MGM+

MGM+ (formerly known as Epix; pronounced epics and stylized as eᴘix) is an American premium cable and satellite television network owned by the MGMPlus Entertainment subsidiary of Metro-Goldwyn-Mayer (MGM), which is itself a subsidiary of Amazon MGM Studios. The network's programming consists of recent and older theatrically released motion pictures, original television series, documentaries, and music and comedy specials.

The service was originally launched in the United States on October 30, 2009 by a joint venture between MGM, Lionsgate, and Paramount. After MGM acquired the stakes of the service's co-founders in late 2017, and following the March 2022 acquisition of MGM itself by Amazon, Epix was rebranded as MGM+ on January 15, 2023. It was the culmination of a gradual transition by the network to utilize the imaging of MGM following the buyout, as well as Amazon repositioning it as a sister service to Prime Video and Freevee.

MGM+ is currently led by Michael Wright. Since he joined in November 2017, the network would expand its original program offerings (including Godfather of Harlem starring Forest Whitaker, Perpetual Grace, LTD starring Ben Kingsley and Jimmi Simpson, Deep State, unscripted series Unprotected Sets executive produced by Wanda Sykes and the return of The Contender).

The flagship channel and its three multiplex channels (depending on the carriage of any of the latter services) are sold by most traditional multichannel video programming distributors either as premium services or as part of a la carte digital movie tiers as well as by over-the-top MVPDs Sling TV, DirecTV Stream, Philo, FuboTV and YouTube TV.

The service is also sold direct-to-consumer through a proprietary streaming service of the same name, and via a la carte subscriptions independent of a traditional pay television platform sold by Apple TV Channels, Amazon Channels and The Roku Channel. Each digital platform provides a library of video on demand content and live streams of the linear MGM+ television channels (the standalone streaming service and the Amazon Video channel provide feeds of all four MGM+ multiplex channels; Apple and Roku subscribers receive only the East Coast feed of the primary MGM+ channel).

Paramount Pictures has been involved in the pay television industry since the 1950s. From 1953 to 1961, Paramount owned Telemeter, an ambitious but expensive theater television system that transmitted using closed circuitry—as opposed to broadcast frequencies—over which customers could purchase broadcasts by inserting coins into a collection box.

In April 1980, Paramount (then owned by Gulf+Western), MCA/Universal Studios, Columbia Pictures and 20th Century Fox partnered with Getty Oil to jointly develop a pay cable service to be named Premiere. The proposed channel would have maintained exclusive first-run rights to newer feature films distributed by each of the studios (which would have aired nine months before their initial telecasts on other premium channels—up to four months shorter than the average period between a film's theatrical release and their entry into the pay television market), along with carrying films cherry-picked from other studios without any exclusivity. Displeased that the venture would likely give the four studios disproportionate control of the pay television marketplace, Home Box Office, Inc. (then owned by Time-Life), Warner-Amex Satellite Entertainment and Viacom/TelePrompTer—then the respective owners of HBO, The Movie Channel and Showtime—proceeded to file an antitrust lawsuit against the studios with the U.S. Justice Department later that year. After reviewing the case, the Justice Department issued an injunction blocking Premiere's planned January 1, 1981, launch, deeming the venture to be an illegal boycott of the existing pay services that would subject them to possible financial damage if its presence resulted in price fixing of film titles. Paramount, MCA, Fox and Columbia decided to scrap the venture after the ruling was handed down.

In August 1982, MCA/Universal and Gulf+Western reached an agreement with Warner Communications to each acquire 25% interests in The Movie Channel, a struggling pay service then-owned by Warner-Amex Satellite Entertainment, a cable television venture of Warner and American Express, which would retain the remaining 25% share under the proposed collaborative venture. This proposal was driven by the studios wanting to increase revenue received from licensing their films to premium television services, and industry concerns that dominant premium service HBO would hold undue negotiating power for these rights through its acquisitions of film titles prior to their theatrical release. In January 1983, the proposal was amended to include Viacom International, which proposed to consolidate The Movie Channel and Showtime (of which Viacom had acquired the 50% interest inherited by Group W Cable through its prior merger with TelePrompTer for $75 million in August 1982) into one unit. Four of the partners would respectively own 22.58% of both networks, with American Express owning the remaining 9.68%. As with the earlier Premiere proposal, the Justice Department subjected the proposal to regulatory scrutiny as Warner, Universal and Paramount received 50% of their respective total revenue from film releases and licensing fees from premium services; the 30% share that would be held by the Showtime-TMC combination would have also formed an oligopoly in the pay cable market with HBO and Cinemax (which, even with the presence of smaller competitors at the time like Bravo and Home Theater Network, controlled the remaining 60% of the market).