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Louder Now

Louder Now is the third studio album by American rock band Taking Back Sunday. In April 2005, the group had begun writing material for the album. Two months later, they signed with Warner Bros. Records and contributed a song to the Fantastic Four soundtrack. Soon afterwards, the group rented a room in Manhattan where they composed songs for Louder Now. They came up with 20 songs, discarding half of them and recording demos of the remainder. The group began recording Louder Now with Eric Valentine in September 2005 at Barefoot Studios in Los Angeles, California. After Warner Bros. told them they did not need to rush, they recorded new demos. Recording ended on New Year's Day, 2006, and was followed by a tour of the UK, Australia and the U.S.

Louder Now was released on April 25, 2006, on Warner Bros. Records. Several weeks later, "MakeDamnSure" was released as a single; this was followed by a tour with Angels & Airwaves. A music video was released for "Twenty-Twenty Surgery", and the single was released a month later. A video for "Liar (It Takes One to Know One)" was released in September, before the single's release in November. Taking Back Sunday then began a two-month stint as part of the Taste of Chaos tour. A video album, The Louder Now DVD: PartOne, was released in December. The album included videos of the recording process, tour footage and music videos. "What's It Feel Like to Be a Ghost?" was released as a single on New Year's Eve. In early 2007 the group toured North America, followed by the release of "My Blue Heaven" as a single in April. After a tour with Linkin Park, guitarist Fred Mascherino left the group and was replaced by Matthew Fazzi.

Louder Now received generally favorable reviews from critics, and was voted Kerrang!'s album of the year. It debuted at number two on the Billboard 200, selling 158,000 copies in its first week after release, reached the top 10 of several Billboard charts and the top 20 in Canada, Australia and the UK. Two months after its release, Louder Now was certified gold by the RIAA for sales of 500,000 copies and was later certified silver by the BPI for sales of 60,000 copies. As of May 2009, the album has sold 674,000 copies in the U.S.

In July 2004, Taking Back Sunday released Where You Want to Be on independent label Victory Records. The album became a bestselling independent rock album within a year, selling 634,000 copies, and was certified gold by the RIAA. The band toured frequently for eight months before beginning to compose material for their next album. Vocalist Adam Lazzara said in April 2005 that the band was in "the early stages" of writing new songs. In April and May the group went on a co-headlining tour with Jimmy Eat World, introducing "Error: Operator" and "What's It Feel Like to Be a Ghost?".

On June 10, it was announced that the band had signed with major label Warner Bros. Records and would begin recording their third album later in 2005. That month, the group contributed "Error: Operator" (which differs from the final album version) to the video-game adaption of Fantastic Four. Activision, the game's developers, wanted the track written from the viewpoint of Mister Fantastic. The group was hesitant, according to Lazzara, since the character is an "extremely rich, extremely smart guy ... And I'm not very smart, and I'm not rich at all, so I couldn't really relate." The song was also included on the film's soundtrack. In June and August 2005, the band supported Green Day for two UK shows, and supported Weezer for a US stadium show; they were initially scheduled to headline Hellfest, though they later dropped off.

In July 2005, Taking Back Sunday rented a room in Manhattan, which they shared with members of the Sleeping, and began writing songs with laptops and guitars for their next album. Typically, they arrived at about 10 am; some evenings, Lazzara showed up after the band to write melodies. The group wrote 20 songs before discarding half, and recorded 14 or 15 demos in their home studio. According to bassist Matt Rubano, Fred Mascherino and Adam Lazzara's lyrics "are coming into a golden age. The tracks are really more rocking and we're trying some new things, but it's still us." For Where You Want to Be the group "didn't spend as much time playing together," but for Louder Now "we know each other's playing. We know what we want and don't want."

On September 21, 2005, it was announced that Taking Back Sunday had begun recording their third album with Eric Valentine. The group chose Valentine because he had produced Queens of the Stone Age's Songs for the Deaf (2002) and Third Eye Blind's self-titled album (1997). Although they met with Howard Benson and Rob Cavallo, the band's "love of Eric's work kind of trumped any other meeting we had." Unlike their previous records, the group worked in a large studio (Barefoot Studios in Los Angeles, California). Warner Bros. told them, "Take your time and it's done when you're done with it," and the band did another set of demos with input from Valentine. According to Mascherino, the group knew how they wanted the upcoming album to sound, so demoing again was a "thorough way to do it." Working in a big studio, according to Lazzara, gave the band the opportunity to "have more than two guitar sounds."

According to Rubano, the group wished to make a rock-oriented album—not in compositional style, but "maybe in the recording and the tones of the instruments." They brought out "a really unique character" in all the songs. During the recording, guitarist Ed Reyes used Orange and Burman amplifiers. Most of his guitar tracks were recorded with an Epiphone Casino guitar, and he also used an Epiphone Crestwood guitar. Frequently using a tape delay effect, Reyes did not use distortion pedals since the Orange amp "had a perfect gain sound in itself." Mascherino used his Gibson SG Special guitar during recording, which he said had "an amazing sound which is really warm and gives me my own sound." He channeled it through a Marshall JCM800 amplifier, and also used a Gibson Firebird guitar when the group needed "a really tight sound." The drums were recorded in three days. After positioning four microphones around (and inside) the bass drum, Valentine placed Mark O'Connell in a room "he calls the torture chamber." According to the drummer, the room's acoustics made the drums sound "insane."

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