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Mental Funeral
View on Wikipediafrom Wikipedia
| Mental Funeral | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | April 22, 1991 | |||
| Recorded | November 20 – 26, 1990 | |||
| Studio | Different Fur, San Francisco, California, USA | |||
| Genre | ||||
| Length | 37:54 | |||
| Label | Peaceville Records | |||
| Producer |
| |||
| Autopsy chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |    [1] |
Mental Funeral is the second album by American death metal band Autopsy, released on April 22, 1991 by Peaceville Records.
The album was recorded at Different Fur Studios in San Francisco, and the band has attested that very little audio mixing was done on the final product. The album's music draws influence from extreme metal acts such as Bathory. Lyrically, the album explores themes such as necrophilia.
Although the album polarized listeners when it was first released, it has come to be considered one of the most influential albums in the history of the death metal genre.
Background and recording
[edit]The album was recorded at Different Fur Studios in San Francisco. The band described the album's recording process as having a "party atmosphere", and claim to have consumed copious amounts of alcohol and cannabis during its recording process. Chris Reifert said, "There were 18 of us there or something [...] we did all things we were not supposed to do while making a record it seems." The band was satisfied with most of the tones achieved during pre-production, and little mixing was required for the final product.[2]
Music and lyrics
[edit]Autopsy's sound on Mental Funeral has been described as "lumbering, unholy, and totally gross." Its styles have been categorized as death metal, death-doom and grindcore.[3][4] Autopsy drummer and vocalist Chris Reifert believes the album feels "a little psychedelic [...] but without sound effects or anything like that." He claimed that the interlude riff in "In The Grip of Winter" was "[directly stolen]" from “Eskimo” by The Residents, and said he "just switched the notes a little bit". He said the main riff in “Destined to Fester” drew influence from “Call From the Grave” by Bathory.[5]
Brandon Corsair of Invisible Oranges said "each song contains within it the potential to completely go off the rails with speed and aggression or to slow to a painful dirge".[6] The lead guitar stylings of Eric Cutler and Danny Coralles on the album have been described as "agile" and "melodic." The album's rhythm guitars have been described as "savage" and "remorseless." The album's song structures have been described as being "never easy to predict."[7]
Lyrically, the album explores themes including necrophilia. Chris Reifert's vocal performance has been characterized as employing "bowel-vacating croaks" and "spleen-bursting shrieks."[8]
Artwork
[edit]Chris Krovatin of Kerrang said: "It’s rare that an album sounds so much like the image on its cover."[9]
Reception and legacy
[edit]Publications such as Decibel cite Mental Funeral as one of the most important death metal albums in the history of the genre.[10] The album divided listeners upon release. Eduardo Rivadavia of AllMusic wrote: "Sadly, while it won over as many fans as it pissed off upon release, Mental Funeral arguably confused an even greater number of consumers, turning Autopsy into death metal's ultimate love/hate band, the one no one seemed able to agree on."[11] In 2021, drummer-vocalist Chris Reifert spoke of Mental Funeral: "I’m stoked that people still like it 30 years later. That’s pretty nuts. Otherwise looking back, it’s a pretty strange and dark record. Not that all death metal records aren’t dark but it has a unique atmosphere about it that came about without a preconceived notion of what we were doing. I’m going to chalk it up as accidental magic."[12]
Track listing
[edit]All lyrics are written by Chris Reifert, except "Slaughterday" by Eric Cutler; all music is composed by Autopsy.
| No. | Title | Length |
|---|---|---|
| 1. | "Twisted Mass of Burnt Decay" | 2:15 |
| 2. | "In the Grip of Winter" | 4:08 |
| 3. | "Fleshcrawl" | 0:36 |
| 4. | "Torn from the Womb" | 3:19 |
| 5. | "Slaughterday" | 4:04 |
| 6. | "Dead" | 3:18 |
| 7. | "Robbing the Grave" | 4:20 |
| 8. | "Hole in the Head" | 6:03 |
| 9. | "Destined to Fester" | 4:34 |
| 10. | "Bonesaw" | 0:45 |
| 11. | "Dark Crusade" | 3:55 |
| 12. | "Mental Funeral" | 0:37 |
| Total length: | 37:54 | |
Personnel
[edit]- Autopsy
- Chris Reifert – vocals, drums
- Danny Coralles – guitar
- Eric Cutler – guitar, vocals on "Slaughterday"
- Steve Cutler – bass
- Production
- Recorded November 20–26, 1990 at Different Fur, San Francisco, California, USA
- Produced by Autopsy and Hammy
- Engineered by Ron Rigler
- Cover art by Kev Walker
References
[edit]- ^ https://www.allmusic.com/album/r247397
- ^ Pearce, Dutch (April 22, 2021). "Autopsy's Mental Funeral turns 30!". Decibel Magazine. Retrieved December 26, 2024.
- ^ Mental Funeral - Autopsy | Album | AllMusic, retrieved December 26, 2024
- ^ "The 15 greatest death metal albums of the '90s". Kerrang!. July 20, 2019. Retrieved January 18, 2025.
- ^ Corsair, Brandon. "The Brain-Erasing Legacy of Autopsy's Mental Funeral (Retrospective + Interview with Chris Reifert)". Invisible Oranges - The Metal Blog. Retrieved December 26, 2024.
- ^ Corsair, Brandon. "The Brain-Erasing Legacy of Autopsy's Mental Funeral (Retrospective + Interview with Chris Reifert)". Invisible Oranges - The Metal Blog. Retrieved December 26, 2024.
- ^ Mental Funeral - Autopsy | Album | AllMusic, retrieved January 2, 2025
- ^ Corsair, Brandon. "The Brain-Erasing Legacy of Autopsy's Mental Funeral (Retrospective + Interview with Chris Reifert)". Invisible Oranges - The Metal Blog. Retrieved December 26, 2024.
- ^ "The 15 greatest death metal albums of the '90s". Kerrang!. July 20, 2019. Retrieved July 26, 2025.
- ^ Pearce, Dutch (April 22, 2021). "Autopsy's Mental Funeral turns 30!". Decibel Magazine. Retrieved December 26, 2024.
- ^ Mental Funeral - Autopsy | Album | AllMusic, retrieved January 2, 2025
- ^ Corsair, Brandon. "The Brain-Erasing Legacy of Autopsy's Mental Funeral (Retrospective + Interview with Chris Reifert)". Invisible Oranges - The Metal Blog. Retrieved July 26, 2025.
Mental Funeral
View on Grokipediafrom Grokipedia
Development and production
Background
Autopsy was formed in August 1987 in Contra Costa County, California, by drummer and vocalist Chris Reifert and guitarist Eric Cutler, shortly after Reifert's departure from the pioneering death metal band Death, where he had contributed to their 1987 debut album Scream Bloody Gore.[9][7] Guitarist Danny Coralles joined the lineup in 1988, solidifying the core trio that would define the band's early sound. The group quickly established themselves in the underground scene through two demo tapes—the self-titled 1987 Demo and 1988's Critical Madness—which showcased a raw, aggressive approach blending thrash and death metal elements.[9] Their debut full-length album, Severed Survival, arrived in 1989 via Peaceville Records, cementing Autopsy's reputation for a frenetic, gore-obsessed death metal style characterized by high-speed riffs, blast beats, and grotesque lyrics inspired by horror films and comics.[7][9] Following Severed Survival, Autopsy began experimenting with broader dynamics, as evidenced by their Retribution for the Dead EP, released in February 1991 on Peaceville Records.[10] This three-track release, featuring re-recorded versions of older material alongside new songs like the title track, served as a bridge to their next album, introducing slower, more ponderous tempos that hinted at an evolving aesthetic while retaining the band's visceral intensity.[7] The EP's doom-laden passages reflected initial forays into atmospheric heaviness, contrasting the breakneck pace of their debut and signaling a maturation in composition.[7] The conception of Mental Funeral stemmed from the band's deliberate shift away from the unrelenting speed of Severed Survival, driven by a desire to incorporate slower, more varied structures influenced by classic doom metal acts such as Black Sabbath, Trouble, and Saint Vitus—bands Reifert had cited as key inspirations as early as a 1988 interview.[7] This evolution aligned with broader genre trends in early 1990s death metal, where acts like Paradise Lost and My Dying Bride were pioneering death/doom hybrids, though Autopsy's approach remained rooted in their California death metal heritage with added psychedelic and rock 'n' roll undertones from influences like Frank Zappa.[7][11] Personal factors, including the band's youthful, hedonistic lifestyle and Reifert's instinctual drive to explore fun, organic songwriting, further shaped this direction, allowing for a natural blend of fast aggression and brooding introspection rather than rigid adherence to speed.[11] Central to the album's inception was Reifert's songwriting, which increasingly emphasized darker, more atmospheric themes drawn from his fascination with morbidity, necrophilia, and surreal horror, influenced by avant-garde acts like The Residents and Bathory.[7] Tracks like "Slaughterday" emerged from this focus, prioritizing eerie melodies and dynamic shifts over pure velocity, reflecting Reifert's vision of a "unique atmosphere" that captured the band's raw, unpolished essence.[7] This creative pivot, conceived amid limited rehearsal spaces and informal house parties, marked Mental Funeral as a pivotal step in Autopsy's trajectory toward a more nuanced death metal sound.[11]Recording
The recording of Mental Funeral took place from November 20 to 26, 1990, at Different Fur Studios in San Francisco, California.[12] The sessions were self-produced by Autopsy, with additional production assistance from Paul "Hammy" Halmshaw of Peaceville Records, and engineering handled by Ron Rigler.[13] This one-week timeframe allowed the band to capture the album's core tracks efficiently, building on their familiarity with the studio from prior work. The atmosphere during the sessions was notably relaxed and festive, often described as a "party" environment with around 18 people in attendance, including band friends who contributed to the lively vibe despite the album's grim themes.[2] Heavy consumption of alcohol—escalating to include bourbon alongside beer—and cannabis permeated the process, fostering a sense of uninhibited creativity but also leading to distractions that influenced the final sound.[2] Drummer and vocalist Chris Reifert later reflected that the drinking was "definitely heavier" than on their debut album, marking a shift in the band's studio habits.[2] To preserve the raw, visceral energy of their performances, the band employed limited overdubs and prioritized live tracking of drums, bass, and rhythm guitars, which contributed to the album's distinctive "lumbering" texture.[7] This approach, combined with the substance-fueled immediacy, resulted in tones that the members favored from the outset, necessitating minimal mixing adjustments afterward.[7] The unpolished production thus reflected the sessions' spontaneous nature, emphasizing instinct over refinement.[7]Musical content
Style
Mental Funeral is characterized by its fusion of death metal with prominent death-doom and grindcore elements, marking a shift toward slower, mid-tempo riffs in contrast to the faster, thrash-oriented pace of Autopsy's debut album Severed Survival.[14][15] This evolution incorporates groovy, catchy rhythms alongside primitive, sludgy structures that emphasize a cavernous brutality.[16] The album's instrumentation highlights massive, pummeling rhythms driven by clunky yet effective drums that cut through the dense mix, complemented by filthy, chainsaw-like guitars delivering thick buzzsaw tones.[7][16] Lead guitars provide signature, agile melodies that add dynamic shifts between speed and dirge-like passages, while rhythm guitars maintain a savage, remorseless edge, contributing to the overall lumbering, unholy atmosphere.[7] Influences from experimental acts like The Residents infuse subtle edges, such as the slow, quiet section in "In the Grip of Winter" drawn from their album Eskimo, while Bathory's atmospheric doom is evident in the main riff of "Destined to Fester," inspired by "Call from the Grave."[7] Punk simplicity shapes the rhythm section's brutal effectiveness, blending with doom metal roots from bands like Black Sabbath and Celtic Frost to create a raw, psychedelic darkness.[7] Specific tracks exemplify this stylistic range: "Your Rotting Face" showcases doomy plods with mid-tempo pacing, while "Torn from the Womb" features grindcore bursts amid lurching transitions between slow dirges and blasting aggression.[17] "Slaughterday" highlights doomy sections punctuated by thrashy restarts, underscoring the album's progressive blend of tempos and moods.Lyrics
The lyrics of Mental Funeral, penned primarily by vocalist and drummer Chris Reifert, delve into themes of necrophilia and bodily decay, marking a shift toward more taboo and visceral explorations of death's aftermath.[7] Reifert has noted that the album introduced necrophilia-based content to the band's repertoire, a theme that would recur in their later work as a reflection of escalating lyrical intensity.[7] Reifert's vocal delivery complements these macabre narratives through a guttural, horror-infused style characterized by "bowel-vacating croaks through spleen-bursting shrieks," evoking the raw agony and repulsion central to the album's atmosphere.[18] This approach blends searing screams, howls, and deep growls to immerse listeners in the psychological torment of decay and perversion.[7] Specific tracks illustrate these elements vividly. In "Twisted Mass of Burnt Decay," Reifert depicts scenes of mutilated corpses ravaged by toxic rain and festering disease, with lines like "Twisted mass of burnt decay / Pus filled eyes see no way" underscoring the grotesque transformation of flesh.[7][19] Similarly, "In the Grip of Winter" evokes isolation and inevitable death amid a frozen wasteland, portraying a lone figure succumbing to hypothermia and burial under snow, as in "Frozen ground will be your grave / In the grip of winter."[7][19] These lyrics heighten the sense of entrapment and slow dissolution. Compared to Autopsy's debut Severed Survival, which emphasized straightforward gore and physical mutilation, Mental Funeral's words evolve toward psychological horror, incorporating mental unraveling and taboo desires alongside the corporeal rot.[7] This progression reflects Reifert's intent to deepen the band's thematic sickness, moving beyond surface-level violence to explore the mind's descent into depravity.[7]Packaging and release
Artwork
The cover art for Mental Funeral was created by artist Kev Walker, featuring an abstract and surreal depiction inspired by the concept of dying amid a nightmarish LSD trip that evokes psychological terror and unease.[20] This imagery captures the album's lumbering, unholy, and atmospheric death-doom sound, as highlighted in retrospective analyses.[21] The inner sleeve includes printed lyrics and a photo collage featuring band photographs.[22] For the design, Autopsy provided Walker with limited guidance—primarily the album title and a concept of dying amid a nightmarish LSD trip—resulting in a horror-evoking piece that prioritizes psychological unease over the explicit gore of the band's prior release, Severed Survival.[20]Release and reissues
Mental Funeral was originally released on April 22, 1991, by Peaceville Records in multiple formats, including vinyl LP (catalog VILE 25), compact disc (VILE 25CD), and cassette (VILE MC 25).[12][6] The album's distribution was primarily targeted at the underground death metal scene, with limited promotion and no significant chart performance.[2] Subsequent reissues include a 2009 remastered CD edition by Peaceville Records.[23] In 2017, Peaceville released a limited picture disc vinyl edition to commemorate the 30th anniversary of Autopsy and the label.[24] In 2011, to mark the twentieth anniversary, Peaceville issued a deluxe CD/DVD edition featuring the remastered album alongside bonus live footage from a 1990 performance in Rotterdam, Netherlands.[25][26] A limited-edition LP reissue on 150-gram black vinyl in a gatefold sleeve was released in 2021 by Peaceville, maintaining the label's role in the album's ongoing catalog availability.[27][28]Reception
Initial reviews
Upon its release in April 1991, Mental Funeral received a mixed reception within the burgeoning death metal scene, where blistering speed and technical prowess dominated, often leaving slower, doom-inflected works like Autopsy's sophomore album polarizing.[7] Some critics and fans lambasted the record for its mid-tempo pacing and atmospheric indulgence, with a 1992 review in Pit Magazine dismissing it as "all slower" and claiming it "sucks" compared to the band's frenetic debut Severed Survival.[7] This backlash stemmed from the album's departure from the high-velocity aggression prevalent among contemporaries like Morbid Angel and Deicide, as the tracklist largely favored lumbering riffs and cavernous grooves over relentless blasts.[29] Despite the criticisms, others praised Mental Funeral for its innovative fusion of death metal savagery with doom-laden heaviness, marking a bold evolution in the genre's sonic palette. A retrospective analysis notes early fanzine acknowledgments of its overt doom influences, drawn from bands like Black Sabbath and Saint Vitus, which lent the album a uniquely eerie, psychedelic undercurrent amid the gore-soaked lyrics.[7] Publications like Decibel later highlighted this as "rustic, rude and full of rancor," underscoring the record's menacing originality that set it apart in 1991's extreme metal landscape.[9] Autopsy's Chris Reifert defended the album's experimental direction in subsequent interviews, emphasizing an instinctual, unplanned approach over trend-chasing. He described the atmospheric shifts as "accidental magic" born from stoner-fueled jamming sessions, rejecting commercial pressures in favor of raw, personal expression that prioritized heaviness and weirdness.[7] Reifert recalled the 1991 scene as "pretty exciting" with global demos flooding in, but Autopsy aimed simply to "sound as heavy as possible," unconcerned with fitting into the speed-obsessed mold—a stance that, while initially contentious, affirmed the band's commitment to their grotesque vision.[2]Legacy
Over time, Mental Funeral has garnered widespread retrospective acclaim as Autopsy's defining work and a cornerstone of death metal, evolving from initial mixed reactions into a revered classic that exemplifies the genre's raw, unpolished essence. Critics and fans now hail it as one of the most important albums in extreme music history, praised for its ability to "pass the test of time" and its role in pushing old-school death metal beyond mere speed toward dynamic, atmospheric depth.[2] In 2021, marking the album's 30th anniversary, publications like Decibel Magazine described it as a "landmark masterpiece" that changed extreme music forever, while Invisible Oranges celebrated its "brain-erasing legacy," noting its enduring reverence three decades later.[2][7] The album's influence on the death-doom subgenre is particularly profound, as it epitomized an "unpretty" strain of death metal characterized by grotesque, horror-infused themes and a blend of brutal speed with sludgy, doom-laden passages. Autopsy's innovative song structures—shifting from "brutal, raw, real fast one minute... to very slow and heavy the next"—helped pioneer death-doom, inspiring later acts to incorporate atmospheric horror elements like necrophilic imagery and necrotic atmospheres.[7] Mental Funeral's slower, doom-oriented death metal contributed to the subgenre's development alongside works like Paradise Lost's debut Lost Paradise. This impact extended to countless bands in the death-doom scene, solidifying the album's status as a high-impact reference for evolving extreme metal's thematic and sonic boundaries.[30] In 2025, the album's cultural significance continues to manifest through live tributes, including a full performance of Mental Funeral at the Stonehenge Festival, underscoring its ongoing role in old-school death metal's legacy. While specific streaming milestones remain undocumented, the record's availability on platforms like Spotify and Bandcamp ensures its accessibility to new generations, perpetuating its influence.[31][32][1]Credits
Track listing
All music on Mental Funeral was composed by Autopsy, while lyrics were written by Chris Reifert except for "Slaughterday" by Eric Cutler.[33]| No. | Title | Duration |
|---|---|---|
| 1. | "Twisted Mass of Burnt Decay" | 2:15 |
| 2. | "In the Grip of Winter" | 4:08 |
| 3. | "Fleshcrawl" | 0:35 |
| 4. | "Torn from the Womb" | 3:18 |
| 5. | "Slaughterday" | 4:04 |
| 6. | "Dead" | 3:18 |
| 7. | "Robbing the Grave" | 4:19 |
| 8. | "Hole in the Head" | 6:03 |
| 9. | "Destined to Fester" | 4:33 |
| 10. | "Bonesaw" | 0:45 |
| 11. | "Dark Crusade" | 3:54 |
| 12. | "Mental Funeral" | 0:36 |