determine the principal categories of comic situations, to determine the laws of the comic. He also added a list of works and studies about laughter and the comic.
In the preface written in 1924 to replace the initial foreword, Bergson explains that his method is entirely new because it consists in determining the process of the comic instead of analyzing the effects of the comic. He specifies that his method does not contradict the results of the other one, but he assumes that it is more rigorous from a scientific point of view. He adds a larger bibliography.
The English translation by Cloudesley Brereton and Fred Rothwell, Laughter: An Essay on the Meaning of the Comic, was first published in 1911 and went through several editions to 2005.
The first essay is made up of three parts:
In a short introduction, Bergson announces that he will try to define the comic, but he does not want to give a rigid definition of the word; he wants to deal with the comic as part of human life. His ambition is also to have a better knowledge of society, of the functioning of human imagination and of collective imagination, but also of art and life.
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Laughter (book)
Laughter: An Essay on the Meaning of the Comic is a collection of three essays by French philosopher Henri Bergson, first published in 1900. It was written in French, the original title is Le Rire. Essai sur la signification du comique. It is the first book by a notable philosopher on humor.
As Mark Sinclair comments in Bergson (2020), with this essay, 'Bergson belongs to the small number of major philosophers to have addressed in depth the topic of laughter and the comic as its source'. Furthermore, Sinclair says that the essay is 'a transitional, pivotal moment in Bergson's philosophy as a whole'.
The three essays were first published in the French review Revue de Paris. A book was published in 1924 by the Alcan publishing house. It was reprinted in 1959 by the Presses Universitaires de France, on the occasion of the hundredth anniversary of the birth of Bergson.
In a foreword published in 1900, but suppressed in 1924, Bergson explains that through the three articles, he wanted to study laughter, especially the laughter caused by the comic, and to determine the principal categories of comic situations, to determine the laws of the comic. He also added a list of works and studies about laughter and the comic.
In the preface written in 1924 to replace the initial foreword, Bergson explains that his method is entirely new because it consists in determining the process of the comic instead of analyzing the effects of the comic. He specifies that his method does not contradict the results of the other one, but he assumes that it is more rigorous from a scientific point of view. He adds a larger bibliography.
The English translation by Cloudesley Brereton and Fred Rothwell, Laughter: An Essay on the Meaning of the Comic, was first published in 1911 and went through several editions to 2005.
The first essay is made up of three parts:
In a short introduction, Bergson announces that he will try to define the comic, but he does not want to give a rigid definition of the word; he wants to deal with the comic as part of human life. His ambition is also to have a better knowledge of society, of the functioning of human imagination and of collective imagination, but also of art and life.
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