Martha Scott

Scott was born in Jamesport, Missouri. She was the daughter of Letha (née McKinley) and Walter Alva Scott. Walter was an engineer and garage owner.^[2] Her mother was a second cousin of U.S. President William McKinley.^[2] The Scott family remained in Jamesport until Martha was 13 years old. At that time, they moved to Kansas City, Missouri. Eventually, they relocated in Detroit, Michigan.^[3] Scott became interested in acting while in high school. She furthered this interest by attending the University of Michigan. Her accolades included a teaching certificate, as well as accomplishing a Bachelor of Arts degree^[4] in drama in 1934.^[3]

Scott received a career boost right out of college, when she appeared with the Globe Theatre Troupe in a series of Shakespeare productions at the Century of Progress world's fair in Chicago in 1934.^[5] Following that, she moved to New York City, where she found steady work both in stock stage productions and radio dramas. In 1938, she made her Broadway debut in the original staging of Thornton Wilder's play Our Town as Emily Webb, the tragic young woman who dies in childbirth.^[6]

Two years later, Scott reprised the role of Emily in her film debut when Our Town was made into a movie. Her critically acclaimed performance earned her an Academy Award nomination for Best Actress.

Scott found steady movie work for the next four decades, appearing in major epics such as The Ten Commandments, Ben-Hur, The Desperate Hours, and Airport 1975. Charlton Heston was a frequent co-star with Scott on both stage and screen. As she told an interviewer in 1988, "I played his mother twice and his wife twice. I was his mother in Ben Hur and The Ten Commandments. I was his wife on the stage in New York in Design for a Stained Glass Window and The Tumbler in London."^[6]

In 1968, Scott joined Henry Fonda and Robert Ryan in forming a theatrical production company called the Plumstead Playhouse.^[7] It later became the Plumstead Theatre Company and moved to Los Angeles. The company produced First Monday in October, both on stage and on film. Scott co-produced both versions. Her last production was Twelve Angry Men, which was performed at the Henry Fonda Theatre in Hollywood, California.

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Scott began appearing in TV roles in the medium's early days. On November 2, 1950, she starred in "The Cut Glass Bowl" on The Nash Airflyte Theater,^[8] followed by several guest appearances on Robert Montgomery Presents and other shows of television's "golden age", including two episodes of Alfred Hitchcock Presents. This pattern of guest roles continued through the 1960s with appearances on Route 66, Ironside, and The Courtship of Eddie's Father, among others. In the mid-1950s, Scott was the narrator for Modern Romances, an afternoon program on NBC-TV.^[9]

Scott was also a frequent TV guest star in the 1970s. She had recurring roles as Bob Newhart's mother on The Bob Newhart Show, the mother of Colonel Steve Austin (Lee Majors) on both The Six Million Dollar Man and The Bionic Woman, as well as Patricia Shepard, Sue Ellen and Kristin's mother on Dallas during its early years and later during the 1986 season. Scott was cast in single-episode guest appearances on several hit shows of the era, such as The Sandy Duncan Show, Columbo: Playback (1975), The Mod Squad, Marcus Welby, M.D., and The Love Boat. She played the role of Jennifer Talbot, Terri Brock's nasty grandmother, on General Hospital for six months (1986–1987), which ended when her character was murdered and stuffed in a drain pipe.

In the 1980s, she had a regular role on the short-lived series Secrets of Midland Heights and appeared in several television movies and in single episodes of shows such as Magnum, P.I., The Paper Chase, and Highway to Heaven. In 1987 she costarred with Jeffrey Lynn in an episode of Murder, She Wrote, which was a direct sequel to their 1949 feature film Strange Bargain. Scott's final acting role on television was in 1990 in the movie Daughter of the Streets.

Scott was married twice, first to radio producer and announcer Carleton William Alsop from 1940 to 1946, and then to jazz pianist and composer Mel Powell from 1946 until his death in 1998.^[10] She had one child with Alsop, son Carleton Scott Alsop, and two daughters—Mary Powell Harpel and Kathleen Powell—with her second husband.^{[citation needed]}

According to her son, Scott never forgot about her childhood hometown, using the mental image of a Jamesport cemetery in preparation for her Oscar-nominated role in Our Town. Said Alsop, "She told me she used that place as her image because it's so serene and beautiful" and that her deceased McKinley and Scott relatives "became the Gibbs and the Webbs in the play".^[3]

A Democrat, she supported the campaign of Adlai Stevenson during the 1952 presidential election.^[11]

Scott died on May 28, 2003, in Van Nuys, Los Angeles, aged 90, from natural causes. She was interred next to Powell in the Masonic Cemetery in her native Jamesport, Missouri.^{[citation needed]}

For her contribution in the theatre, Scott has a star on the Hollywood Walk of Fame at 6126 Hollywood Boulevard.^[12]