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Making of a Male Model
Making of a Male Model
from Wikipedia

Making of a Male Model
GenreDrama
Romance
Written byAJ Carothers
Directed byIrving J. Moore
StarringJoan Collins
Jon-Erik Hexum
Arte Johnson
Kevin McCarthy
Roxie Roker
Ted McGinley
Jeff Conaway
Theme music composerArtie Butler
Country of originUnited States
Original languageEnglish
Production
Executive producersDouglas S. Cramer
Aaron Spelling
ProducersLynn Loring
Elaine Rich
Production locationsL'Orangerie - 903 North La Cienega Boulevard, Los Angeles, California
Plaza Hotel - 750 Fifth Avenue, Manhattan, New York City, New York
The Lot - 1041 N. Formosa Avenue, West Hollywood, California, USA
CinematographyRichard L. Rawlings
EditorDick Darling
Running time100 min.
Production companyAaron Spelling Productions
Original release
NetworkABC
ReleaseOctober 9, 1983 (1983-10-09)

Making of a Male Model is a 1983 American made-for-television romantic drama film directed by Irving J. Moore and starring Joan Collins and Jon-Erik Hexum.[1]

It was produced by ABC[1] and released on October 9, 1983.[1]

Plot

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Kay Dillon, a successful modeling agent, meets the young and handsome ranch hand, Tyler Burnett in Nevada, while attending an outdoor shoot. She notices his good looks and invites him to move to New York and start working as a model. Burnett, who has just been dumped by his girlfriend, accepts the invitation and goes to New York, where he shares an apartment with another model, Chuck Lanyard. Lanyard is addicted to alcohol and drugs; he is 35 years old, and therefore too old to be successful in the business. Burnett, who does not understand Lanyard's problems at first, is now being turned into one of America's best looking models by his agent and soon wins his first professional assignment.

However, Burnett wants a woman to settle down with in Nevada; he does not really like the fast-paced life in New York. After helping out Dillon during a fight with another agent, she falls in love with him and he believes she is the woman he could finally settle down with despite the age difference.

Burnett soon becomes America's most successful male model and Dillon realizes that it's impossible to continue a relationship with him, being his agent. After she confronts him with the sad truth, Burnett loses himself in a world of drugs and meaningless affairs. Things change when his former roommate dies of an overdose. Burnett flees back to Nevada where Dillon is able to convince him to return for one last shooting. Afterwards she lets him go and he returns to Nevada.

Cast

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References

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Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Making of a Male Model is a American made-for-television drama film directed by Irving J. Moore. The story centers on Kay Dillon, a high-powered modeling agent portrayed by , who discovers a handsome young ranch hand named Tyler Burnett, played by , during a trip to and convinces him to relocate to to launch a career as a male model. Running 100 minutes, the film explores themes of ambition, romance, and the cutthroat world of fashion, including professional rivalries and personal temptations. Produced by for ABC, the movie features executive producers and , with serving as producer and A.J. Carothers as . It premiered on October 9, 1983, capitalizing on Collins's rising fame from her role in the Dynasty. The supporting cast includes as a modeling agency executive, as Dillon's assistant, and and as fellow models navigating the industry's excesses. While not a critical darling upon release, Making of a Male Model has developed a cult following over the years, often praised for its campy glamour, '80s aesthetics, and depiction of the male modeling scene. The film's legacy is inextricably linked to the tragic death of Hexum in October 1984, when the 26-year-old actor accidentally shot himself with a prop gun on the set of the television series Cover Up, just one year after the movie aired. This event amplified interest in Hexum's brief career, cementing the film's status as a nostalgic artifact of early 1980s pop culture.

Overview

Plot

Kay Dillon, a high-powered modeling agent based in New York, visits for an outdoor photo shoot and discovers Tyler Burnett, a handsome and athletic young ranch hand working on a cattle drive. Impressed by his natural charisma and physical appeal, she approaches him with an offer to join her agency and pursue modeling in the city, though Tyler initially declines, preferring his simple rural life. After facing personal rejection from a local woman due to his lack of financial prospects, Tyler reconsiders and relocates to . In New York, Tyler struggles with the fast-paced urban environment and the industry's rigors, including initial resistance to Kay's suggestions for grooming and wardrobe changes, which a critical reinforces as necessary. Under Kay's , he undergoes intensive in posing, walking runways, and building a portfolio, leading to early setbacks like rejection from a catalog job but successes in television commercials, such as a cologne ad requiring multiple practice takes. His career rapidly ascends as he secures high-profile bookings, transforming him into a sought-after male model and featured in spreads and ads. As Tyler's fame grows, a romantic relationship develops between him and , evolving from professional guidance into intimacy following a where their chemistry ignites, despite the notable age gap and inherent power imbalance in their mentor-protégé dynamic. Tensions arise from career pressures, including Kay's professional risks when a rival named Ward accuses her of breaches during the party, stirring and conflict. Tyler rooms with Lanyard, an established but fading model who views the industry like a "stage play" and hints at its darker side through his own struggles with , fostering rivalry and cautioning Tyler against self-destructive paths. The narrative delves into themes of transformation, as Tyler evolves from a naive rural outsider to an urban success, grappling with the allure of fame versus his longing for independence and a ranch of his own. Conflicts peak as Tyler questions Kay's genuine affection amid their lovers' quarrels and the modeling world's jealousy-fueled challenges, culminating in his decision to prioritize his roots, leaving the high-stakes industry and their relationship behind for the open spaces of .

Cast

The principal cast of Making of a Male Model features an ensemble that highlights the contrasts between the glamorous New York modeling world and the protagonist's rural origins, with and leading as the mentor and mentee whose dynamic drives the narrative. Joan Collins as Kay Dillon
Kay Dillon is the ambitious and shrewd head of a New York modeling agency, serving as a passionate yet manipulative mentor who discovers raw talent and shapes it for success in the competitive industry.
Jon-Erik Hexum as Tyler Burnett
Tyler Burnett is the innocent and handsome young ranch hand from , a naive whose transition from countryside life to urban modeling stardom represents the 's central theme of personal transformation. This role marked Hexum's breakout performance as the lead male, showcasing his charisma in a star-making turn.
Jeff Conaway as Chuck Lanyard
Chuck Lanyard functions as a slick rival model within the agency, providing competitive tension and embodying the cutthroat side of the profession through his established presence and interpersonal rivalries.
Kevin McCarthy as Ward Hawley
Ward Hawley is the pragmatic agency executive who oversees operations and navigates business decisions, contributing to the ensemble by representing the corporate backbone of the modeling world.
Ted McGinley as Gary Angelo
Gary Angelo appears as a supporting model in the agency, offering camaraderie and insight into the daily realities of the job while highlighting the collaborative aspects of the .
Roxie Roker as Madge Davis
Madge Davis serves as Kay's loyal assistant, handling administrative duties and providing grounded support that underscores the behind-the-scenes efforts sustaining the agency's high-stakes environment.

Production

Development

The screenplay for Making of a Male Model was written by A.J. Carothers, drawing on the dynamics of the modeling industry while presenting a fictional centered on a young man's entry into the world of high . The project was produced by under Productions for ABC as a made-for-television movie, with executive producers and . The film was developed in 1983, during the height of popularity for glamour-filled primetime soaps like Dynasty, in which star played the role of Alexis Carrington, allowing the movie to capitalize on her appeal in stories of ambition and romance. As a typical made-for-TV movie of the era, it focused on accessible entertainment. Irving J. Moore was brought on to direct the production.

Casting

The casting process for Making of a Male Model was overseen by casting director Dennis Hammer, who assembled a mix of television stars and newcomers to suit the project's blend of glamour and drama. Joan Collins was chosen for the central role of Kay Dillon, the savvy modeling agency head, to capitalize on her burgeoning celebrity status as Alexis Carrington in the ABC prime-time soap Dynasty, which had elevated her to international prominence by 1983 and earned her a Golden Globe Award that year. For the protagonist Tyler Burnett, Jon-Erik Hexum was selected following auditions that emphasized his real-life modeling experience and athletic build, representing a significant acting breakthrough after his lead role in the short-lived NBC adventure series Voyagers! (1982). The supporting cast featured as the competitive rival model Chuck Lanyard, leveraging Conaway's recent fame from portraying aspiring actor Bobby Wheeler on the ABC/ sitcom (1978–1982). took on the part of fellow model Gary Angelo, drawing from his own background as a print model spotted for television and his ongoing visibility as Roger Phillips on Happy Days. , a seasoned performer known for classic films like (1951) and (1956), was cast as the industry veteran Ward Hawley to provide gravitas to the ensemble. The decision to pair Collins, then 50, with the 25-year-old Hexum for the central romance also highlighted an intentional age disparity, mirroring the bold, seductive persona Collins had popularized as the scheming Alexis on Dynasty.

Filming

Principal photography for Making of a Male Model took place in 1983, directed by Irving J. Moore for Productions. The production was primarily based in , , where interior and studio scenes were shot at L'Orangerie on 903 North La Cienega Boulevard and The Lot studios on 1041 N. Formosa Avenue in West Hollywood. To portray the film's environments, additional filming occurred at the on 750 in . These locations facilitated key sequences, including modeling sessions that highlighted the glamour of the fashion industry and exteriors evoking the story's urban and rural contrasts.

Release

Broadcast

Making of a Male Model premiered on the ABC network on October 9, 1983, as a made-for-television movie in the Sunday Night Movie slot at 8:00 p.m. ET/PT, with a runtime of 100 minutes. The film was produced as part of ABC's ongoing of Sunday evening features, which typically aired high-profile dramas and romances to attract a broad family audience during the 1983-84 television season. Promotion for the premiere focused on the star power of , fresh from her role in Dynasty, and the emerging appeal of as the handsome aspiring model Tyler Burnett, with trailers and advertisements in publications like highlighting the film's lighthearted romance and glamorous fashion world setting. Marketed as an entertaining blend of and allure, the movie was positioned to capitalize on the era's interest in celebrity-driven stories and visual spectacle.

Home media

The film received its first official home media release on DVD from on November 25, 2014, in a manufactured-on-demand format with an encoding and 1.33:1 . This edition, running 94 minutes, has been noted for its campy appeal and , particularly in light of co-star Jon-Erik Hexum's tragic shortly after production. Due to the movie's status as a made-for-TV production and its niche popularity, official physical releases remain limited, with no edition or Blu-ray version ever issued. The cult interest has instead fostered unofficial availability, including bootleg copies and full unauthorized uploads circulating online. As of November 2025, the complete film is accessible for free streaming on via user-uploaded versions, though it is not available on major subscription platforms or ad-supported services like .

Reception

Critical response

Upon its 1983 broadcast, Making of a Male Model received mixed reviews from critics, who praised the star power and physical appeal of its leads while critiquing the script's lack of depth and predictable narrative. The Washington Post described the film as a "dopey" endeavor that prioritized "incredible hunks" over substantive storytelling, emphasizing Jon-Erik Hexum's striking looks as the primary draw. Similarly, The New York Times noted its "slim" character development, portraying it as a commercial vehicle more focused on glamour than emotional nuance. Joan Collins' charismatic turn as the savvy modeling agent was seen as a highlight, leveraging her Dynasty persona to infuse the role with commanding presence and wit. Retrospective critiques from the onward have often recast the film as "so-bad-it's-good" entertainment, appreciating its campy and quintessential excess in fashion and romance. On , it holds an average user rating of 6.0 out of 10 based on nearly 300 votes, reflecting moderate appreciation for its lighthearted . Reviewers have highlighted Hexum's frequent shirtless scenes as a standout visual element, contributing to the film's enduring appeal as fluffy, visually indulgent fare. The script's gender-flipped take on modeling industry tropes—centering a male protagonist's rise—was viewed as a angle at the time but ultimately shallow in execution, prioritizing surface-level drama over deeper exploration.

Viewership

"Making of a Male Model" premiered on ABC on October 9, 1983, drawing substantial viewership and ranking among the highest-rated TV movies of the early 1983-84 season, largely due to Joan Collins' star power from the top-rated series Dynasty. The film was positioned to appeal to a primarily female audience, with promotional materials and reviews highlighting its focus on male attractiveness and romance as a draw for women, including descriptions of it as a narrative for "lusting females." The broadcast achieved particular success in urban markets, where Collins' Dynasty fanbase was concentrated, contributing to its strong performance in key demographics such as women aged 18-49. In the , the movie has maintained a through digital platforms, with full uploads on accumulating over 200,000 views for popular versions as of 2025, alongside availability for digital purchase and rental on services like Amazon. This sustained interest underscores its enduring appeal among fans of television and Joan Collins' oeuvre.

Legacy

Making of a Male Model has cultivated a dedicated since the , valued for its exaggerated, campy depiction of glamour and the fashion industry's excesses. Viewers have embraced its retro aesthetic and playful tone, often citing it as a quintessential example of lighthearted television . The film's availability on home media has sustained this interest, with enthusiasts appreciating its blend of romance, humor, and visual flair. Jon-Erik Hexum's untimely on October 18, 1984, from a accident during filming of the series , profoundly amplified the film's enduring notability. As Hexum's final major project before the incident, Making of a Male Model is frequently highlighted in retrospectives as the vehicle that launched his stardom, transforming it into a poignant artifact of his brief career. Contemporary accounts note how the cast a shadow over his work, prompting renewed examinations of his charismatic screen presence and the opportunities cut short. Beyond Hexum's personal story, the film occupies a modest place in broader media representations of male modeling, offering an early televised exploration of the profession's allure and challenges. It has been referenced in scholarly discussions on the of masculinities and the of male bodies in , underscoring its contribution to shifting perceptions of and standards. While not a , its influence persists in occasional analyses of media tropes.

References

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