"Making Plans for Nigel" is a song by English rock band XTC, released by Virgin Records as the lead single from their 1979 album Drums and Wires. It was written by Colin Moulding, the band's bassist. The lyrics are told from the point of view of overbearing parents who are certain that their son Nigel is "happy in his world", affirming that his future, to be spent working for British Steel, "is as good as sealed", and that he "likes to speak and loves to be spoken to".

The single marked XTC's commercial breakthrough. It spent 11 weeks on the UK Singles Chart and peaked at No. 17. In 2016, the song was ranked number 143 on the Pitchfork website's list of the 200 best songs of the 1970s. It was also ranked number 73 in NME's list of the 100 best songs of the 1970s.

Bassist Colin Moulding said of the song:

I didn't know where it came from. That phrase popped into my head, and one line followed another. Before I knew it, I'd written three parts of the song, and the rest of it just kind of fell in line probably a day or two later. ... When I was about 16, my father wanted me to stay on in school. But by that time, I really didn't want to do anything other than music, I think. ... So, in a way, is it autobiographical? Well, a little bit. I knew somebody called Nigel at school. But I think that, when you write songs, it's a lot of things all wrapped up, like in your dreams. Your dreams are kind of bits and pieces of all the walks of life you've been in.

During this time, XTC typically rehearsed about two or three times a week, at which juncture Moulding would introduce his bandmates to whatever new songs he had been working on. He remembered that "Making Plans for Nigel" appeared to receive "a favourable response. But at that time, I didn't really have enough confidence in myself to know where I was going with the arrangement. The other guys helped me on that, I suppose."

In the XTC biography Chalkhills and Children, it is stated that the song's drum pattern was discovered by accident after a miscommunication between guitarist Andy Partridge and drummer Terry Chambers. Partridge said that the drum pattern was actually a deliberate attempt to invert drum tones and accents in the style of Devo's cover of the Rolling Stones' "Satisfaction". He explained that Moulding introduced the song to the rest of the band on a nylon-string guitar at a slow tempo and did not have an idea of how the arrangement should be fleshed out, "so we said [to Colin], 'Do you fancy trying something like [Devo] for this?" And Colin said, 'Yeah, give it a go.'"

In Chambers' recollection: "Because of the subject matter, I wanted to make the beat a bit more industrial. So instead of keeping the rhythm on the hi-hat, I played it on the floor tom and used the hi-hat for the accents. It was the opposite to what drummers usually do but it gave it a juddering, production-line feel. We used a keyboard to make a smashing sound, like an anvil in a foundry. Partridge said that once the drum pattern was established, the band decided that Moulding should duplicate the tom rhythm on his bass guitar. He continued:

[Our second guitarist] Dave [Gregory] began to chop away, doing a much more syncopated version of the basic chords, on electric guitar. Almost snare-drum-like, you know? And I thought, "Well, what the hell am I going to do?" ... so I locked on to that with this two-note, little oriental pattern. That's really how the whole feel of the song came about, because when Colin brought it up, at about half that tempo, on a nylon-string guitar, it was a case of, "Well, this is a great melody, and great subject matter, but it's going to go nowhere like that.