Martha Nussbaum

Martha Nussbaum (/ˈnʊsbɔːm/; née Craven; born May 6, 1947) is an American philosopher and the current Ernst Freund Distinguished Service Professor of Law and Ethics at the University of Chicago, where she is jointly appointed in the law school and the philosophy department.

Nussbaum's work has concerned ancient Greek and Roman philosophy, political philosophy, existentialism, feminism, and ethics, including animal rights. She also holds associate appointments in classics, divinity, and political science, is a member of the Committee on Southern Asian Studies, and a board member of the Human Rights Program. She previously taught at Harvard and Brown.

She has written more than two dozen books, including The Fragility of Goodness (1986). She received the 2016 Kyoto Prize in Arts and Philosophy, the 2018 Berggruen Prize, and the 2021 Holberg Prize. In recent years, she has also been considered a candidate for the Nobel Prize in Literature.

Nussbaum was born Martha Craven on May 6, 1947, in New York City, the daughter of George Craven, a Philadelphia lawyer, and Betty Warren, an interior designer and homemaker. During her teenage years, Nussbaum attended The Baldwin School in Bryn Mawr. She described her upbringing as "East Coast WASP elite ... very sterile, very preoccupied with money and status". She would later credit her impatience with "mandarin philosophers" and dedication to public service as the "repudiation of my own aristocratic upbringing. I don't like anything that sets itself up as an in-group or an elite, whether it is the Bloomsbury group or Derrida".

After studying at Wellesley College for two years, she dropped out to pursue theatre in New York. She studied theatre and classics at New York University, getting a Bachelor of Arts degree in 1969, and gradually moved to philosophy while at Harvard University, where she received a Master of Arts degree in 1972 and a Doctor of Philosophy degree in 1975, studying under G. E. L. Owen.^{[citation needed]}

In the 1970s and early 1980s Nussbaum taught philosophy and classics at Harvard, where she was denied tenure by the Classics Department in 1982. Nussbaum then moved to Brown University, where she taught until 1995 when she joined the University of Chicago Law School faculty. Her 1986 book The Fragility of Goodness, on ancient Greek ethics and Greek tragedy, made her a well-known figure throughout the humanities. At Brown, Nussbaum's students included philosopher Linda Martín Alcoff and actor and playwright Tim Blake Nelson. In 1987, she gained public attention due to her critique of fellow philosopher Allan Bloom's The Closing of the American Mind. More recent work (Frontiers of Justice) establishes Nussbaum as a theorist of global justice. Nussbaum's work on capabilities has often concerned the unequal freedoms and opportunities of women, and she has developed a distinctive type of feminism, drawing inspiration from the liberal tradition, but emphasizing that liberalism, at its best, entails radical rethinking of gender relations and relations within the family.

Nussbaum's other major area of philosophical work is the emotions. She defended a neo-Stoic account of emotions that holds that they are appraisals that ascribe to things and persons, outside the agent's own control, great significance for the person's own flourishing. On this basis, she has proposed analyses of grief, compassion, and love, and, in a later book, of disgust and shame.

Nussbaum has engaged in debates with other intellectuals, in her academic writings as well as in the pages of semi-popular magazines and book reviews and, in one instance, when testifying as an expert witness in court. She testified in the Colorado bench trial for Romer v. Evans, arguing against the claim that the history of philosophy provides the state with a "compelling interest" in favor of a law that sought to overturn local anti-discrimination laws. A portion of this testimony, dealing with the potential meanings of the term tolmêma in Plato's work, was the subject of controversy, and was called misleading and even perjurious by critics.