Michael Wilding
Michael Wilding
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Michael Wilding

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Michael Wilding

Michael Charles Gauntlet Wilding (23 July 1912 – 8 July 1979) was an English stage, television, and film actor. He is best known for a series of films he made with Anna Neagle; he also made two films with Alfred Hitchcock, Under Capricorn (1949) and Stage Fright (1950); and he guest starred on Hitchcock's TV show in 1963. He was married four times, including to Elizabeth Taylor, with whom he had two sons.

Born in Leigh-on-Sea, Essex, England, and educated at Christ's Hospital, Wilding left home at age 17 and trained as a commercial artist. He went to Europe when he was 20 and supported himself in Europe by doing sketches. He wanted to get into designing sets for films and approached a London film studio in 1933 looking for work. They invited him to come to work as an extra.

Wilding appeared as an extra in British films such as Bitter Sweet (1933), Heads We Go (1933), and Channel Crossing (1933). He caught the acting bug and decided to make it a career. He reportedly appeared in an Austrian film called Pastorale.

He made his stage debut in The Ringer in 1934 for the Watford Repertory Company and made his London stage debut in Chase the Ace the following year. He could be spotted in the films Late Extra (1935), When Knights Were Bold (1936), and Wedding Group (1936). He was in two musicals on stage, Spread It Abroad and Home and Beauty.

In 1937–38 he toured Australia and New Zealand with Fay Compton's stage company. The plays included Personal Appearance, Victoria Regina, Tonight at Eight Thirty and George and Margaret. While in Australia he filmed a prologue for Personal Appearance.

Back in England he appeared in the first Gate Revue, then followed this with another revue, Let's Face It and a pantomime, Who's Taking Liberty.

He had bigger film parts in There Ain't No Justice (1939), Convoy (1940), and Tilly of Bloomsbury (1940). He had a good role in Sailors Three (1940), and Sailors Don't Care (1940).

Wilding had a leading role in Spring Meeting (1941) but was back to support parts in The Farmer's Wife (1941). His films grew more prestigious: Kipps (1941), Cottage to Let (1941), Ships with Wings (1941), The Big Blockade (1941), In Which We Serve (1942), Secret Mission (1942), and Undercover (1943). He played in Quiet Weekend on stage for a year. In 1943 he performed for the troops in Gibraltar with John Gielgud.

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