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Majaal
Majaal
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Majaal
Theatrical release poster
Directed byK. Bapaiah
Written byKader Khan (dialogues)
Indeevar (lyrics)
Screenplay byParuchuri Brothers
Story byM. Bhaskar
Based onPournami Alaigal (1985) by M. Bhaskar
Produced bySrikanth Nahata
StarringJeetendra
Sridevi
Jaya Prada
CinematographyA. Venkatesh
Edited byD. Venkataratnam
Music byBappi Lahiri
Production
company
Vijayalakshmi Pictures
Release date
  • 24 April 1987 (1987-04-24)
Running time
158 minutes
CountryIndia
LanguageHindi

Majaal (transl. Audacity) is a 1987 Indian Hindi-language drama film, produced by Srikanth Nahata under the Vijayalakshmi Pictures banner and directed by K. Bapaiah. The film stars Jeetendra, Sridevi, Jaya Prada and music composed by Bappi Lahiri. It is a remake of the Telugu film Sravana Sandhya (1986) which itself was remade from Tamil film Pournami Alaigal (1985).[1]

Plot

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Vijay Kumar is a vibrant guy rose by Advocate Kailashnath and a law graduate. However, Kailashnath loses his zeal to practice feeling inadequate. Vijay loves Sadhana, the haughty daughter of Kailashnath, and they get married. Sadhana also completes her LLB and soon gets promoted as a public prosecutor. However, she fails to respect her husband, in fact scorns him. Suddenly a terrible event, a woman Sravani slays a rectitude top-tier Amrit Lal publicly and surrenders. Just then, a priest Vishnu Prasad approaches Kailashnath to defend the case which he denies. Thus, Vijay takes it as a challenge to prove himself self-sufficient when he discords with Sadhana and quits the house.

During the trial, Vijay gives a tough fight to Sadhana and starts his investigation. In tandem, Rakesh the husband of Sravani affirms divorce which dismays her whom Vijay consoles and a suspicion begins in Sadhana. Moreover, she too receives disgrace from society. Ongoing, vigorous arguments continue when Vijay breaks the demonic shade of Amrit Lal. In the past, he is a temple trustee whereas Sravani’s father Somnath is a priest. One night, Amrit Lal sacrileges the jewelry of God by killing Somnath and molesting his wife which made a severe impact on Sravani, and seeks vengeance. Thus, the courts acquit Sravani as guiltless when Sadhana freaks out, unable to take the defeat. Besides, she is aware of Vijay & Sravani's wedlock and rushes. At once, she spots Sravani dedicating herself to the welfare of orphans when Sadhana understands the virtue of her husband. At last, Sadhana pleads for pardon from Vijay. Finally, the movie ends happily as Vijay & Sadhana begin a new life.

Cast

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Soundtrack

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Lyrics: Indeevar

Song Singer
"Hay Rama, Hay Rama" Kishore Kumar, Asha Bhosle
"Sharabon Se Kya Mujhko Kaam" Kishore Kumar, Asha Bhosle
"Ting Ting Ghanti Baje, Dil Mein Ghanti Baje" Kishore Kumar, Asha Bhosle
"Tum Into Main, Main Into Tum, Equal To Pyar Ke Sau Saal" Kishore Kumar, Asha Bhosle
"Itni Kisi Ki Majaal Kahan, Chheene Mujhse Murliwala" Mohammed Aziz, Asha Bhosle

References

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[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
''Majaal'' (transl. ''Audacity'') is a 1987 Indian Hindi-language drama film directed by K. Bapaiah and produced by Srikanth Nahata under the Vijayalakshmi Pictures banner. The film stars Jeetendra, Jaya Prada, and Sridevi in lead roles, with music composed by Bappi Lahiri. It follows Vijay Kumar, an orphan lawyer who faces humiliation from his in-laws after marrying Sadhana, leading to marital discord and family conflicts. Released on 24 April 1987, the film is a remake of the 1986 Telugu movie ''Sravana Sandhya''.

Overview

Plot

Majaal is a remake of the 1986 Telugu film Sravana Sandhya. Vijay Kumar, an orphan raised by the principled Kailashnath Chaudhary, follows in his foster father's footsteps and establishes a successful career as a . Vijay falls in love with Sadhana, Kailashnath's daughter and a dedicated public prosecutor, leading to their despite initial familial reservations. Tensions arise when professional conflicts emerge, exacerbated by Sadhana's relatives' repeated disrespect toward Vijay, causing a deep rift in their relationship and prompting him to abandon his legal practice and withdraw from his wife. Distressed by Vijay's disillusionment, Kailashnath intervenes by assigning him to defend Sandhya, a young woman falsely accused of murdering the influential businessman Amritlal in a high-profile case. Sandhya's tragic backstory unfolds during the investigation: she endured the devastating loss of her family due to Amritlal's ruthless criminal enterprises, which ultimately led to her being framed for his death. Determined to seek justice, Vijay delves into the evidence, uncovering irrefutable proof of Sandhya's innocence and revealing Amritlal's extensive web of illegal schemes that ensnared innocent lives. The narrative builds to a gripping confrontation where Vijay masterfully presents his findings, securing Sandhya's and dismantling the antagonist's facade of respectability. As the public prosecutor opposing Vijay in the trial, Sadhana observes his unwavering and commitment to truth, which reignites their bond and culminates in an emotional , restoring harmony to their family.

Cast

The film features an led by prominent Bollywood actors of the era, blending dramatic leads with supporting performers to explore themes of justice and family. stars as Vijay Kumar, the idealistic who navigates moral dilemmas in his pursuit of truth. plays Sadhana, Vijay's wife and a determined public prosecutor who supports his endeavors while facing personal challenges. portrays Sandhya/Sravani, the accused woman with a tragic past whose case becomes central to the narrative. Prem Chopra embodies Amritlal, the primary antagonist involved in criminal activities that drive much of the conflict. Kader Khan appears as Advocate Kailashnath Chaudhary, Vijay's mentor and adoptive father figure who guides him through his legal career. Raj Kiran is cast as Rakesh, Sandhya's supportive brother who aids in her defense. In supporting roles, Govardhan Asrani provides comic relief as Doodh Nath. Satyendra Kapoor serves as the Judge overseeing key courtroom scenes. plays a clothing merchant, depicts Police Inspector Eeshwar Lal, and Renu Joshi is Matron Rukmini.

Production

Development

Majaal originated as a Hindi-language remake of the 1985 Tamil film Pournami Alaigal, with the adaptation mediated through the 1986 Telugu film Sravana Sandhya, which itself was based on the Tamil original. The screenplay was written by the , a prominent Telugu screenwriting duo known for their work in commercial cinema, who adapted the story by to emphasize themes of justice, family bonds, and personal redemption. Dialogues were provided by , enhancing the dramatic and moral conflicts central to the narrative. The film was produced by Srikanth Nahata under the Vijayalakshmi Pictures banner, marking another venture in for the production house. It was directed by K. Bapaiah, an established filmmaker renowned for directing multi-starrer family dramas in the 1980s, including hits like (1984) and Swarg Se Sunder (1986). The project featured in a lead legal role, representing a return to such characters after his performance as a lawyer-turned-judge in (1983).

Filming

Principal photography for Majaal was conducted primarily in . The production, handled by Vijayalakshmi Pictures, wrapped up in time for the film's theatrical release on April 24, 1987. Directed by K. Bapaiah, the shoot emphasized the film's dramatic narrative, featuring as the lead alongside and in a storyline centered on a romantic triangle complicated by family and legal conflicts, with providing support in a key authoritative role.

Soundtrack

Composition

The music for Majaal was composed by Bappi Lahiri, a prominent figure in 1980s Bollywood known for pioneering disco-influenced tracks that blended Western rhythms with Indian melodies. The lyrics were penned by Indeevar, whose work often combined romantic sentiments with dramatic emotional depth to align with narrative arcs in family dramas and love stories. The soundtrack features five songs that fuse melodic structures with upbeat, danceable elements characteristic of Lahiri's style, and it was recorded in Mumbai studios in early 1987 ahead of the film's release. The background score, also composed by Lahiri, incorporates synthesizer-heavy arrangements, while employing traditional orchestral elements. Vocals for the songs were primarily delivered by and , with contributing to one track featuring a . These compositions integrate seamlessly into the plot, such as through romantic s that underscore evolving relationships among the characters.

Track listing

The of Majaal features five songs, all s sung primarily by and , with a total runtime of 32 minutes.
No.TitleSinger(s)Notes
1Hay Rama, Hay Rama, Romantic duet picturized on and .
2Sharabon Se Kya Mujhko Kaam, Playful sequence highlighting marital discord.
3Ting Ting Ghanti Baje, Light-hearted track during a scene.
4Tum Into Main, Emotional for the .
5Itni Kisi Ki Majaal Kahan, Title track with defiant lyrics tied to the film's theme of audacity.

Release and reception

Release

Majaal was theatrically released in on 24 April 1987, distributed by Pictures. The film has a runtime of 158 minutes and received a U (universal) certification from the . It premiered in major cities including and before expanding to a nationwide. As of November 2025, the film is available for streaming on select platforms in .

Box office and critical reception

Majaal achieved moderate commercial success in . The film faced stiff competition from major hits like Mr. India, yet its family-oriented appeal contributed to steady attendance in urban and semi-urban theaters. Critically, Majaal garnered mixed reviews upon release, with praise centered on the effective chemistry between leads and , as well as Jaya Prada's supporting role, alongside Bappi Lahiri's energetic . However, detractors highlighted the film's predictable storyline and excessive as weaknesses, typical of the era's masala dramas. On , it holds a user rating of 5.3/10 based on 55 votes (as of 2023), reflecting divided audience sentiments. The played a key role in its reception, with tracks like "Itni Kisi Ki Majaal Kahan" gaining and aiding its draw among family audiences through radio airplay. Over time, the film developed a via 1990s television reruns, appreciated for its quintessential Bollywood elements including vibrant songs and dramatic confrontations.

References

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