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Leigh Jason
Leigh Jason
Leigh Jason
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Leigh Jason (July 26, 1904 – February 19, 1979) was an American film director and screenwriter.[1] He was born in New York, New York, and died in Woodland Hills, Los Angeles.

Key Information

He married Ruth Harriet Louise in 1927 at Temple B'nai B'rith, with William Wyler as his best man. Louise was the first woman photographer active in Hollywood, and ran Metro-Goldwyn-Mayer's portrait studio from 1925 to 1930. They had a son, Leigh Jr., who died of leukemia when he was six years old, and Louise died in 1940, along with their second son, in complications from childbirth.[2]

Filmography

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References

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Leigh Jason

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Leigh Jason was an American film director and screenwriter known for his prolific work in Hollywood's studio system during the 1930s and 1940s, specializing in light comedies, B-pictures, and occasional thrillers. Born in New York City on July 26, 1904, Jason was an instructor at UCLA before entering the film industry in 1924 as an electrician. He turned to screenwriting in 1926 and made his directorial debut in 1928. He built a career directing shorts and features, primarily at RKO in the 1930s and Columbia in the 1940s. His most notable films include the musical comedy That Girl from Paris (1936) starring Lily Pons, the romantic comedy The Bride Walks Out (1936) featuring Barbara Stanwyck and Gene Raymond, and the screwball mystery The Mad Miss Manton (1938) also starring Stanwyck. Other credits from this period encompass Lady for a Night (1942) and various low-budget productions. Jason married photographer Ruth Harriet Louise in 1927; they had a son who died of leukemia at age six, and Louise died in 1940 during childbirth with their second son. He later transitioned to television direction in the 1950s and passed away on February 19, 1979, in Woodland Hills, California.

Early life

Birth and family background

Leigh Jason was born Leigh Jacobson on July 26, 1904, in New York City, New York, USA. He was the brother of fellow film director Will Jason.

Education and pre-film career

Leigh Jason was educated at Columbia University. Prior to entering the film industry, he served as an instructor at the University of California, Los Angeles (UCLA). He held this teaching position before 1924, when he transitioned to working in film as an electrician.

Career

Entry into film and screenwriting

Leigh Jason entered the film industry in 1924 as a studio electrician. He transitioned to screenwriting in 1926, initially receiving credits under the name Leigh Jacobson. His earliest known screenwriting work was the scenario for The Cheerful Fraud (1926). Jason's early writing credits continued with the adaptation and screenplay for The Shield of Honor (1927), the story for Anybody Here Seen Kelly? (1928), and both the story and screenplay for Eyes of the Underworld (1929). He later provided the story and screenplay for High Gear (1933). During this period, he adopted the professional name Leigh Jason. Jason subsequently shifted to directing, beginning with short subjects in 1928.

Directing short subjects

Leigh Jason began his career as a director with short subjects in 1928. His early work focused on the short film format during the late 1920s and 1930s. During the 1930s, Jason focused extensively on light comedies and musical shorts, often produced as two-reelers, and became recognized for titles such as Bubbling Over (1934), The Knife of the Party (1934), Roamin' Vandals (1934), and Metropolitan Nocturne (1935). Metropolitan Nocturne stands out as a notable example of his work in this period. He directed a total of 69 credits as a director, with many consisting of these comedy and musical short subjects that highlighted his proficiency in quick-paced, entertaining formats. In the mid-1930s, this prolific output in shorts paved the way for his transition to more consistent feature film directing.

Feature film directing

Leigh Jason directed occasional feature films starting in the late 1920s and early 1930s, including Eyes of the Underworld (1929, co-directed with Ray Taylor) and High Gear (1933). He began more regular feature directing in the mid-1930s, primarily for RKO Radio Pictures, where he specialized in light comedies, screwball farces, and occasional musicals typical of the studio's B-picture output. His first major burst of activity came in 1936 with three films: the romantic comedy Love on a Bet, the comedy The Bride Walks Out, and the musical That Girl from Paris, starring opera singer Lily Pons, which remains one of his best-known works. He continued in a similar vein through the late 1930s with additional comedies and musicals, including New Faces of 1937, Wise Girl, The Mad Miss Manton (a screwball comedy featuring Barbara Stanwyck and Henry Fonda), The Flying Irishman, and Career. These films emphasized quick pacing, witty dialogue, and modest production values suited to the B-film market. In the 1940s Jason sustained a steady output of features, often in the comedy and light drama genres, including Model Wife (1941, which he also produced), Three Girls About Town (1941), Lady for a Night (1942), Dangerous Blondes (1943), Nine Girls (1944), Carolina Blues (1944), Meet Me on Broadway (1946), Lost Honeymoon (1947), Out of the Blue (1947), and Man from Texas (1948). His work during this period continued to favor breezy, entertaining stories within the constraints of low-budget filmmaking. By the early 1950s Jason largely shifted away from feature films toward television directing.

Television directing

In the 1950s, Leigh Jason transitioned primarily to television directing, becoming a prolific contributor to half-hour dramatic, crime, and anthology series during the early years of widespread TV production. His work in this medium often involved directing multiple episodes per series, reflecting the era's demand for efficient, episodic content. Among his key television credits are six episodes of Mr. District Attorney from 1954 to 1955, where he also served as producer, eleven episodes of Treasury Men in Action in 1955, four episodes of Science Fiction Theatre in 1955, four episodes of Richard Diamond, Private Detective in 1958, and three episodes of I Led 3 Lives in 1954. Concurrent with this television output, Jason directed several feature films in the 1950s and early 1960s, including Okinawa (1952), The Go-Getter (1956), The Choppers (1961), and The Festival Girls (1961). He remained active as a director until 1962.

Personal life

Marriage and family

Leigh Jason married Ruth Harriet Louise, who served as MGM's head portrait photographer from 1925 to 1930, on August 27, 1927, at Temple B'nai B'rith, with William Wyler serving as his best man. The couple's family life was marked by tragedy. They had a son, Leigh Jason Jr., who died of leukemia at the age of six. Ruth Harriet Louise died on October 12, 1940, from complications during childbirth, along with their second son. No sources indicate that Jason remarried following her death.

Death

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