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"Everlong"
European variant of standard artwork
Single by Foo Fighters
from the album The Colour and the Shape
ReleasedAugust 18, 1997[1]
RecordedJanuary–February 1997
StudioGrandmaster Recorders (Hollywood, California)
Genre
Length4:10 (album version)
4:49 (video version)
Label
SongwriterDave Grohl
ProducerGil Norton
Foo Fighters singles chronology
"Monkey Wrench"
(1997) 		"Everlong"
(1997) 		"My Hero"
(1998)
Audio sample
Music video
"Everlong" on YouTube

"Everlong" is a song by American rock band Foo Fighters, released in August 1997 as the second single from their second studio album, The Colour and the Shape (1997). The song reached number 3 on the US Billboard Alternative Songs chart and the Canadian RPM Rock/Alternative chart. It is often regarded as the band's signature song.[5]

"Everlong" was the last song performed live by drummer Taylor Hawkins before his death in March 2022.[6] As a result of his death, the song experienced a minor resurgence and entered the Billboard Global 200 at number 123, the band's first appearance on the chart. In 2021, Rolling Stone magazine ranked the song number 409 on their list of the 500 Greatest Songs of All Time.

Production

[edit]

In late 1996, Dave Grohl was lodging at Bear Creek Studios in Woodinville, Washington, recording what was to be the second Foo Fighters album. While playing around with his guitar during downtime between takes of the song "Monkey Wrench" (which is in drop D tuning), he stumbled on a "Sonic Youth rip off" riff,[7] which he felt had the same vibe as one of that band's songs, "Schizophrenia".[8] He took a liking to it and decided to develop it into a song,[7] the band jamming on what became the verse. The song had not progressed beyond this rudimentary draft by the end of those sessions.[8]

Shortly thereafter, around Christmas time, Grohl returned to his residence in Virginia. As he was going through a divorce, he decided to stay at a friend's house, using a sleeping bag on the floor. It was there that he wrote "Everlong" as a proper song, in 45 minutes.[9] The lyrics were inspired by Grohl's ongoing romance with Louise Post of the band Veruca Salt:[10] "That song's about a girl that I'd fallen in love with and it was basically about being connected to someone so much, that not only do you love them physically and spiritually, but when you sing along with them you harmonize perfectly".[7] Grohl recorded a demo of the song soon after, during a visit to a friend's studio in nearby Washington, D.C. He describes the demo, on which he played all the instruments,[10] as being essentially the same as the album version, but "super raw".[8]

Grohl returned to the West Coast to continue work on The Colour and the Shape. He met with producer Gil Norton at Grandmaster Recorders in Hollywood again, and played the "Everlong" demo for him. Norton was impressed.[7][11] Soon, Nate Mendel and Pat Smear joined Grohl and Norton, and the group recorded the song. The solo guitar intro was recorded through an Astatic JT40 microphone, which outputs "dull" recordings with "no clarity".[12] Grohl wanted Post to provide vocals. She was in Chicago at the time, however, so her parts (doo doo doos alongside the lead guitar riff, and harmonizing on the chorus) were recorded using two separate telephone lines in the studio, one for her monitor, and the other for recording. Grohl recorded his chorus harmonies through the JT40,[12] which provided vocals at a similar level of fidelity as Post's. For the breakdown, Grohl recorded three spoken word tracks, one telling a story from assistant engineer Ryan Boesch's childhood, of being punished for disturbing his father's sleep, and two others of Grohl reading random passages from a book. The three tracks were planned to be blended together, but only the first was used in the final mix.[12]

Critical reception

[edit]

"Everlong" is widely regarded as one of Foo Fighters' best songs. In 2020, Kerrang ranked the song number one on their list of the 20 greatest Foo Fighters songs,[13] and in 2021, American Songwriter ranked the song number two on their list of the 10 greatest Foo Fighters songs.[14]

"Everlong" reached one billion streams on Spotify on December 2, 2023, the 55th birthday of the Foo Fighters' bassist, Nate Mendel.

Live performances

[edit]

The Foo Fighters traditionally close their shows with "Everlong".[15] To date, it is the band's most frequently performed song, with 1,095 live performances (as of June 2023).[16] Since the song was released in 1997, it has been performed in all but four of the Foo Fighters' full-length concerts.[17]

Music video

[edit]

The surreal, satirical video for "Everlong" was directed by Michel Gondry. It is, in part, a parody of the film The Evil Dead. The version of the song used in the video is longer than the single and album versions.

The video opens in black and white, with Smear and Mendel, dressed as Teddy Boys, outside of a house in which Grohl and his wife, played by Taylor Hawkins, are asleep. In Grohl's dream (in color), he is Sid Vicious[18] at a party, and Hawkins, as Nancy Spungen,[18] is being harassed by Smear and Mendel. In Hawkins' dream (also in color), his character is in a cabin reading a book, while Grohl gathers firewood outside. A hand appears from under a trap door in the floor of the cabin. Back in Grohl's dream, he attacks Smear and Mendel with his enlarged hand. He defeats them, and they vaporize (only to materialize in Hawkins' dream). Grohl and Hawkins escape the party into a room with an enormous telephone, which is ringing loudly. Grohl awakens in their bedroom, where their real phone is ringing. Hawkins, trying to fend off Smear and Mendel in his character's dream, phones Grohl. Grohl, in their bedroom, answers the phone, and realizes that Hawkins is in distress in Hawkins' dream. Unable to wake Hawkins, Grohl returns to sleep in order to enter Hawkins' dream and rescue Hawkins. Grohl finds a nunchaku among the logs that he is carrying in Hawkins' dream. He enters the cabin, and he and Hawkins overcome Smear and Mendel again. Grohl throws their bodies in a nearby lake. Smear and Mendel are then shown in Grohl and Hawkins' bedroom. All of the band members cast off their costumes, and the video ends with them performing the rest of the song as themselves.

Although Hawkins is shown drumming in the video, Grohl was actually the drummer on the song, as Hawkins had not yet joined the band at the time of its recording.

"Everlong" was nominated for Best Rock Video at the 1998 MTV Video Music Awards. On May 11, 2021, it passed 200 million views on YouTube.

Other versions

[edit]

Although the song is normally performed with electric guitars, vocalist/guitarist Dave Grohl's solo acoustic variation gained popularity after an impromptu rendition on Howard Stern's radio show in 1998.[19] The band has performed it acoustically since then and an acoustic performance concludes their 2006 live CD and DVD Skin and Bones. Additionally, an acoustic version was released on Foo Fighters' 2009 Greatest Hits album.

A live version filmed at Hyde Park on June 17, 2006, was released on the Hyde Park DVD.[20]

A live version appears on the Live at Wembley Stadium DVD which was released in 2008.[21]

Eleven-year-old Ipswich musician Nandi Bushell joined Foo Fighters on stage to perform the song during their concert at the Forum in Los Angeles on August 26, 2021. Bushell had gone viral on YouTube in part due to her drum covers, including "Everlong", and her online drum challenge with Grohl in 2020, which drew millions of views before Grohl "conceded" defeat to Bushell. Grohl had offered her the chance to join Foo Fighters during a performance; it was delayed to 2021 due to the COVID-19 pandemic.[22] "Everlong" gained newfound popularity as a result of this performance and appeared on several Billboard charts that did not exist when the song was first released.[23]

Accolades

[edit]
Critical rankings for "Everlong"
Year Publication Accolade Rank Ref.
1999 Kerrang! 100 Greatest Rock Tracks Ever 45 [24]
2009 VH1 100 Greatest Hard Rock Songs 28 [25]
2009 Triple J Hottest 100 of All Time 9 [26]
2010 Robert Dimery 1001 Songs You Must Hear Before You Die * [27]
2011 NME 150 Best Tracks of the Past 15 Years 48 [28]
2013 Triple J Hottest 100 of the Past 20 Years 6 [29]
2013 Rolling Stone Best Foo Fighters Songs readers' poll 1 [30]
2014 Triple M Modern Rock 500 1 [31]
2019 The Guardian Dave Grohl's Landmark Songs
*
 [32]
2021 Rolling Stone 500 Best Songs of All Time 409 [33]

* denotes an unordered list.

Usage in media

[edit]

"Everlong" was used in "Lane Miserables", the eighth episode of the third season of Daria, an animated series on MTV. In the original broadcast, the song played as Daria Morgendorffer watched Trent and Monique leave to go on a date. The episode originally aired on MTV on July 14, 1999.[34]

"Everlong" has been featured in the music video games Rock Band 2, Rock Band Unplugged, Guitar Hero World Tour (which is exportable to other games) and Rocksmith 2014. It is also included in Rock Band for iOS and as a purchasable track in Fortnite Festival.

An arrangement of the song for string quartet was used in the Friends episode "The One with Monica and Chandler's Wedding", during the titular event. It was also used in a 1998 episode of the US daytime soap opera All My Children. The original version of the song was used in Martin Scorsese's 2013 film The Wolf of Wall Street. The song was also used briefly in the movie Little Nicky while Nicky is ascending his girlfriend's apartment building.

The song was used in early workprint versions of David Fincher's 1999 film Fight Club, playing over an unfinished version of the film's title sequence in place of The Dust Brothers' track "Stealing Fat" from the film's original soundtrack, which was used in the final theatrical film. Footage of the unfinished workprint intro sequence featuring "Everlong" has surfaced online.

Comedian and late night talk show host David Letterman has called "Everlong" his favorite song, citing it as having helped him through his recovery from heart surgery in 2000. Foo Fighters were invited to serve as the musical act on the February 21, 2000, episode of Late Show with David Letterman, the first since his surgery, to perform "Everlong." Grohl stated that he was "blown away" after learning that Letterman was a fan of their music. The band went as far as cancelling a stop on a tour in South America so they could perform, explaining that "We just felt like we had to be there. Not only was it an honor to be asked, but it felt like something we had to do – because he had always meant so much to us. And that started this connection that we've had for years. It's fucking cool, you know?"[35][36][37][38] On May 20, 2015, the band returned to perform "Everlong" again, the night of Letterman's final episode. The six-minute-long performance was set to a montage of footage spanning Letterman's career.[39]

Track listings

[edit]
UK CD1 (blue cover)
  1. "Everlong"
  2. "Drive Me Wild" (Vanity 6 cover)
  3. "See You" (Live Manchester Apollo May 25, 1997)
UK CD2 (grey cover)
  1. "Everlong"
  2. "Requiem" (Killing Joke cover)
  3. "I'll Stick Around" (Live Manchester Apollo May 25, 1997)
Australian CD single, Australian limited edition maxi-single digipack with bonus poster and Netherlands slimbox CD single
  1. "Everlong"
  2. "Down in the Park" (Gary Numan cover)
  3. "See You" (acoustic)
Netherlands card sleeve CD single
  1. "Everlong"
  2. "Down in the Park" (Gary Numan cover)
Promo (black cover)
  1. "Everlong"
UK Limited Blue Vinyl Edition (blue cover)
  1. "Everlong"
  2. "Drive Me Wild" (Vanity 6 cover)

Personnel

[edit]
Foo Fighters
Additional personnel

Charts

[edit]

Certifications

[edit]
Certifications for "Everlong"
Region Certification Certified units/sales
Australia (ARIA)[64] 8× Platinum 560,000‡
Brazil (Pro-Música Brasil)[65] 2× Platinum 120,000‡
Denmark (IFPI Danmark)[66] Platinum 90,000‡
Germany (BVMI)[67] Platinum 500,000‡
Italy (FIMI)[68] Platinum 50,000‡
Mexico (AMPROFON)[69] Diamond 300,000‡
New Zealand (RMNZ)[70] 6× Platinum 180,000‡
Portugal (AFP)[71] Platinum 40,000‡
Spain (PROMUSICAE)[72] Platinum 60,000‡
United Kingdom (BPI)[73] 3× Platinum 1,800,000‡
United States (RIAA)[74] 2× Platinum 2,000,000‡

‡ Sales+streaming figures based on certification alone.

References

[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Everlong

View on Grokipedia
from Grokipedia
"Everlong" is a song by the American rock band Foo Fighters, released on August 18, 1997, as the second single from their second studio album, The Colour and the Shape. Written solely by frontman Dave Grohl, it features driving guitars, dynamic rhythms, and introspective lyrics that capture themes of intense romantic connection, longing, and the desire for an enduring bond. The song was inspired by Grohl's romance with Louise Post of Veruca Salt. The song originated during the recording sessions for in the winter of 1996, a period when Grohl was navigating personal challenges, including the end of a long-term relationship and struggles with . Grohl composed "Everlong" in a burst of inspiration at a friend's home in during Christmastime 1996, playing all instruments himself initially before the full band refined it under producer at studios in and . Norton, known for his work with bands like Pixies and , helped shape the track's polished yet raw sound, emphasizing its emotional intensity and rhythmic shifts from quiet verses to explosive choruses. Commercially, "Everlong" marked a breakthrough for Foo Fighters, peaking at number three on the US Billboard Alternative Songs chart and number three on Canada's RPM Rock/Alternative chart, while reaching number 45 in Australia. It has endured as one of the band's signature tracks, frequently topping fan-voted lists of their best songs and earning praise from figures like David Letterman, who called it his favorite Foo Fighters song and performed it with the band on the finale of The Late Show in 2015. The song's cultural footprint extends to media appearances, including episodes of Friends and films like The Wolf of Wall Street, and it gained renewed attention in 2022 as the last song performed by late drummer Taylor Hawkins at Lollapalooza Argentina before his death.

Background and writing

Inspiration and development

drew the inspiration for "Everlong" from the profound emotional upheaval of his divorce from photographer Jennifer Youngblood in 1996, a period that left him feeling isolated and essentially homeless. This personal crisis was juxtaposed with the excitement of a relationship with , the frontwoman of , which infused the song with themes of hopeful connection and harmony amid turmoil. In late 1996, as the Foo Fighters worked on their sophomore album The Colour and the Shape, Grohl began sketching the track's core elements during recording sessions at Bear Creek Studios in Woodinville, Washington. The initial riff surfaced spontaneously while he was developing "Monkey Wrench," originally envisioned as a noisier, Sonic Youth-influenced idea in drop-D tuning. His time in Washington state, away from the band's touring schedule, allowed for this focused creative incubation of the music, blending the region's introspective isolation with an energetic drive reflective of his resilience. Returning to for the holidays, over Christmas 1996, while crashing on a friend's floor in a during a break from studio work, Grohl completed the lyrics in a burst of about 45 minutes, channeling his raw emotional state into an uptempo rock framework that contrasted the underlying melancholy. This decision to craft a fast-paced, dynamic song—despite its poignant subject matter—stemmed from his desire to capture the exhilarating rush of newfound love, diverging from potentially slower, more subdued initial conceptions of the melody. The result was a track that embodied both vulnerability and vitality, born from one of the lowest points in Grohl's life.

Lyrical themes

The lyrics of "Everlong" explore themes of intense romantic longing, emotional vulnerability, and the desire for an enduring connection, capturing the euphoria and fragility of . has described the song as being about a profound bond with a partner, emphasizing a that transcends physical and emotional separation: "That song’s about a girl that I’d fallen in love with and it was basically about being connected to someone so much, that not only do you them... you feel like you need them physically, emotionally, and you need to be with them constantly." This connection is portrayed without explicit autobiographical details, though it reflects Grohl's personal experiences during a period of relational transition following his 1996 divorce. Opening lines such as "Hello, I've waited here for you / Everlong" symbolize a deep-seated anticipation and yearning for reunion, evoking the start of a transformative relationship amid personal isolation. The verse "Breathe out, so I can breathe you in / Hold you in" further underscores , depicting an intimate interdependence where the narrator surrenders control to sustain the bond. These elements highlight the song's focus on love's raw exposure, where emotional openness risks loss but fosters resilience in the face of impermanence. The chorus serves as a for an unbreakable connection persisting through life's changes, with lines like "If everything could ever feel this real forever / The way that it feels now when I hold you in my arms" pleading for the intensity of the moment to defy time and decay. Interpretations often see this as a resilient affirmation of love's potential to endure, contrasting the verses' hints of turmoil and separation, such as "Out of the , out of her head she sang." This culminates in a hopeful yet urgent tone, balancing loss with the aspiration for lasting fulfillment. The lyrics evolved rapidly from their inception, written in approximately 45 minutes during a solitary 1996 session in , where Grohl strummed an . He then captured a raw demo at a friend's studio in nearby . This early version closely mirrored the final recording on (1997), with minimal alterations to the core structure and phrasing, though the full band arrangement amplified their emotional delivery. While specific rejected lines from drafts remain undocumented in public accounts, the swift composition process preserved the lyrics' spontaneous authenticity, tying them directly to Grohl's immediate emotional state without later revisions diluting their intimacy.

Composition and recording

Musical structure

"Everlong" employs a verse-chorus form anchored by an introductory guitar that establishes the song's driving momentum, progressing through multiple verses, pre-choruses, choruses, a bridge, and an outro, with a total runtime of 4:10. This structure builds dynamically, starting with sparse, rhythmic verses that escalate into explosive choruses, creating a sense of emotional propulsion characteristic of . The song is set in the key of and maintains a of 158 beats per minute, incorporating 4/4 elements that blend energy with accessible pop sensibilities for broad appeal. At its core is Dave Grohl's signature guitar riff, played in with palm-muted open strings and ascending patterns, which recurs to unify the arrangement and provide a hypnotic foundation. Layered atop this riff, Nate Mendel's bass lines mirror the guitar's rhythm while adding depth through sustained notes, and Dave Grohl's drumming introduces dynamic shifts— from restrained hi-hat patterns in verses to powerful snare and crash accents in choruses— heightening the track's intensity. The harmonic progression centers on a straightforward yet effective I-vi-V-IV sequence in the chorus (D-Bm-A-G), which resolves tension built in the verses, while the bridge amplifies this release through denser instrumentation and rhythmic acceleration, tying into the song's lyrical exploration of intense longing.

Production process

The production of "Everlong" took place during the sessions for Foo Fighters' second album, , at Grand Master Studios in Hollywood, , in early 1997. The track was produced by , who guided the band through a period of intense studio work following initial pre-production in . Recording occurred after the completion of "," with the riff for "Everlong" having originated as an impromptu idea during those earlier sessions at Bear Creek Studio in late 1996. Band dynamics presented significant challenges during the album's production, particularly around the drumming. Original drummer William Goldsmith had contributed to early takes, but dissatisfaction with the results led frontman Dave Grohl to re-record the drum tracks for multiple songs, including "Everlong," without Goldsmith's knowledge, contributing to his eventual departure from the band. Grohl performed the drums himself on "Everlong," alongside lead vocals and rhythm guitar, while Pat Smear handled lead guitar and Nate Mendel played bass. These sessions emphasized Grohl's multi-instrumental role to capture the song's urgent energy. To achieve the track's signature dense, dynamic sound, the production incorporated extensive overdubs on guitars and vocals, building layered textures that enhanced the musical structure's shifts from quiet to explosive choruses. The final mix was handled by mixing engineer Chris Sheldon at Skip Saylor Recording in , , ensuring a polished balance of the raw energy and intricate arrangements.

Release and promotion

Single formats

The single "Everlong" was initially released in physical formats in 1997, primarily as CD singles and vinyl editions in the , with promotional versions in the , as part of the rollout for the album . The CD1 single, catalog number CDCLS 792 on , was released on August 18, 1997, in a slimline jewel case with blue cover artwork; it included the title track backed by B-sides "Drive Me Wild" (a cover from session) and a live version of "See You" from the Apollo on May 25, 1997. A companion CD2 single (catalog number 7243 8 84363 2 8 / CDCL 792) offered alternative B-sides, including "" (a cover) and a live recording of "I'll Stick Around" from the May 1997 Apollo performance, in a similar slimline case with grey cover. In the US, a promotional (catalog number DPRO 7087 6 12044 2 1) was distributed to radio and industry on the same date, containing only the album version of "Everlong" in a promo . A limited-edition 7-inch vinyl single, pressed on blue vinyl under catalog number CL 792, was issued in the UK with a hype-stickered picture depicting abstract blue tones; the B-side featured "Drive Me Wild", a previously unreleased track recorded during album sessions. International variations included an Australian CD single (catalog number 7243 8 84433 2 6), a limited edition mirroring the European tracklist with "Down in the Park" and acoustic "See You", including a bonus poster and regional markings. A Japanese CD edition was released with exclusive obi strip and booklet artwork adapted for the local market, featuring bilingual credits. Later digital reissues became available in 2009 via platforms like , coinciding with expanded album availability, and again in 2017 under as part of the 20th anniversary edition, often bundled with the full album tracks in and streaming formats.

Marketing efforts

"Everlong" was released on August 18, 1997, as the second single from ' second studio album, , through and . The label's promotional strategy focused on building momentum for the album's follow-up single after the success of "," emphasizing the track's dynamic energy to appeal to rock audiences. A key component of the marketing efforts was a targeted radio campaign aimed at stations, which propelled "Everlong" to No. 3 on Billboard's chart. coordinated airplay pushes to capitalize on the song's crossover potential, blending post-grunge intensity with melodic hooks to secure rotations on major outlets. The music video, directed by , premiered on earlier that summer and received heavy rotation, serving as a pivotal promotional tool that amplified the single's visibility. The release aligned with Foo Fighters' extensive 1997 touring schedule, including headlining shows and festival appearances like the Bizarre Festival, where "Everlong" was integrated into live sets from its debut onward to engage audiences and sustain buzz. This tour support, backed by Roswell and Capitol, reinforced the single's promotion through direct fan interaction, with the band performing the track in nearly every full-length concert since its introduction.

Music video

Concept and filming

The music video for "Everlong," directed by acclaimed French filmmaker in 1997, centers on a surreal dream-sequence concept that delves into subconscious fears and dual realities. Gondry developed the narrative by interpreting key lyrics from the song, crafting a story of intertwined dreams between a couple—portrayed by and his bandmate (in the role of his wife, notably in drag)—that closely aligned with Grohl's intended themes of emotional intensity and vulnerability, despite initial language barriers during their collaboration. The video's core idea draws from motifs, including nightmarish invasions and psychological tension, blending performance elements with abstract visuals to evoke a sense of inescapable reverie. Filming occurred over two days in , where Gondry employed practical effects to achieve the video's otherworldly quality, favoring tangible techniques over digital enhancements for a timeless aesthetic. A key artistic choice was the use of split-screen effects to juxtapose the characters' sleeping, domestic reality with their chaotic, awake dream states, creating parallel narratives that heighten the sense of disorientation and intimacy. Band members, including Grohl and drummer as the central couple, featured prominently alongside brief cameos from guitarist and bassist , integrated seamlessly into the dream logic. Symbolic elements such as oversized, menacing hands—representing uncontrollable urges—and floating, ethereal objects underscored the subconscious turmoil. Back projection was utilized for dynamic backgrounds, enhancing the horror-inspired sequences that parody elements from films like The Texas Chain Saw Massacre, though Gondry noted his limited affinity for the genre. In , the editing process meticulously synchronized the visuals with the song's shifting tempos and dynamic builds, using rapid cuts and layered compositions to mirror the track's escalating energy and rhythmic changes. This approach amplified the video's heterogeneous storytelling, where performance footage interweaves with narrative , ensuring the dream sequences pulsed in harmony with the music's emotional arcs. The video's portrayal of blurred boundaries between dreams and reality briefly echoes the song's lyrical exploration of enduring amid unrest.

Release and impact

The music video for "Everlong" first aired on in 1997. It quickly entered heavy rotation on , building momentum that propelled it to a debut on the network's (TRL) in 1998, where it became a viewer favorite amid the show's interactive format. Early airings on platforms generated significant viewership and played a pivotal role in elevating the single's visibility and sales, which ultimately reached over three million units worldwide. By the , the video experienced a notable resurgence on digital platforms, with the official upload on surpassing 357 million views as of November 2025. This enduring online presence has amplified its cultural footprint, particularly among younger audiences rediscovering '90s . The video's surreal, horror-infused narrative—featuring dreamlike sequences and practical effects—has left a lasting cultural ripple, inspiring parodies and homages in subsequent media, including direct nods to its -style satire in fan recreations and tributes across film and television. Its innovative direction by contributed to an MTV Video Music Award nomination for Best Rock Video in , alongside a nod for Best . This acclaim and broad exposure underscored the video's influence in propelling "Everlong" to enduring commercial success on rock charts.

Critical reception

Initial reviews

Upon its release as the second single from ' second album in August 1997, "Everlong" received strong praise from critics for its infectious energy and accessible rock sound, often highlighted as a key track that showcased the band's evolution. Rolling Stone's , in his May 1997 album review, commended the song for its vivid romantic narrative, noting how chronicles being smitten with a singer amid the album's tense, propulsive dynamics, calling it a highlight that balanced vulnerability with raw power. AllMusic's echoed this in his contemporary assessment, describing "Everlong" as a power-pop gem driven by catchy hooks and a relentless , praising its role in elevating the album beyond post-Nirvana comparisons and establishing Grohl's songwriting maturity. Spin magazine's 1997 coverage noted the track's emotional depth wrapped in an upbeat, anthemic package. Radio stations and fans quickly embraced "Everlong" for its high replay value, as it became an alternative radio staple with significant in late 1997 and early 1998.

Retrospective analysis

In the 2020s, "Everlong" has continued to receive high acclaim in retrospective rankings of ' catalog and broader . Kerrang! placed it at number one on their list of the 20 greatest songs, praising its emotional depth and dynamic structure as emblematic of the band's peak creativity. Similarly, ranked the track at number 409 on their updated list of the 500 Greatest Songs of All Time, describing it as "a fittingly intimate monument to the alternative era" that endures as a pop-culture staple. Following the death of drummer in March 2022, tributes frequently highlighted his pivotal role in "Everlong," underscoring the song's rhythmic drive as a cornerstone of its appeal. Memorial performances, including the all-star Taylor Hawkins Tribute Concerts in and later that year, featured renditions of the track with guest drummers like replicating Hawkins' precise, energetic fills, which critics noted added flair and intensity to the original recording. Reviews of these events and Hawkins' legacy emphasized how his drumming elevated "Everlong" from a strong composition to anthemic, with outlets like recalling his live mirroring of the studio drum track as a display of technical mastery and charisma. Building on its initial praise for raw emotional power, modern critics have solidified "Everlong" as Dave Grohl's signature achievement in the post-Nirvana era, representing his transition to frontman with a balance of introspective lyrics and explosive instrumentation. Publications like Spin have argued it surpasses even Nirvana's output in polish and universality, crediting Grohl's solo writing process for infusing personal heartbreak into a universally resonant rock staple. This consensus positions the song as a defining artifact of Grohl's solo career trajectory, often cited for its role in establishing as a enduring force beyond grunge's shadow.

Commercial performance

Chart positions

"Everlong" experienced notable chart success primarily on rock and alternative formats following its 1997 release, reflecting its appeal within those genres. In the United States, the single peaked at number 3 on the Alternative Songs chart, where it remained for 28 weeks. It also reached number 4 on the Mainstream Rock Airplay chart. The song's performance benefited from the widespread airplay driven by its accompanying and promotional campaigns. Internationally, it charted modestly on mainstream singles lists but performed better in rock-specific rankings. The following table summarizes key peak positions and durations from the original 1997 release:
Country/ChartPeak PositionWeeks on ChartSource
US Alternative Songs328Rate Your Music chart history
US Mainstream Rock4Not specifiedVariety
Official Singles Chart182Official Charts
ARIA Singles Chart283Australian Charts
RPM Rock/Alternative3Not specifiedBillboard
In the 2020s, "Everlong" saw significant resurgences on charts due to increased streaming following tributes to drummer after his death in March 2022. It re-entered the Hot Songs chart at number 1 for multiple weeks that year. Earlier, in , a viral collaboration video with young drummer propelled it back onto the Hot chart at number 19 and Hot Songs at number 2.

Certifications

"Everlong" achieved its first certification in the when the (RIAA) awarded it Gold status on March 31, 2006, for 500,000 units sold. This was followed by 2× Platinum certification on August 31, 2017, for 2,000,000 units, incorporating both physical sales and streaming equivalents. In the , the (BPI) certified "Everlong" Silver in 2013 for 200,000 units, escalating to Gold in 2017 for 400,000 units; by 2024, it reached 3× Platinum for 1,800,000 units. In , the Australian Recording Industry Association () certified the single in 2021 for 70,000 units.
CountryCertifying BodyCertificationAward DateCertified Units
RIAAGoldMarch 31, 2006500,000
RIAA2× PlatinumAugust 31, 20172,000,000
BPISilver2013200,000
BPIGold2017400,000
BPI3× PlatinumApril 12, 20241,800,000
ARIA202170,000
By November 2025, "Everlong" had surpassed 1.55 billion global streams on . These milestones, building on the song's strong chart performance, underscore its sustained commercial success.

Live performances

Early tours

"Everlong" debuted live on May 20, 1997, at Civic Hall in , , marking its introduction during the Foo Fighters' tour in support of their album The Colour and the Shape. The song rapidly became a cornerstone of the band's setlists, serving as a high-energy closer or highlight that energized crowds and helped promote the album's release later that year. Throughout the late 1990s, "Everlong" was a near-constant presence in live performances, appearing in approximately 77% of the band's shows from to 1999 according to concert tracking data. It featured prominently at major events like the in , where enthusiastic audience sing-alongs underscored its immediate appeal and role in building the band's connection with fans. In 1998, the band began incorporating acoustic variants of "Everlong" into radio sessions, adding an intimate dimension to its live repertoire; a notable example is Dave Grohl's solo acoustic rendition on The Howard Stern Show in March of that year, which was the first such performance of the song. These solo performances, featuring Grohl on vocals and acoustic guitar, strip the song back to its essentials, revealing the core strength of its melody and emotional depth, which many fans prefer for its more human feel compared to the raw energy of the full-band electric original (for further details on alternate takes, see "Other versions"). These early tours solidified "Everlong" as an essential element of the Foo Fighters' concerts through 2000, blending raw energy with emotional depth to captivate audiences worldwide.

Notable later appearances

In 2007, the Foo Fighters delivered a standout performance of "Everlong" at the Live Earth concert held at Wembley Stadium in London, closing out the event with a high-energy set that included hits like "All My Life" and "Best of You" before an audience of over 52,000 attendees focused on raising awareness for climate change. The rendition highlighted the band's raw power and crowd engagement, contributing to the global broadcast that reached an estimated two billion viewers worldwide. The band headlined the in 2017, marking their long-awaited Pyramid Stage appearance after a 2015 cancellation due to Dave Grohl's injury, where "Everlong" served as the explosive finale to a two-and-a-half-hour set attended by approximately 200,000 festivalgoers. Grohl dedicated the song to a young fan who had lost her battle with cancer, amplifying its emotional resonance amid fireworks and a roaring crowd, solidifying the performance as a pinnacle of the band's festival legacy. On June 24, 2023, the made a surprise appearance at on the West Holts Stage, closing their set with "Everlong" dedicated to the late , marking an emotional return to the event and highlighting the song's ongoing significance in the band's live shows. At the , the incorporated "Everlong" into a medley alongside "" and "," earning praise for blending their '90s rock roots with new material during a ceremony where they also received the Global Icon Award. The set, performed for a televised audience of millions, underscored the song's enduring appeal and the band's influence across generations. Following the sudden death of drummer in March 2022, the band's performance of "Everlong" at his concert on September 3 at emerged as an emotional high point, closing a star-studded event with over 80,000 fans in attendance and guest appearances from artists like and Roger Taylor. Modeled after the 1992 , the rendition featured Hawkins' son Shane on drums for parts of the night, channeling collective grief into a cathartic communal broadcast globally. The resumed touring in 2023 with on drums, continuing through 2024 and into early 2025 with the "Everything or Nothing at All" tour, where "Everlong" remained a staple closer, as seen in their June 2024 shows at that drew capacity crowds of approximately 80,000 fans each night, totaling around 160,000 over two nights, and featured heartfelt nods to Hawkins. These performances, including high-profile stops in the UK and , highlighted the band's resilience, with fan-recorded videos of "Everlong" garnering millions of views on platforms like , reflecting sustained live demand. Freese's tenure ended in May 2025, but the song's role in these resumptions affirmed its status as a live cornerstone. In October 2025, the band announced the "Take Cover Tour" for n stadiums in 2026, expected to feature "Everlong" prominently.

Other versions

Covers by other artists

"Everlong" has inspired a wide array of covers by other artists, spanning genres from classical to , often highlighting the song's emotional intensity and melodic structure. The delivered an orchestral interpretation in 2007 on their The String Quartet Tribute to the , reimagining the track as a sophisticated string arrangement that emphasizes its dynamic shifts through layered and lines. In 2016, Boyce Avenue released an acoustic cover on their Cover Sessions, Vol. 3 album, stripping the song to guitar and vocals for an intimate, heartfelt rendition that has amassed over 6 million YouTube views. Rick Astley offered a lounge-pop take in 2020 during a live performance, infusing the rock anthem with smooth vocals and retro flair as part of his ongoing musical tributes. Greta Stanley provided an indie folk version in 2022 for triple j's Like A Version series, featuring delicate guitar work and harmonious backing vocals that underscore the song's romantic themes. The 2020s have seen "Everlong" explode in popularity on , where viral user covers—often acoustic or —have collectively garnered millions of views, with creators like Braden Wayne and Cadalaymusic delivering emotional, stripped-down performances that resonate with younger audiences. Covers have also appeared on tribute compilations, such as the 2015 Tribute to Foo Fighters album by Relaxing Piano Covers, which presents a soothing adaptation suited for ambient listening.

Remixes and alternate takes

In 1997, during the recording sessions for at Grandmaster Recorders in Hollywood, an unreleased rough mix of "Everlong" was created featuring harmonies by of , who was in a relationship with at the time. This demo version included a unique phone call interlude from Post and was described by Grohl as feeling "off the cuff and unofficial," leading to re-record the track without her contributions for the final album release. A live rendition from the Foo Fighters' One by One World Tour in 2003 appears on the 2003 DVD Everywhere but Home, filmed at in Ireland, showcasing the band's high-energy stage performance of the song amid pyrotechnics and a massive crowd. The tour footage highlights "Everlong" as a centerpiece of their set, emphasizing its role in building the group's live reputation during that era. During the 2014 [Sonic Highways](/page/Sonic Highways) World Tour, supporting the of the same name, "Everlong" was performed at every one of the 91 shows, often as a climactic closer that engaged audiences with extended jams and fan sing-alongs, reflecting the song's enduring popularity in the band's live repertoire. Dave Grohl's solo acoustic performances of "Everlong" feature just voice and guitar, stripping back the song to reveal the core strength of its melody and emotion. While the electric original provides raw energy, many fans prefer the acoustic rendition for its more human feel. Grohl has noted that the acoustic version gives the song new life by better representing its original emotional intent. In 2021, the Foo Fighters released an acoustic rendition of "Everlong" recorded at Studio 606 for the Oates Song Fest charity event, stripping the track to intimate guitar and vocals while preserving its emotional intensity, distinct from the original's driving rock arrangement. This version underscored the song's versatility and was made available as part of broader online performances.

Accolades and legacy

Awards and rankings

"Everlong" earned recognition through several formal awards and nominations, primarily for its accompanying music video. At the 1998 MTV Video Music Awards, the video, directed by Michel Gondry, received nominations in three categories: Best Rock Video, Best Special Effects in a Video (for effects by Paul Sokol and Chris W.), and Best Art Direction in a Video (art direction by Bill Lakoss). The song has also featured prominently in various music rankings and polls, underscoring its critical and fan acclaim as one of the ' signature tracks and a standout in . In 2009, placed "Everlong" at number 28 on its list of the 100 Greatest Hard Rock Songs, highlighting its dynamic energy and emotional depth. In the update to Rolling Stone's 500 Greatest Songs of All Time, compiled from votes by over 250 artists, writers, and industry figures, it ranked at number 409, praised for its intimate yet anthemic quality. In 2023, and Consequence both ranked "Everlong" as the number one Foo Fighters song in their respective lists of the band's best tracks. Fan and critic polls have consistently elevated "Everlong" to the top of Foo Fighters-specific lists. named it the number one Foo Fighters song in their 2016 ranking of the band's 10 best tracks, citing its status as a fan favorite in both full-band and acoustic forms. Similarly, Kerrang! ranked it first on their 2020 list of the 20 greatest Foo Fighters songs, describing it as the definitive choice due to its predictable yet undeniable excellence. These accolades reflect the song's foundational role in the band's catalog and its broad appeal in alternative and circles.

Usage in media and culture

"Everlong" has been prominently featured in various films and television shows, enhancing emotional and dramatic moments. In the 2013 film The Wolf of Wall Street, directed by , the song plays during a montage sequence underscoring themes of excess and intensity. On television, it appeared in the 1999 episode "Tess, Lies and Videotape" of Roswell, contributing to a pivotal romantic scene, and in the 2001 episode "Undergrads" of the Undergrads. Additionally, an acoustic version featured in the season 7 finale of Friends, "The One with Monica and Chandler's Wedding, Part 2," during the couple's wedding ceremony, amplifying the heartfelt conclusion. In sports contexts, "Everlong" has become an anthem, particularly in hockey. It serves as the goal song for the NHL team, energizing crowds since the franchise's inception in 2021 and symbolizing the high-energy excitement of the sport. During the 2023 week in , following the death of drummer in 2022, performed an acoustic rendition of the song at a pre-game concert at the Crescent Ballroom, dedicating it as a tribute and connecting with fans amid the event's festivities. The song's presence extends to video games, where it has been included as playable content in rhythm-based titles. It debuted in Rock Band 2 in 2008, allowing players to simulate the track's guitar, bass, drums, and vocals, and was later released as downloadable content for Rock Band 4 in 2017. In 2024, "Everlong" was added to Fortnite Festival, Epic Games' music mode within , enabling virtual band performances and further embedding the song in gaming culture. In the 2020s, "Everlong" continued to influence media and online . Its acoustic version inspired widespread use in first dances, with countless couples choreographing routines to the song's introspective and melody, as noted in coverage of its emotional resonance in personal milestones. On , particularly , the track fueled viral drum challenges starting around 2021, where users attempted to replicate ' iconic fills, often in creative edits or covers that amassed millions of views and highlighted the song's enduring appeal to younger audiences. described it as a "quasi-official pop- envoi," reflecting its role in evoking nostalgia and connection across generations. In April 2025, Dave Grohl performed an orchestral version of "Everlong" with the Los Angeles Philharmonic at Coachella, underscoring the song's versatility in live settings.

Credits

Songwriting and composition

"Everlong" was written solely by Dave Grohl and registered with BMI in 1997 as work number 3990286. Grohl handled the multi-instrumental composition, crafting the song's distinctive guitar riffs, vocal melodies, and basic arrangement during sessions for the ' second album in late 1996. While the band contributed minor tweaks during rehearsals, the credit the song entirely to Grohl. Publishing rights are held by M.J. Twelve Music (BMI), administered through .

Recording personnel

"Everlong" was recorded primarily at Grand Master Recorders in Hollywood, , during sessions for Foo Fighters' second album, , in early 1997. The track was produced by , who oversaw the album's production to infuse a more polished pop-rock sensibility.

Musicians

  • Dave Grohl – lead vocals, rhythm guitar, drums
    Grohl handled multiple instruments on the track, including the driving drum performance that defines its dynamic shifts.
  • Pat Smear – lead guitar
    Smear contributed the searing lead guitar lines, adding texture to the song's intense choruses.
  • Nate Mendel – bass guitar
    Mendel provided the foundational bass work, supporting the track's rhythmic propulsion.
  • Louise Post – backing vocals (uncredited)
    Post, of , sang backing vocals during the choruses, a contribution inspired by her brief romance with Grohl at the time.

Production and Technical Personnel

  • Gil Norton – producer
    Norton guided the recording process, emphasizing the song's emotional intensity and structural contrasts.
  • Bradley Cook – recording engineer
    Cook engineered the bulk of the album's sessions, including "Everlong," capturing the band's live energy in the studio.
  • Geoff Turner – additional engineer
    Turner assisted with engineering duties during the Hollywood sessions.
  • Assistant engineers: Ryan Boesch, Todd Burke, Don Farwell, Jason Mauza, Chris Laidlaw
    These assistants supported tracking and overdubs at Grand Master Recorders.
  • Chris Sheldon – mixing engineer
    Sheldon mixed the track at Skip Saylor Studios in Los Angeles, refining its sonic clarity and punch.
  • Bob Ludwig – mastering engineer
    Ludwig mastered the final album at Gateway Mastering Studios in Portland, Maine, ensuring "Everlong" balanced dynamically within the release.
The collaboration among this team resulted in "Everlong" becoming a standout track, noted for its raw yet refined production that highlighted Grohl's multifaceted performance.

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