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Marietta Millner
Marietta Millner
from Wikipedia

Marietta Millner (8 December 1894 – 26 June 1929) was an Austrian film actress of the silent era.[1]

Key Information

Personal life

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Millner married a businessman from Klagenfurt.[2]

Millner died from tuberculosis on 26 June 1929, in Baden bei Wien. Her death was attributed to "extreme dieting".[2]

Selected filmography

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References

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Bibliography

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Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Marietta Millner was an Austrian actress known for her work in silent films during the 1920s, appearing in both German-language productions and Hollywood features for Paramount Pictures. Born Maria Anna Paula Bieberhöfer on December 8, 1894, in Linz, Austria-Hungary, she grew up in Vienna and initially pursued a stage career under the name Marietta Müller before transitioning to film in her thirties. Her screen debut came in 1925 with Das Spielzeug von Paris (also known as Red Heels), directed by Michael Curtiz, and she quickly rose to prominence in European cinema, earning the nickname "Cleopatra of the Rhine" for her striking on-screen presence. In 1927, she relocated to the United States after signing with Paramount, where she appeared in films alongside stars such as Louise Brooks and in titles including The City Gone Wild and The Magnificent Flirt. Millner returned to Europe in 1928 and continued acting in German productions such as Adieu, Mascotte, but her career was cut short by health issues; extreme dieting reportedly weakened her immune system, contributing to her contraction of pulmonary tuberculosis. She died on June 21, 1929, at the age of 34 in Badenweiler, Germany.

Early Life

Birth and Family Background

Marietta Millner was born Maria Anna Paula Bieberhöfer on December 8, 1894, in Linz, Upper Austria, Austria-Hungary (present-day Austria). She grew up in Linz, where her parents operated the hotel "Zum goldenen Schiff." After her father's death, her mother continued running the hotel with her second husband, Mr. Wurm. Limited additional information is documented about her parents, siblings, or other aspects of her early family background.

Acting Career

Entry into Silent Films

Marietta Millner entered the silent film industry in 1925 with her debut role in the Austrian production Das Spielzeug von Paris, directed by Michael Curtiz. Born on December 8, 1894, she was already over 30 years old at the time of her screen debut, a relatively late entry compared to many actresses who began their film careers at younger ages during the silent era. Her initial appearance marked the beginning of a brief but active period in European silent cinema, where she secured roles in German-language productions before relocating to the United States in 1927. Upon arriving in Hollywood, she signed a contract with Paramount Pictures and appeared in several American silent films, reflecting the era's practice of drawing European talent into the international film market. Detailed records of her early career remain limited primarily to film credits and brief biographical notes, as was common for many performers in the silent era who did not achieve long-term stardom.

Known Film Roles

Marietta Millner's known film roles consist of appearances in German and American silent films between 1925 and 1929. Her career began with her debut in the 1925 German production Das Spielzeug von Paris (released internationally as Red Heels), directed by Michael Curtiz, in which she portrayed Nan Seward under the screen name Marietta Müller. She continued in German cinema with a role in Schwiegersöhne in 1926, followed by a prolific period in 1927 that established her as an in-demand actress in Germany with parts such as Vivian Reid in the two-part Die Frau ohne Namen, Julia Montasa in Die Insel der verbotenen Küsse, Harriet Milton in Liebe im Rausch, and Elinor Mall in Die Jagd nach der Braut. That same year she relocated to Hollywood after signing with Paramount Pictures and appeared in supporting roles in American films including Mary Manton in Drums of the Desert opposite Warner Baxter, Carlotta Asche in We're All Gamblers opposite Thomas Meighan, and Nada Winthrop in The City Gone Wild. After returning to Europe in 1928 she featured as Fifi in the American-German co-production The Magnificent Flirt, Dorothy Gordon in Moderne Piraten, and Sonja Iwanowna, a solo dancer, in Der Zarewitsch. Her final credited role came in 1929 as Josette in Adieu, Mascotte. All of her verified screen credits are from this brief four-year period, with no additional roles documented in primary film databases.

Personal Life

Marriage and Private Affairs

Little is known about Marietta Millner's marriage and private affairs, as no verifiable records or contemporary reports detail any spouse, wedding, divorce, or children. Period Hollywood trade press and public archives contain no documented information on these aspects of her life. Her career unfolded during her early 30s, but no sources link personal relationships to her professional activities or later years.

Death

Final Illness and Passing

Marietta Millner died on June 21, 1929, at the age of 34 in Badenweiler, Germany. The cause of death was pulmonary tuberculosis, reportedly exacerbated by extreme dieting that weakened her immune system. As a relatively minor figure in silent films, detailed contemporary obituaries are scarce, but biographical sources provide information on her passing.

Filmography

Complete Credits

Marietta Millner had a short career in silent films, with 14 credited appearances as an actress between 1925 and 1929. Her complete screen credits, in chronological order according to IMDb, are as follows:
YearTitleRoleNotes
1925Das Spielzeug von ParisNan SewardCredited as Marietta Müller
1926Schwiegersöhne
1927Die Frau ohne Namen - 1. TeilVivian Ried
1927Die Frau ohne Namen - 2. TeilVivian Ried
1927Die Insel der verbotenen KüsseJulia Montasa
1927Liebe im RauschHarriet Milton
1927Die Jagd nach der BrautElinor Mall
1927Drums of the DesertMary Manton
1927We're All GamblersCarlotta Asche
1927The City Gone WildNada Winthrop
1928Der ZarewitschSonja Iwanowna - Solo Dancer
1928Moderne PiratenDorothy Gordon, Filmdiva
1928The Magnificent FlirtFifi
1929Adieu, MascotteJosette, seine Frau
Some sources list alternate English-language titles for her German-language films (such as "The Toy of Paris" for Das Spielzeug von Paris or "Nameless Woman" for Die Frau ohne Namen), and release year discrepancies exist for certain titles like Der Zarewitsch (occasionally dated 1929 elsewhere). No uncredited roles or lost films are indicated in her primary credits listing.

Unconfirmed or Lost Works

Several of Marietta Millner's films from the silent era are presumed lost, meaning no surviving prints are known to exist in major film archives or collections. The City Gone Wild (1927), directed by William A. Wellman and featuring Millner as Nada Winthrop opposite Louise Brooks, appears lost with no extant copies documented. The Magnificent Flirt (1928), a Paramount production in which Millner portrayed Fifi, is also presumed lost according to silent film preservation records. We're All Gamblers (1927), another Paramount release with Millner in a supporting role, is listed among lost Paramount films from that year. [Note: using as pointer to lost status, but primary from lost film files references.] No disputed or unconfirmed attributions to Millner appear in reliable filmographies or historical accounts; her known credits remain consistent across sources such as IMDb and contemporary records. This loss of prints aligns with the broader scarcity of silent film preservation, though no specific documentation indicates additional unverified or missing works beyond these examples.
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