Matryoshka doll

Matryoshka dolls (Russian: матрёшка, romanized: matryoshka/ˌmætriˈɒʃkə/), also known as stacking dolls, nesting dolls, Russian tea dolls, or Russian dolls, are a set of wooden dolls of decreasing size placed one inside another. The name Matryoshka is a diminutive form of Matryosha (Матрёша), in turn a hypocorism of the Russian female first name Matryona (Матрёна).

A set of matryoshkas consists of a wooden figure, which separates at the middle, top from bottom, to reveal a smaller figure of the same sort inside, which has, in turn, another figure inside of it, and so on.

The first Russian nested doll set was made in 1890 by woodturning craftsman and wood carver Vasily Zvyozdochkin from a design by Sergey Malyutin, who was a folk crafts painter at Abramtsevo. Traditionally the outer layer is a woman, dressed in a Russian sarafan dress. The figures inside may be of any gender; the smallest, innermost doll is typically a baby turned from a single piece of wood. Much of the artistry is in the painting of each doll, which can be very elaborate. The dolls often follow a theme; the themes may vary, from fairy tale characters to Soviet leaders. In some countries, matryoshka dolls are often referred to as babushka dolls, though they are not known by this name in Russian; babushka (бабушка) means 'grandmother; old woman'.

The first Russian nested doll set was carved in 1890 at the Children's Education Workshop by Vasily Zvyozdochkin and designed by Sergey Malyutin, who was a folk crafts painter in the Abramtsevo estate of Savva Mamontov, a Russian industrialist and patron of arts. Mamontov's brother, Anatoly Ivanovich Mamontov (1839–1905), created the Children's Education Workshop to make and sell children's toys. The doll set was painted by Malyutin. Malyutin's doll set consisted of eight dolls—the outermost was a mother in a traditional dress holding a red-combed rooster. The inner dolls were her children, girls and a boy, and the innermost a baby. The Children's Education Workshop was closed in the late 1890s, but the tradition of the matryoshka simply relocated to Sergiyev Posad, the Russian city known as a toy-making center since the fourteenth century.

The inspiration for matryoshka dolls is not clear. Matryoshka dolls may have been inspired by a nesting doll imported from Japan. The Children's Education workshop where Zvyozdochkin was a lathe operator received a five-piece, cylinder-shaped nesting doll featuring Fukuruma (Fukurokuju) in the late 1890s, which is now part of the collection at the Sergiev Posad Museum of Toys. Other east Asian dolls share similarities with matryoshka dolls such as the Kokeshi dolls, originating in Northern Honshū, the main island of Japan, although they cannot be placed one inside another, and the round hollow daruma doll depicting a Buddhist monk. Another possible source of inspiration is the nesting Easter eggs produced on a lathe by Russian woodworkers during the late 19th Century.

Savva Mamontov's wife presented a set of matryoshka dolls at the Exposition Universelle in Paris in 1900, and the toy earned a bronze medal. Soon after, matryoshka dolls were being made in several places in Russia and shipped around the world.

The first matryoshka dolls were produced in the Children's Education (Detskoye vospitanie) workshop in Moscow. After it closed in 1904, production was transferred to the city of Sergiev Posad (Сергиев Посад), known as Sergiev (Сергиев) from 1919 to 1930 and Zagorsk from 1930 to 1991.

Matryoshka factories were later established in other cities and villages: