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Mel Raido
Mel Raido
from Wikipedia

Raido in 2015

Mel Raido (born 1977) is a Jamaican-born English actor. Raido moved to London at three years old. After taking elocution lessons, he started to become hooked by the acting bug at school and studied at the Webber Douglas Academy of Dramatic Art.[1]

Early life and training

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Raido, whose given name is Menelaus Joaquin, was born in Jamaica and, at age three, relocated to London with his family.[2] He studied at Webber Douglas Academy of Dramatic Art between 1996 and 1999.

Career

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He subsequently worked with the avant-garde theatre company Mabou Mines before starting his TV and film career.[2] Mel made his breakthrough in the play Corpus Christi, where he played Jesus, at the Edinburgh Festival in 1999. He then went on to appear in numerous plays all over the country and in television dramas such as Midsomer Murders, Red Cap and The Vice.

Theatre

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He has appeared numerous theatres in London including the Finborough Theatre (I Witness by Joshua Sobol in 2007), the Pleasance Theatre (Corpus Christi by Terrence McNally in 1999, and Office Games by Trevor Baxter in 2003), Southwark Playhouse (Eskimo Sisters by Laline Paull in 2002), and Royal Court Theatre (Fireface by Marius von Mayenburg in 2000).

Filmography

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Year Title Role Notes
2001 Midsomer Murders Chris Megson TV series
Episode: "Who Killed Cock Robin"
2002 Long Time Dead Joe
2006 O Jerusalem Jakob
2007 Grow Your Own Nick
2008 The Informers Bryan Metro
2008 He Kills Coppers Billy Porter
2009 Clubbed Danny
2010 One In Ten Mark
2010 In Our Name Mark Jackson
2011 Spooks Johnny Grier
2011 Strike Back: Project Dawn Hassani
2014 Gemma Bovery Patrick
2015 The Trials of Jimmy Rose Tony Chivers Short TV series
2015 Legend Ian Barrie
2016 The Disappointments Room David
2017 Just Getting Started Oscar
2019 Dark Encounter Ray
2023 ’’Dead Island 2’’ Patton

References

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Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Mel Raido (born 1977) is a Jamaican-born English actor of mixed Spanish and Greek heritage, recognized for his versatile performances in film and television. He is best known for roles such as Ian Barrie in the crime drama Legend (2015), the lead Danny in the action film Clubbed (2008), and supporting parts in Gemma Bovery (2014) and The Disappointments Room (2016). His television credits include the lead role of Billy Porter in the miniseries He Kills Coppers (2008), as well as Hasani in Strike Back (2010) and Ryan Cooper in Deep State (2018). Raido made his screen debut in the Born Romantic (2000) and gradually built a career spanning independent films, mainstream dramas, and British television series. Throughout the 2010s, Raido gained prominence with critically acclaimed performances, including in the war drama In Our Name (2010) and the period piece Broken (2012). His portrayal in , directed by and co-starring as the , marked a significant highlight, showcasing his ability to embody complex, intense characters. On television, he has delivered memorable turns in procedurals like (MI-5) and Law & Order: UK, as well as the investigative drama (2021) as "Mem" Yiannopoulos. More recent projects include the Creation Stories (2021), where he played Ed Ball, and the thriller series The Window (2022) as Romulus, exploring themes of professional football and family dynamics.

Biography

Early life

Mel Raido, born Menelaus Joaquin Raido in 1977 in to Jamaican parents, spent his earliest years in the before his family emigrated to the . At the age of three, Raido relocated with his family to , , where he was raised amid the cultural shifts of adapting to British life from his Jamaican roots. This transition included efforts to assimilate linguistically, as he underwent lessons in childhood to shed his thick Jamaican accent. These lessons inadvertently ignited Raido's early fascination with , introducing him to recitation and dramatic reading that evolved into school plays. His mother's role as an exceptional storyteller, sharing tales from her own childhood, further nurtured this spark by immersing him in narrative traditions that bridged his Jamaican heritage with his new environment in .

Education and training

Raido's early interest in performance, sparked by childhood elocution lessons to address his accent through and reading exercises, laid the groundwork for his formal acting pursuits. In 1996, at the age of 19, Raido enrolled at the Webber Douglas Academy of Dramatic Art in , a prestigious institution known for its rigorous drama training. He completed his studies there in 1999, gaining foundational skills in acting techniques, voice, and movement during this three-year program. During his time at the academy, Raido became actively involved with the theatre company Mabou Mines, an experimental group that emphasized innovative and boundary-pushing performance methods, which further honed his artistic development. Through these experiences, Raido refined his and stage presence via initial performance exposures, building confidence in character interpretation and ensemble work. Following his graduation in 1999, this preparation facilitated his entry into professional acting opportunities.

Professional career

Theatre work

Raido's breakthrough in theatre came in 1999 with his portrayal of Joshua, a contemporary , in Terrence McNally's controversial play Corpus Christi at the , staged by Theatre 28 at the Bedlam Theatre. The production depicted the last days of transposed to a modern town, earning attention for its provocative themes and Raido's commanding performance. It later transferred to London's Pleasance Theatre, marking an early success in his stage career. In 2000, he took on the role of Paul, a volatile teenager obsessed with fire, in the UK premiere of Marius von Mayenburg's Fireface at the Royal Court Theatre's Jerwood Theatre Upstairs. The intense explored family dysfunction and , showcasing Raido's ability to convey emotional extremity in a compact production. Raido continued with diverse roles in London's fringe scene, including Conor in Laline Paull's Eskimo Sisters at the in 2002, a about fractured relationships among young women. The following year, he appeared as Brian Cooke, an office schemer, in the comedy Office Games by Trevor Baxter at the Pleasance Theatre. From 1999 to 2007, Raido amassed notable credits in and experimental works, including collaborations with the Mabou Mines theatre company and a role in Cape High at the National Theatre Studio. His stage career culminated in 2007 with the part of Franz, a , in the UK premiere of Joshua Sobol's at the Finborough Theatre, where he delivered a performance noted for its bony intensity amid themes of war and morality. Building on his training at the Webber Douglas Academy of Dramatic Art, Raido's engagements developed a raw, immersive style suited to complex characters, paving the way for his shift to film and television by the mid-2000s.

Film roles

Raido made his film debut in the Born Romantic (2000), portraying the supporting role of Brian, a quirky character navigating love and mishaps in London's salsa scene. This early appearance marked his entry into screen acting following training. In 2002, he appeared in the horror film as Joe, one of a group of friends summoning forces during a party, contributing to the ensemble's chaotic descent into terror. His role highlighted his ability to convey youthful bravado amid escalating dread. Raido took on the part of Jakob in the historical drama (2006), depicting a young British officer caught in the tensions of the 1947 partition of Palestine, emphasizing themes of friendship and conflict across divides. The film, directed by , showcased his capacity for nuanced portrayals in politically charged narratives. The following year, in the comedy-drama Grow Your Own (2007), Raido played Nick, a gardener fostering unlikely bonds in an allotment plot, blending humor with social commentary on . This indie project underscored his versatility in lighter ensemble roles. Raido's 2008 output included multiple crime and thriller entries. In Clubbed, he led as Danny, a downtrodden doorman turned vigilante in 1980s nightclub culture, delivering a physically demanding performance that captured working-class rage and redemption. The film, inspired by real events, positioned him as a breakout lead in British indie cinema. Additionally, in The Informers (2008), he portrayed Bryan Metro, a minor player in the decadent 1980s scene adapted from Bret Easton Ellis's novel, adding to the ensemble's portrayal of excess and disconnection. Shifting to more intimate dramas, Raido starred as Mark Jackson in In Our Name (2010), a soldier returning from Iraq whose PTSD strains his family, offering a raw examination of reintegration and trauma. The film received praise for its authentic depiction of military aftereffects, with Raido's performance noted for its emotional depth. In 2014's Gemma Bovery, Raido played Patrick, the ex-boyfriend of the titular character in this literary adaptation, injecting charm and regret into the romantic entanglements set in rural France. His role complemented the film's whimsical nod to Flaubert, highlighting his skill in romantic leads. A career highlight came in Legend (2015), where Raido portrayed Ian Barrie, a loyal associate to the in Brian Helgeland's gangster biopic starring . Barrie's character provided grounded support amid the film's stylized violence, contributing to its success and critical acclaim for ensemble dynamics. Raido ventured into horror with (2016) as David Barrow, the husband in a family unraveling supernatural secrets in their new home, blending psychological tension with domestic . Though critically mixed, the role demonstrated his range in fare. In the comedy Just Getting Started (2017), he appeared as Oscar, a suave resident in a retirement community rife with intrigue, adding levity to the ensemble caper. This lighter outing contrasted his prior intense parts. The sci-fi thriller Dark Encounter (2019) saw Raido as Ray Anderson, the father grappling with his daughter's disappearance and eerie phenomena, central to the film's exploration of grief and the unknown. His portrayal anchored the slow-burn mystery. Raido's most recent major feature is Creation Stories (2021), where he played Ed Ball, the influential Creation Records executive in this biopic of Alan McGee and the Britpop era, capturing the music industry's chaotic energy. The role reflected his affinity for period pieces with cultural resonance. Throughout his film career, Raido has demonstrated diversity across genres, from indie dramas like In Our Name and Grow Your Own to crime thrillers such as Legend and Clubbed, and horror entries including Long Time Dead and Dark Encounter, often embodying complex, everyman figures in British and international productions. No producing credits for feature films are documented in his portfolio.

Television appearances

Raido began his television career with guest appearances in British procedural dramas during the early 2000s. His debut came in 2000 on the horror anthology series , where he portrayed the Feral man in the "Cry Wolf". In 2001, he appeared as Chris Megson in the "Who Killed Cock Robin", marking his entry into crime drama formats. By 2003, Raido had roles in two series that year: as P.C. Adam Parkes in The Vice "Birdhouse" and as Darren Stowe in the Red Cap "H-Hour". Transitioning to more prominent parts, Raido starred as Billy Porter in the 2008 BBC Four drama He Kills Coppers, a telefilm exploring corruption in the 1970s police force. In 2011, he took on multiple guest roles, including Johnny Grier, a radical activist, in Spooks (series 10, episode 3). He also played Ricky Phelps in Law & Order: UK's "Haunted" and the antagonist Hassani in Strike Back: Project Dawn. Raido's mid-2010s work included a recurring role as Tony Chivers in the 2015 ITV miniseries The Trials of Jimmy Rose, a con artist drama. More recently, he guest-starred as "Mem" Yiannopoulos in the 2021 Annika episode "Episode #1.5", part of the crime procedural led by . In 2022, Raido achieved a series regular role as , a football agent, across all 10 episodes of the international co-production The Window, which delved into the high-stakes world of professional soccer transfers. Over two decades, Raido's television roles have progressed from one-off procedural guest spots to layered characters in serialized thrillers and dramas, often emphasizing moral ambiguity in and contexts.

References

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