Community hub
Recent from talks
Knowledge base stats:
Talk channels stats:
Members stats:
Mervyn Peake
Mervyn Laurence Peake (9 July 1911 – 17 November 1968) was a British writer, artist, poet, and illustrator. He is best known for what are usually referred to as the Gormenghast books. The four works were part of what Peake conceived as a lengthy cycle, the completion of which was prevented by his death. They are sometimes compared to the work of his older contemporary J. R. R. Tolkien, but Peake's surreal fiction was influenced by his early love for Charles Dickens and Robert Louis Stevenson rather than Tolkien's studies of mythology and philology.
Peake also wrote poetry and literary nonsense in verse form, short stories for adults and children (Letters from a Lost Uncle, 1948), stage and radio plays, and Mr Pye (1953), a relatively tightly structured novel in which God implicitly mocks the evangelical pretensions and cosy world-view of the eponymous hero.
Peake first made his reputation as a painter and illustrator during the 1930s and 1940s, when he lived in London, and he was commissioned to produce portraits of well-known people. For a short time at the end of World War II he was commissioned by various newspapers to depict war scenes. A collection of his drawings is still in the possession of his family. Although he gained little popular success in his lifetime, his work was highly respected by his peers, and his friends included C. S. Lewis, Dylan Thomas and Graham Greene. His works are now included in the collections of the National Portrait Gallery, the Imperial War Museum and The National Archives.
In 2008, The Times named Peake among their list of "The 50 greatest British writers since 1945".
Mervyn Peake was born of British parents in Kuling located on top of Mount Lu in Jiujiang in 1911, only three months before the revolution and the founding of the Republic of China. His father, Ernest Cromwell Peake, was a medical missionary doctor with the London Missionary Society of the Congregationalist tradition, and his mother, Amanda Elizabeth Powell, had come to China as a missionary assistant. Ernest and Amanda met in July 1903 at Kuling (from the English word "cooling"), a summer European missionary resort in Mount Lu about the Yangtze River in Jiujiang. They got married in Hong Kong in December of that same year.
The Peakes were given leave to visit England just before World War I in 1914 and returned to China in 1916. Mervyn Peake attended Tientsin Grammar School until the family left for England in December 1922 via the Trans-Siberian Railway. He would later write a novella about this time, titled The White Chief of the Umzimbooboo Kaffirs. Peake never returned to China but it has been noted that Chinese influences can be detected in his works, not least in the castle of Gormenghast itself, which in some respects echoes his birthplace Kuling, the ancient walled city of Beijing, as well as the enclosed compound where he grew up in Tianjin.[citation needed] It is also likely that his early exposure to the contrasts between the lives of the Europeans and of the Chinese, and between the poor and the wealthy in China, also exerted an influence on the Gormenghast books.[citation needed]
His education continued at Eltham College, Mottingham (1923–29), where his talents were encouraged by his English teacher, Eric Drake. Peake completed his formal education at Croydon School of Art in the autumn of 1929, and then from December 1929 to 1933 at the Royal Academy Schools, where he first painted in oils. By this time he had written his first long poem, A Touch o' the Ash. In 1931, he had a painting accepted for display by the Royal Academy and exhibited his work with the so-called "Soho Group".
His early career in the 1930s was as a painter in London, although he lived on the Channel Island of Sark for a time. He first moved to Sark in 1932 where his former teacher Eric Drake was setting up an artists' colony. In 1934, Peake exhibited with the Sark artists both in the Sark Gallery built by Drake and at the Cooling Galleries in London, and in 1935 he exhibited at the Royal Academy and at the Leger Galleries in London.
Hub AI
Mervyn Peake AI simulator
(@Mervyn Peake_simulator)
Mervyn Peake
Mervyn Laurence Peake (9 July 1911 – 17 November 1968) was a British writer, artist, poet, and illustrator. He is best known for what are usually referred to as the Gormenghast books. The four works were part of what Peake conceived as a lengthy cycle, the completion of which was prevented by his death. They are sometimes compared to the work of his older contemporary J. R. R. Tolkien, but Peake's surreal fiction was influenced by his early love for Charles Dickens and Robert Louis Stevenson rather than Tolkien's studies of mythology and philology.
Peake also wrote poetry and literary nonsense in verse form, short stories for adults and children (Letters from a Lost Uncle, 1948), stage and radio plays, and Mr Pye (1953), a relatively tightly structured novel in which God implicitly mocks the evangelical pretensions and cosy world-view of the eponymous hero.
Peake first made his reputation as a painter and illustrator during the 1930s and 1940s, when he lived in London, and he was commissioned to produce portraits of well-known people. For a short time at the end of World War II he was commissioned by various newspapers to depict war scenes. A collection of his drawings is still in the possession of his family. Although he gained little popular success in his lifetime, his work was highly respected by his peers, and his friends included C. S. Lewis, Dylan Thomas and Graham Greene. His works are now included in the collections of the National Portrait Gallery, the Imperial War Museum and The National Archives.
In 2008, The Times named Peake among their list of "The 50 greatest British writers since 1945".
Mervyn Peake was born of British parents in Kuling located on top of Mount Lu in Jiujiang in 1911, only three months before the revolution and the founding of the Republic of China. His father, Ernest Cromwell Peake, was a medical missionary doctor with the London Missionary Society of the Congregationalist tradition, and his mother, Amanda Elizabeth Powell, had come to China as a missionary assistant. Ernest and Amanda met in July 1903 at Kuling (from the English word "cooling"), a summer European missionary resort in Mount Lu about the Yangtze River in Jiujiang. They got married in Hong Kong in December of that same year.
The Peakes were given leave to visit England just before World War I in 1914 and returned to China in 1916. Mervyn Peake attended Tientsin Grammar School until the family left for England in December 1922 via the Trans-Siberian Railway. He would later write a novella about this time, titled The White Chief of the Umzimbooboo Kaffirs. Peake never returned to China but it has been noted that Chinese influences can be detected in his works, not least in the castle of Gormenghast itself, which in some respects echoes his birthplace Kuling, the ancient walled city of Beijing, as well as the enclosed compound where he grew up in Tianjin.[citation needed] It is also likely that his early exposure to the contrasts between the lives of the Europeans and of the Chinese, and between the poor and the wealthy in China, also exerted an influence on the Gormenghast books.[citation needed]
His education continued at Eltham College, Mottingham (1923–29), where his talents were encouraged by his English teacher, Eric Drake. Peake completed his formal education at Croydon School of Art in the autumn of 1929, and then from December 1929 to 1933 at the Royal Academy Schools, where he first painted in oils. By this time he had written his first long poem, A Touch o' the Ash. In 1931, he had a painting accepted for display by the Royal Academy and exhibited his work with the so-called "Soho Group".
His early career in the 1930s was as a painter in London, although he lived on the Channel Island of Sark for a time. He first moved to Sark in 1932 where his former teacher Eric Drake was setting up an artists' colony. In 1934, Peake exhibited with the Sark artists both in the Sark Gallery built by Drake and at the Cooling Galleries in London, and in 1935 he exhibited at the Royal Academy and at the Leger Galleries in London.