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Learn to Fly

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Learn to Fly

"Learn to Fly" is a song by American rock band Foo Fighters, released by Roswell and RCA Records on October 18, 1999. It was the lead single from their third studio album, There Is Nothing Left to Lose (1999). It was the band's first entry on the Billboard Hot 100, peaking at #19; and it remained their highest-charting song on the chart until "Best of You" peaked at number 18 in 2005. Outside of the U.S., it peaked within the top 40 in Australia, Canada, Hungary, the Netherlands, New Zealand, Poland and the United Kingdom. The song's music video won Best Short Form Video award at the 43rd Grammy Awards in 2001.

"Learn to Fly" was originally released as a promo-only single. It was officially released as a two-disc CD set in the UK and Australia, as well as in Europe, and promotional singles were also released in other countries such as the US for radio play.

In the US, it was the band's first appearance on the Billboard Hot 100, charting at number 19, and was the band's first number one on the Billboard Modern Rock Tracks chart.

It is also their highest-charting on the Billboard Hot 100 Airplay chart, along with the 1996 hit "Big Me", reaching number 13.

The song set the record for most weeks (13) at number one on the Canadian rock radio charts.

The music video for the song was directed by Jesse Peretz and won the Grammy Award for Best Short Form Music Video in 2001.

It takes place on a commercial airliner, parodying the movie Airplane!, and by extension, the films Airport 1975 and its sequel Airport '77, interspersed with a mock concert footage of the band shown as an in-flight movie. The background elevator music is The Moog Cookbook's version of "Everlong".

Two airline cabin cleaners (played by Jack Black and Kyle Gass from Tenacious D) smuggle and hide their narcotics, labeled "World Domination brand 'Erotic' Sleeping Powder", in the coffee-maker. The flight attendants do not notice the narcotics when they use the coffee-maker, and everyone who drinks the resulting coffee becomes incapacitated. The take-off sequence, in addition to the crew members hiding ulterior criminal motives, are a near shot-by-shot homage to the film Airport '77.

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