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Love Nest
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| Love Nest | |
|---|---|
VHS release cover art | |
| Directed by | Joseph Newman |
| Written by | I.A.L. Diamond |
| Based on | The Reluctant Landlord a 1950 novel by Scott Corbett |
| Produced by | Jules Buck |
| Starring | June Haver William Lundigan Frank Fay Marilyn Monroe Jack Paar |
| Cinematography | Lloyd Ahern |
| Edited by | J. Watson Webb Jr. |
| Music by | Cyril Mockridge |
Production company | |
| Distributed by | Twentieth Century-Fox |
Release date |
|
Running time | 85 minutes |
| Country | United States |
| Language | English |
Love Nest is a 1951 American comedy-drama film directed by Joseph Newman and starring June Haver, William Lundigan, Frank Fay, Jack Paar and Marilyn Monroe in an early supporting role. The film marks the final screen appearances by Fay and silent-film star Leatrice Joy.
Plot
[edit]When American serviceman and writer Jim Scott returns from Paris after World War II, he is flabbergasted to discover that his well-meaning but unrealistic wife Connie has invested his wages in a dilapidated apartment building in the Gramercy Park neighborhood of Manhattan. Despite Connie's hope that being a landlord will give Jim the freedom to write a novel, he spends most of his time with building maintenance.
Smooth-talking Charley Patterson, a confidence man who romances and swindles wealthy widows, leases a vacant apartment and targets gentle but poor widow Eadie Gaynor. Jim persuades Connie to rent an apartment to an old Army buddy, who is revealed to be a stunning former WAC named Roberta Stevens.
An FBI agent visits the Scotts to ask about Mr. Patterson, but will not divulge any information. The Scotts spot Patterson, who is supposed to be out of town on business, at a fancy restaurant dancing with and romancing a woman.
A building inspector informs the Scotts that they must repair exposed wiring in their building within 15 days or the building will be condemned, but Jim learns that the repair will be so expensive that he must sell the building.. Charley and Eadie announce their engagement and depart the next day to be married. When Charley returns, he lends Jim $800 for the repairs, bur Jim still wants to sell, as he is convinced that the building is a money pit. After arguing with Connie, Jim sleeps in a backyard hammock. When the hammock breaks, Jim, knowing that Bobbie is away on a modeling assignment, goes to sleep in her empty apartment, but she returns the next morning before he awakens and Connie mistakenly believes that Bobbie, of whom she is already jealous, and Jim have spent the night together.
After a newspaper story fingers Charley as having swindled another old widow, Connie and Jim confront Charley, who does not deny his guilt but assures them that he truly loves Eadie and has just finished his last con. When Jim mentions the visit from the FBI agent, Charley starts packing, but the police arrive before he can escape. Charley reassures Eadie that she is the only woman whom he has ever loved.
Charley, who wishes to plead guilty and pay the price for his crimes, arranges for Jim's arrest for receiving the $800 from him, as it was part of the money that he had swindled from the old woman. Jim is infuriated, but Charley explains that he has been offered $5,000 for a series of articles on his escapades that Jim must write. The articles lead to a bestselling book.
After 18 months, Charley is released from prison and reunites with Eadie. Jim and Connie, who have beautified the apartment building with Jim's royalties, watch in amusement as Eadie and Charley take their infant twin daughters for a walk.
Cast
[edit]- June Haver as Connie Scott
- William Lundigan as Jim Scott
- Frank Fay as Charles Kenneth "Charley" Patterson
- Marilyn Monroe as Roberta "Bobbie" Stevens
- Jack Paar as Ed Forbes
- Leatrice Joy as Eadie Gaynor
- Henry Kulky as George Thompson
Uncredited
- Marie Blake as Mrs. Quigg
- Lois Wilde as Mrs. Mackey
- Martha Wentworth as Mrs. Thompson
- Bob Jellison as Fain
- Patricia Miller as Florence Gaynor
- Maude Wallace as Mrs. Arnold
- Ray Montgomery as Gray
- Faire Binney as Gladys Frazier
- Harry Hines as Building Inspector
- Charles Calvert as Knowland
- Jack Daly as Clark
Production
[edit]Set in New York City just after World War II, the film's screenplay was adapted by I.A.L. Diamond from Scott Corbett's 1950 novel The Reluctant Landlord. The film's title is derived from the song "Love Nest", written by Louis Hirsch (music) and Otto A. Harbach (lyrics). The song, which is sung by a chorus over the opening credits, was also used as the theme song for The Burns and Allen Show on radio and The George Burns and Gracie Allen Show on television.[citation needed]
Reception
[edit]In a contemporary review for The Philadelphia Inquirer, critic Mildred Martin called the film an "amiable, ambling little comedy" and wrote: "Although the film's surprise tag may verge upon the questionable, it's still good for a gasp and a giggle which is all it is aimed at. ... Apparently partial to the senior members of the cast, Joseph Newman hasn't bothered to put much variety into his direction of Lundigan, Miss Haver or the other comparative youngsters who are left too much to their own. not especially resourceful resources for the film's good."[1]
In the Chicago Tribune, critic Mae Tinée wrote: "Thanks to a moderately bright script and some likable people in the cast, this movie adds up to airy and amiable entertainment."[2]
References
[edit]- ^ Martin, Mildred (1951-11-17). "Frank Fay Steals Scenes in Fox Comedy 'Love Nest'". The Philadelphia Inquirer. p. 17.
- ^ Tinée, Mae (1951-11-21). "Old Timers Pop Up in Airy, but Pleasant Film". Chicago Tribune. p. 2, Part 2.
External links
[edit]- Love Nest at IMDb
- Love Nest at the TCM Movie Database (archived version)
- Love Nest at the AFI Catalog of Feature Films
- Love Nest at Rotten Tomatoes
- Theatrical release poster
Love Nest
View on GrokipediaProduction
Development
The film Love Nest originated as an adaptation of Scott Corbett's debut novel The Reluctant Landlord, published on May 29, 1950, by Crowell, which recounted the author's semi-autobiographical experiences as an unwitting landlord of a rundown New York City brownstone teeming with eccentric tenants, presented in a casual and amusing tone.[3] Rights to the novel were acquired by 20th Century Fox, where producer Jules Buck played a key role in greenlighting the project for development as a comedy feature.[1][4] The screenplay was penned by I.A.L. Diamond, an early point in his Hollywood career after arriving in 1941 and working on modest assignments; he would later achieve acclaim through long-term collaborations with Billy Wilder on classics like The Apartment (1960). Diamond's adaptation transformed the novel's anecdotal landlord woes into a structured narrative with heightened comedic interplay among tenants and romantic subplots, while introducing a post-World War II framework to deepen character motivations and arcs, such as the returning veteran's adjustment to domestic chaos.[5] Following the novel's release in mid-1950, the project advanced to production ahead of principal photography that spring.[2] Director Joseph Newman was chosen for the project owing to his experience with lighter fare at Fox.Filming
Principal photography for Love Nest took place from April 19 to May 16, 1951, at 20th Century Fox studios in Los Angeles, California.[6] All New York City exteriors were simulated on the studio backlots to contain costs and streamline production.[7] Director Joseph M. Newman helmed the project with a focus on a light comedy-drama tone, reflecting the domestic themes common in post-World War II films about returning veterans and urban life.[8] Newman's direction emphasized efficient scene work derived from I.A.L. Diamond's screenplay adaptation of Scott Corbett's novel The Reluctant Landlord.[9] Cinematographer Lloyd Ahern Sr. captured the film in black and white, forgoing the studio's popular Technicolor process to align with the modest production scale; his work highlighted the gritty, cluttered interiors of the rundown brownstone apartment sets, which were constructed on soundstages to evoke a seedy Manhattan boarding house.[9] As a typical B-picture from 20th Century Fox, Love Nest faced budget constraints that limited location shooting and special effects, while the 28-day principal photography schedule ensured adherence to the film's 84-minute runtime.[2]Casting
The leads for Love Nest were portrayed by June Haver as Connie Scott and William Lundigan as her husband Jim Scott. Haver, a 20th Century Fox contract player known for musicals, took on the role following a two-year hiatus from feature films after her 1949 appearance in Look for the Silver Lining, marking her return to leading parts in comedy-drama.[10] Lundigan, frequently cast as reliable, everyday heroes in post-war films, embodied the archetype of the returning serviceman in this production, consistent with his roles in pictures like Pinky (1949) and I'd Climb the Highest Mountain (1951). Key supporting roles included Frank Fay as Charley Patterson, a charming but shady tenant, and Leatrice Joy as Eadie Gaynor, the building's aging landlady. Fay, a vaudeville and Broadway veteran from the 1920s who had largely stepped away from Hollywood after early talkies, made his final screen appearance in Love Nest, reviving his stage-honed comedic timing for this character-driven ensemble. Joy, a prominent silent-era star who had transitioned to sound films but appeared sparingly in the 1940s, delivered her last film performance here, drawing on her experience from classics like Manslaughter (1922).[11] Marilyn Monroe played Roberta "Bobbie" Stevens, a glamorous but brief tenant whose role highlighted her emerging sex appeal as a model-turned-actress. This part came shortly after her breakout bit in The Asphalt Jungle (1950), positioning it as an early highlight in her Fox tenure where she was groomed through supporting spots in comedies.[2] Jack Paar appeared in a small but memorable bit as Ed Forbes, Monroe's suitor, predating his rise to fame as a television host on shows like The Tonight Show.[12] Other minor roles filled out the quirky ensemble of boarding house residents.[9] 20th Century Fox's casting approach for Love Nest emphasized blending seasoned performers like Haver and Fay with up-and-coming talents such as Monroe to boost audience draw and showcase rising stars in accessible, character-focused stories. This strategy aligned with the studio's post-war push to pair familiar faces with fresh appeal for modest-budget comedies aimed at broad appeal.Plot
Synopsis
Set in post-World War II New York City, Love Nest follows Jim Scott, an aspiring novelist who returns home from military service to find that his wife, Connie, has used their savings to purchase a dilapidated brownstone, converting it into a boarding house to generate income while he pursues his writing career.[13] The central conflict arises as Jim's attempts to focus on his novel are constantly disrupted by the demands of managing eccentric tenants, including the con artist Charley Patterson, who targets wealthy widows, and the widow Eadie Gaynor, whose budding romance with Charley adds further complications to the household dynamics.[13] Tensions escalate with building code violations threatening the property, jealousy sparked by the arrival of Roberta "Bobbie" Stevens—Jim's former army buddy and an ex-WAC—who moves in and creates romantic misunderstandings, and Charley's fraudulent schemes culminating in his arrest, all straining Jim and Connie's marriage amid the chaos of postwar domestic adjustment.[13][14] Ultimately, inspiration from Charley's experiences leads Jim to pen a bestselling novel, resolving their financial woes and restoring harmony to their lives.[13]Themes
Love Nest examines the difficulties faced by returning World War II veterans in readjusting to civilian life, particularly through Jim Scott's surprise upon discovering his wife Connie has purchased a dilapidated New York City brownstone as an investment, highlighting the post-war housing shortage amid economic uncertainty.[15] This narrative reflects broader societal pressures on ex-servicemen to provide stability while navigating unexpected domestic responsibilities, as noted in contemporary critiques describing the film's central premise as a "dated" theme rooted in immediate post-war adjustments.[16] The film contrasts traditional gender expectations with emerging female independence, exemplified by Connie's proactive role in acquiring and managing the property during Jim's absence, which challenges his assumptions of a conventional homemaker upon his return. This dynamic underscores tensions in 1950s marital roles. Through its depiction of eccentric tenants in the rundown building, Love Nest offers a satirical commentary on urban tenancy struggles, con artists exploiting desperate renters, and class divides in post-war New York, using comedic scenarios to critique the chaos of low-income housing and opportunistic schemes.[17] The Variety review highlights how these situations, though lightweight, poke fun at the era's social frictions without deeper bite.[16] Charley Patterson's arc provides a redemption storyline, evolving from a slick schemer posing as a war hero to a genuine mentor figure who inspires Jim's growth, embodying the comedy-drama genre's optimistic view of personal reform amid adversity. This transformation mirrors the film's overall tone of hopeful resolution in the face of post-war disillusionment.[15]Cast
Main cast
| Actor | Character | Description |
|---|---|---|
| June Haver | Connie Scott | Resourceful wife who buys a dilapidated apartment building while her husband is away at war.[1] |
| William Lundigan | Jim Scott | Aspiring writer and serviceman whose return home is disrupted by unexpected landlord duties.[15] |
| Frank Fay | Charley Patterson | Charming con man tenant who scams wealthy widows with fake investments.[17] |
| Marilyn Monroe | Roberta "Bobbie" Stevens | Attractive boarder and former WAC colleague of Jim, whose arrival sparks jealousy in his wife.[1] |
