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Lucienne Le Marchand
Lucienne Le Marchand
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Lucienne Le Marchand (15 November 1908 – 9 February 1992) was a Belgian stage, film and television actress.[1]

Key Information

Selected filmography

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References

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Bibliography

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from Grokipedia
#Lucienne Le Marchand Lucienne Le Marchand (15 November 1908 – 9 February 1992) was a Belgian stage, film and television actress known for her roles in French cinema from the 1930s to the 1980s. Born in Ixelles, Brussels, Belgium, she began her career in theater and made her screen debut in the early 1930s. Her filmography includes 57 credits on IMDb, often in supporting and character roles. She retired after her last role in 1985 and lived privately until her death at age 83.

Early life

Birth and origins

Lucienne Le Marchand was born on November 15, 1908, in Ixelles, Brussels, Belgium. She was of Belgian nationality and her full birth name was Lucienne Germaine Henriette Le Marchand, with the surname also appearing as Lemarchand in some records. Ixelles, a municipality within the Brussels-Capital Region, was her place of origin. No further verified details about her early family background or childhood are available.

Acting career

1930s breakthrough roles

Lucienne Le Marchand began her film career in the early 1930s, appearing in French productions throughout the decade despite her Belgian origins. Her initial credits included minor or uncredited parts, such as in the 1930 short Ce soir à huit heures and the 1933 film Les aventures du roi Pausole. She gained prominence with her portrayal of George Sand in La chanson de l'adieu (1934). This was followed by her role as Dounia in the 1935 French adaptation of Crime and Punishment, credited as Lucienne Lemarchand. In the same year, she appeared as Sarah in Les mystères de Paris and as Tania in Beautiful Days (also known as Happy Days). In 1937, Le Marchand played Namo in Yoshiwara, again credited as Lucienne Lemarchand. She also provided uncredited French voice dubbing for Betty Furness in the American film Swing Time (1936). Other credits during the decade included supporting roles in films such as Le masque qui tombe (1934), Nous ne sommes plus des enfants (1934), La petite sauvage (1936), L'homme sans coeur (1937), and Trois... six... neuf (1937). These performances established her presence in pre-war French cinema.

Post-war and 1940s–1950s films

After World War II, Lucienne Le Marchand resumed her screen career with appearances in French films throughout the late 1940s and the 1950s, often in supporting or character parts. Her first notable post-war role was as Lady Beltham in the crime film Fantômas (1947), directed by Jean Sacha. She continued with a part in Judicial Error (Erreur judiciaire, 1948). In 1950 she took the leading role of Théodora in the comedy L'Extravagante Théodora (Extravagant Theodora). Other credits during this period include The Unexpected Voyager (La Voyageuse inattendue, 1950), The Case of Doctor Galloy (Le Cas du docteur Galloy, 1951), The Red Head (Poil de carotte, 1952), and The Drunkard (La Pochar de, 1953). Compared to her more prominent starring and supporting roles in the 1930s, Le Marchand's film work in the post-war decades reflected a shift toward character roles, with fewer lead parts overall.

Later career in film and television (1960s–1980s)

Lucienne Le Marchand resumed her screen work in the later decades of her career, focusing primarily on supporting and guest roles in French film and television productions during the 1970s and 1980s. She appeared in Joseph Losey's acclaimed thriller Mr. Klein (1976), starring Alain Delon and set in Nazi-occupied France. Her final film role came in Jean-Claude Brisseau's Un jeu brutal (A Brutal Game, 1983), where she played the mother of the protagonist Christian. Le Marchand also became active in television during this period, taking character parts in several notable series and movies. She portrayed the Duchesse Douairière de Vaudreuil in the 1977 mini-series Au plaisir de Dieu. Her other television credits from the era include the mini-series Rendez-vous en noir (1977), the TV movie La maison des autres (1977), an episode of Cinéma 16 (1979), appearances on Messieurs les jurés (1984), and L'histoire en marche (1985). According to her profile on IMDb, Le Marchand accumulated 57 acting credits throughout her career, which extended from 1930 to 1985. Her later contributions emphasized brief but memorable character performances in French audiovisual media.

Personal life

Marriage to Marc Valbel

Lucienne Le Marchand was married to the French actor Marc Valbel. The marriage ended in divorce. No further details about the relationship, including dates or any children, are documented in available sources.

Death

Final years and passing

Le Marchand retired from acting after her last credited role in 1985. She spent her final years in relative privacy before passing away on February 9, 1992, in Couilly-Pont-aux-Dames, Seine-et-Marne, France, at the age of 83.
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