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Michel Rubini
Michel Rubini
Michel Rubini
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Key Information

Michel Rubini (born December 3, 1942) is an American musician, conductor, arranger, producer, songwriter and composer. A professional classical pianist since early childhood, he was a prolific session musician of the 1960s and '70s, part of a group known as "The Wrecking Crew", and worked with such artists Ray Charles, Frank Zappa, Sonny and Cher and Barbra Streisand. He has also written several film scores, notably for Tony Scott's The Hunger (1983) and Michael Mann's Manhunter (1986), Silhouette (1990) starring Faye Dunaway and the television series Capitol (1982-87), The Hitchhiker (1984-87) and Tales from the Crypt (1990). He is the son of violinist Jan Rubini.

As a musician

[edit]
As a session player and arranger

Rubini was producer, conductor and arranger for Motown Records. He was one of the most sought-after Los Angeles session players during the 1960s and 1970s, performing on albums by Sonny & Cher (and the hit single "The Beat Goes On"), Loggins and Messina, Michael Parks, the Cats, the Righteous Brothers, and many others. Rubini arranged and conducted Sonny & Chér single "A Cowboy's Work Is Never Done", arranged Cher single "Don't Hide Your Love" and Maureen McGovern single "I Won't Last A Day Without You". Rubini also made numerous television appearances in the house band of the 1980s game shows Face the Music and Name That Tune. Rubini played the organ on "That's Life" by Frank Sinatra and the grand piano on "Strangers in the Night", also by Sinatra.[1][2]

As a writer

Rubini co-wrote three songs for Thelma Houston: "Give Me Something To Believe In", "Memories", and "I've Got the Devil in Me" – all included on The Devil in Me album. He composed two songs for The New Kids film: "Edge Of Survival" (lyrics and performed by Jess Harnell) and "Over And Over And Over Again" (lyrics and performed by Miriam Cutler).

Solo Career

Rubini, together with Don Dunn, wrote and recorded an album Diggin' It in 1976. During recording session, he played on piano, organ, clavinet, harpsichord, electric piano, and synthesizer. In 1978 a follow-up of sorts was issued under the Motown imprint, this one by Friendly Enemies, a pop trio consisting of Dunn, Rubini, and lead vocalist Chuck Smith. The album Round One also bore the original version of "Baby It's Me", which was recorded by Diana Ross in 1977 (the Enemies' version was made that year, but remained in the can until the 1978 LP release.) In 1988 he recorded his LP album for Gold Castle Records called Secret Dreams. The album was re-recorded, mixed and released on CD by Essence Records in 1994. Rubini recalled:

It was a solo effort on my part, and everything that I played was totally improvised. There was no prearranging, composing or thought other than just letting the music flow out through me onto the tape.

He started playing gospel and blues about age 13, but he wrote, recorded and released his first and, so far, only blues album Band is Tight Tonite in early 1990s. Rubini had said:

I called my 5 favorite blues players, got 6 of my favorite blues/gospel singers from the CME Community Choir, went into the studio and blew it out for 4 days. All live, no overdubs.

Rubini also wrote two instrumental songs, released as a single by Atco, called Summer Song /Moonlight Mood.

As a film score composer

[edit]

Rubini’s most famous score may be as the composer of the soundtrack to The Hunger, a horror film directed by Tony Scott. This 1983 score is emblematic of dark 1980s electronic music (created using synthesizers and synclavier II) inspired by the work of Krzysztof Penderecki and György Ligeti. In 1985 he composed Graham's Theme for Michael Mann's film Manhunter. The theme composed by Rubini for Manhunter was also dark but more melodic than the score to The Hunger. Rubini collaborated with Mann a second time, for Band of the Hand, a more traditional score using a shakuhachi. In 1992 Rubini composed the score for Nemesis, a jazz and oriental music fusion with an electronic ensemble. His instrumental music features in the films Panic ("HSML Cha Cha Cha #1", "HSML Bossa Nova Source #1") and Hollywood Homicide ("Lord Made An Angel"). He composed two songs for the 1985 film The New Kids: Edge Of Survival (lyrics written and performed by Jess Harnell) and Over And Over And Over Again (lyrics written and performed by Miriam Cutler). In 1992 he wrote and performed music for the Merlin & The Dragons audiobook by Jane Yolen (read by Kevin Kline).

As a television score composer

[edit]

Rubini's first television work was as pianist for the Tommy Oliver Orchestra on the 1980 musical game show Face the Music, where he was frequently referred to on-air by host Ron Ely and occasionally performed solo pieces. This was followed by composing music for episodes for the TV series The Hitchhiker beginning in 1983, along with co-scoring the daytime soap opera Capitol and the HBO series Tales from the Crypt. Since 1987, he became successful as a mini-series, HBO special and TV movie composer.

In June 2008, as a member of the Wrecking Crew, a legendary group of studio musicians responsible for backing most of the hits recorded in Los Angeles during the 60’s, Rubini was named on a Plaque with other key players in the group in a ceremony at the Guitar Center WALK OF FAME in Hollywood.[3]

Discography

[edit]
  • Summer Song /Moonlight Mood (Single)
  • Diggin it '76 (with Don Dunn)
  • Round One (with Don Dunn and Chuck Smith as "Friendly Enemies") 1978
  • Secret Dreams
  • Band is Tight Tonite

Soundtracks released

[edit]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Michel Rubini

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Michel Rubini (born December 3, 1942) is an American composer, , conductor, arranger, and renowned for his contributions to as a session and his film and television scores. Born in , , to a musical family, he began playing at age three and started his professional career as an accompanist to his violinist father, Jan Rubini, before transitioning to , , and in his late teens. As a key member of the renowned studio collective known as The Wrecking Crew during the 1960s and 1970s, Rubini performed on numerous hit recordings, including Frank Sinatra's "," Sonny & Cher's "," and The ' "." Throughout his career, Rubini collaborated with an array of prominent artists, providing arrangements and performances for figures such as Ray Charles, Frank Zappa, Barbra Streisand, Elvis Presley, and Motown acts like Junior Walker and the All Stars. He also toured as a keyboardist with acts including Seals & Crofts and Loggins and Messina, and arranged singles for artists like Maureen McGovern and co-wrote songs for Thelma Houston's album The Devil in Me. In film and television, Rubini composed original scores for projects such as The Hunger (1983), Manhunter (1986), Band of the Hand (1986), and episodes of Tales from the Crypt, establishing his versatility across genres from orchestral arrangements to electronic soundscapes. His multifaceted role in the music industry underscores a legacy of innovation and collaboration spanning over five decades.

Early life

Family background

Michel Rubini was born on December 3, 1942, in , , to concert violinist Jan Rubini and actress Terry Walker. His father, a renowned performer known for his womanizing tendencies, and his mother, a former B-movie starlet who retired after marrying in 1940 and struggled with , created a highly unstable home environment marked by emotional turmoil. The family's dysfunction extended to severe personal challenges for young Michel, including instances of and sexual molestation amid his parents' ongoing issues. Despite this, he developed perfect pitch as a toddler simply by listening to his father's tuning and practice sessions, a talent that emerged naturally in the midst of the household chaos. These early experiences profoundly shaped his formative years, fostering resilience that later influenced his pursuit of music as an escape. At age 14, Rubini turned to , engaging in rebellious acts that led to legal troubles and, in one notable incident, an accidental disturbance of dolphins resulting in a federal . This period of turmoil highlighted the lasting impact of his 's instability, though it also marked a pivotal shift toward channeling his energies into endeavors as a means of .

Musical beginnings

Michel Rubini, born into a musical with his Jan as a renowned classical violinist, began at age four and rapidly developed into a . His early training emphasized , leading to as a ; by age 16, he was touring extensively. One of his initial engagements involved accompanying his on radio broadcasts during childhood. At age 13, Rubini shifted his interests toward , , , and rock 'n' roll, diverging from his classical foundation. This transition culminated in his complete abandonment of classical pursuits by age 18, as he embraced more contemporary genres. Rubini's entry into professional music extended to early session work, including roles as a , conductor, and arranger for Records. Prior to his involvement with major studio collectives, he released his debut single, the instrumental "Summer Song / Moonlight Mood," on in 1966.

Session musician career

Wrecking Crew contributions

Michel Rubini emerged as a prominent figure in the Wrecking Crew, the influential collective of session musicians active primarily from the mid-1960s through the , where he served as a skilled and arranger. Joining during this period, he contributed to hundreds of recording sessions for major labels including Capitol, , and RCA, leveraging his versatility to sight-read complex scores and improvise arrangements on the spot. His early classical training provided a strong foundational skill set that enabled seamless adaptation to diverse pop and rock demands. As a , Rubini played on several landmark tracks that exemplified the Wrecking Crew's polished sound, including the grand piano part on Frank Sinatra's 1966 hit "," where he replaced the singer's regular pianist and helped capture the song's improvisational scat ending. He also performed keyboards on ' iconic 1965 recording of "," contributing to its soaring emotional depth under Phil Spector's production. These sessions highlighted Rubini's technical precision and ability to elevate vocal performances through subtle, supportive instrumentation. Beyond piano duties, Rubini took on arranging and roles, particularly with artists during their West Coast recordings, where he shaped string and keyboard sections for a smoother, more orchestral feel. This included early collaborative work with , such as providing keyboard support and arrangements for their breakthrough single "" in 1969, blending 's rhythmic drive with the Wrecking Crew's studio sophistication. Rubini's multifaceted involvement in the Wrecking Crew played a pivotal role in defining the ""—a bright, innovative fusion of pop, R&B, and that dominated charts and influenced generations of recordings during the era.

Key collaborations and hits

Rubini's most notable early collaborations were with , where he served as musical director and contributed to several of their signature hits as a performer and arranger. He played on their debut single "" (1965), which became a global number-one hit and helped launch the duo to fame. He also performed keyboards on "The Beat Goes On" (1967) from their album , a track that peaked at number six on the and exemplified the duo's signature sound. Later, Rubini arranged and conducted "A Cowboy's Work Is Never Done" (1972) for their comeback album All I Ever Need Is You, a country-tinged single that reached number eight on the charts. Through his Wrecking Crew affiliations, Rubini partnered with a diverse array of artists, delivering piano and keyboard performances on landmark recordings across pop, R&B, and rock. He contributed keyboards to ' "(You're My) Soul and Inspiration" (1966), a Phil Spector-produced ballad that topped the , as well as their orchestral rendition of "" (1965), another chart-topping classic. His session work extended to in the , Frank Zappa's experimental projects, Barbra Streisand's albums, and Elvis Presley's recordings, often providing nuanced arrangements that enhanced their emotional depth. Additionally, Rubini played keyboards on Les Crane's spoken-word hit "" (1971), which won a Grammy for Best Recording and sold over a million copies. Rubini's songwriting partnerships further highlighted his versatility in 1970s pop and R&B. He co-wrote "Give Me Something to Believe In" with Bob Siller and Don Dunn for Thelma Houston's album The Devil in Me (1977), a soulful track blending and emotional balladry. Other co-compositions for Houston included "Memories" (with Siller) and "I've Got the Devil in Me" (with Harold Beatty), both featured on the same release and showcasing Rubini's knack for crafting introspective R&B hooks. Later, he composed the music for "Edge of Survival" in the 1985 film , performed by , marking his transition toward film-integrated pop songwriting.

Composing career

Film scores

Rubini's breakthrough in film scoring came with the 1983 vampire horror film The Hunger, directed by Tony Scott, where he collaborated with Denny Jaeger on an original score that blended orchestral elements with synthesizer textures to evoke a mood of dread and sensuality. The atmospheric composition complemented the film's gothic themes, integrating classical excerpts and electronic undertones to heighten its eerie, seductive tone. In 1986, Rubini composed for Michael Mann's thriller , an adaptation of Thomas Harris's Red Dragon, where he created "Graham's Theme," a haunting polyphonic synthesizer piece performed on his system that underscored the psychological tension of protagonist Will Graham. This score was integrated with licensed tracks from artists like The Reds and , blending original electronic motifs with contemporary rock elements to mirror the film's neon-lit, obsessive atmosphere. Rubini continued scoring films throughout the late 1980s and early 1990s, including the 1985 horror The New Kids, where his music amplified the teen suspense narrative; the 1986 urban drama Band of the Hand, featuring a more traditional orchestral approach with shakuhachi influences for its gritty street story; and the 1992 cyberpunk action film Nemesis, characterized by ambient electronic soundscapes that suited its dystopian sci-fi setting. His film scoring style evolved from the orchestral foundations honed during his session musician days—particularly with the Wrecking Crew—to increasingly incorporate electronic and elements in the and , reflecting broader trends in genre filmmaking. No major theatrical scores by Rubini are noted after 1992.

Television scores

Michel Rubini made significant contributions to scoring in the and early , particularly in the realms of soap operas, , and specials, where he crafted themes and suited to serialized formats and budget constraints. His work emphasized reusable motifs and atmospheric underscoring to enhance narrative tension, drawing on his earlier scoring experience to bridge into episodic . Over the course of his TV career, Rubini contributed to numerous episodes across multiple series, primarily through theme compositions and library cues that were deployed recurrently. One of Rubini's earliest major television assignments was the daytime soap opera Capitol, which aired on CBS from 1982 to 1987. He composed the main theme and much of the incidental music for the series, collaborating with Denny Jaeger and Bob Israel to create a dramatic, orchestral soundscape that supported the show's political family intrigues and personal dramas over its 1,270 episodes. Rubini also provided the title theme and scored multiple episodes for the anthology thriller series The Hitchhiker, which ran from 1983 to 1991 on HBO and other networks. His blues-influenced scores captured the show's dark, suspenseful tone, with moody synthesizers and piano underscoring the episodic tales of moral ambiguity and peril; he personally scored at least the first four episodes, as documented in the original score release. The full soundtrack album, The Hitchhiker TV Series, Vol. I (Original Score), compiles 71 tracks from these efforts, highlighting his ability to evoke isolation and tension. In 1990, Rubini scored episodes of the horror anthology Tales from the Crypt, including "My Brother's Keeper" and "For Cryin' Out Loud," where his eerie, motif-driven compositions amplified the series' twists and elements using dissonant strings and percussive effects. He handled music for at least two episodes that year, contributing to the show's signature blend of black humor and fright. Rubini's television portfolio extended to science fiction with The Powers of Matthew Star, a 1982–1983 series about an alien teenager with superpowers. Co-composing the theme with Denny Jaeger, he provided original music for eight episodes, blending electronic and orchestral elements to underscore the show's adventurous, otherworldly plots. Additionally, in 1991, Rubini composed the score for the animated TV special and the Dragons, a retelling of Arthurian legend narrated by and directed by Dennis Woodyard. His music featured sweeping, mythical to accompany the story's themes of destiny and battles, earning recognition as part of the production's notable children's recording.

Discography and soundtracks

Solo and collaborative albums

Michel Rubini's solo and collaborative albums reflect his versatility as a and , blending elements of , , and improvisation across several decades. His first major collaborative release was Diggin' It (1976), co-created with guitarist Don Dunn under the duo name Dunn & Rubini. This soul-funk album, issued by Motown's imprint, showcases Rubini's , organ, , and work alongside Dunn's guitar, with highlights including the title track "Diggin' It," a groovy opener co-written by Dunn and George Seguch, and "Imaginary Girl," a Rubini-Dunn composition emphasizing bluesy keyboard riffs. In 1978, Rubini reunited with Dunn and added vocalist Chuck Smith for Round One, released under the group moniker Friendly Enemies on Prodigal Records. This jazz-infused pop effort features Rubini's and keyboard arrangements on tracks like "Soul In Distress" (co-written by the trio) and "Too Hot to Handle" (Dunn-Rubini), incorporating smooth horns and rhythmic grooves with contributions from session players such as on guitar. Rubini's solo output in the 1980s included the Secret Dreams series, a collection of piano improvisations blending classical and jazz influences. The primary release, Secret Dreams: Improvisations I-VII (1988, Essence Records), was recorded using Synclavier digital technology and features seven extended pieces, such as "Improvisation I" and "Improvisation V," noted for their emotive, melodic flow in a new age style. A later solo project, Band Is Tight Tonite (2013 digital release), captures Rubini's return to funk and rock roots with 13 tracks drawing from gospel and blues inspirations. Highlights include "House Afire," an upbeat opener, "Mr. Blues," and "She's More Woman," emphasizing tight ensemble playing on piano and keyboards. Among his earlier collaborative contributions, Rubini served as pianist on Les Crane's 1971 album Desiderata (Warner Bros.), adding keyboard textures to the spoken-word title track and other pieces arranged by Fred Werner. On Thelma Houston's 1977 release The Devil in Me (Tamla), he acted as producer, arranger, and co-writer for several tracks, including "I've Got the Devil in Me" and "Memories," infusing soulful keyboard arrangements.

Released soundtracks

Michel Rubini's released soundtracks primarily consist of commercial albums drawn from his film and television compositions, often blending orchestral elements with electronic and ambient sounds. These releases highlight his versatility in scoring atmospheric horror, thriller, and genres, with several available in vinyl, CD, and digital formats through labels like and High Tide Recordings. The 1983 soundtrack for The Hunger, co-composed with Denny Jaeger, features a mix of original cues and classical excerpts, emphasizing the film's gothic theme through haunting orchestral and ambient tracks. Released initially on vinyl by , it saw CD reissues in 1994 and digital availability in later years. Key tracks include "Beach House" (3:04), "Waiting Room / Flashbacks" (1:50), "Sarah's Panic" (1:50), "The Arisen" (5:31), "Sarah's Transformation" (1:03), and "The Final Death" (2:12), alongside classical pieces like excerpts from Schubert's Trio in E-Flat, Op. 100 and Bach's Suite #1 for Solo Cello. The album integrates Bauhaus's "" in some editions, though primarily focused on Rubini and Jaeger's contributions, and remains available via specialty retailers and streaming platforms. For the 1986 film Manhunter, Rubini's score appears on the original motion picture soundtrack album, a compilation integrating his original music with licensed tracks from other artists. Released on vinyl and cassette by Geffen Records, it featured expanded CD editions in 2003, 2010, and 2018, with digital versions following. Rubini's prominent contribution is "Graham's Theme" (3:56), a brooding, synth-driven piece underscoring the psychological tension, alongside cues like "Theme from Joe's Death." The album weaves in Shriekback's "This Big Hush" (6:10) and "Evaporation" (3:16), creating a cohesive electronic soundscape that complements the film's neo-noir aesthetic; while Kitarō's ambient works appear in the movie, they are not on the primary OST but enhance the overall integrated score context. This release is widely available on streaming services and vinyl reissues. The (1992) original motion picture soundtrack showcases Rubini's synth-heavy style, with a 16-track released by High Tide Recordings and a 2013 digital remastered edition. Comprising pulsating electronic rhythms and orchestral swells suited to the film's dystopian action, notable tracks include "Nemesis Main Titles" (1:20), "On the Hunt" (3:33), "Big Rocket" (3:44), "Desert Run" (3:45), "Hammerheads" (3:06), "Robotomaniac" (2:30), and "End Credits" (3:25), bookended by variations of "Jared's Theme" (4:06 and 2:32). The full tracklist emphasizes high-energy sequences like "Cable Ride" (3:23) and "Volcano Run" (3:17), making it a favorite for synth score enthusiasts, available digitally on platforms like and in limited runs. Rubini's work on the 1986 film is represented in the original motion picture , a various-artists compilation on featuring his title theme and dramatic cues. Issued on vinyl, cassette, and a 1995 special edition CD, it includes "Theme from Joe's Death" (2:23), an emotive orchestral piece amid rock tracks from artists like and The Reds. This release captures the film's gritty urban drama through Rubini's underscore, and copies are accessible via online marketplaces and streaming archives. In 2013, a digital release of The Hitchhiker TV Series, Vol. I (Original Score) compiled Rubini's episodic themes and cues from the HBO anthology series, available as a 71-track CD and streaming album under Treeblues. Focusing on suspenseful, noir-infused motifs, it features the iconic "The Hitchhiker Theme," along with episode-specific scores such as "M1 Orchestra Rehearsal" and "Eric and Veronica's Death" from "Lovesounds," "M1 Bicycle and Car Crash" from "Remembering Melody," "M1 Lena Enters Hospital" from "Face to Face," and "M1 Wind Blows Blinds" from "And If We Dream." This collection preserves the series' atmospheric tension through Rubini's versatile compositions, primarily accessible via digital platforms like .

Personal life and legacy

Relationships and memoir

Michel Rubini's personal life during the and reflected an adventurous lifestyle amid the rock 'n' roll era and the Hollywood music scene, often involving pursuits within the industry alongside friends like composer . In 2018, Rubini published his autobiography, Life in the Key of Rubini: A Hollywood and His Wild Adventures in Crime, , Sex, Sinatra and , which chronicles his personal and professional journey from childhood to the peak of his career. The candidly details his hit-making sessions, intimate struggles, and colorful escapades, including over two dozen rare photographs that illustrate key moments in his life. Through this reflective work, Rubini offers insights into the highs and lows of his experiences in Hollywood's fast-paced environment.

Honors and recognition

Michel Rubini, as a prominent member of the Wrecking Crew—a collective of elite session musicians instrumental in shaping and pop recordings—received industry recognition for his behind-the-scenes contributions to numerous hit songs and albums. In June 2008, the Wrecking Crew was collectively inducted into the Hollywood RockWalk at on Sunset Boulevard, an honor celebrating their pivotal role in over 100 chart-topping records for artists including , , and . This ceremony acknowledged the group's innovative studio work and lasting influence on American music, with Rubini included alongside fellow members such as and . Further recognition came through the 2015 documentary film The Wrecking Crew, directed by Denny Tedesco, which spotlighted the musicians' overlooked legacy and featured interviews with Rubini discussing his experiences on landmark sessions like those for "" and . The film, which premiered at the Festival and earned acclaim for preserving music history, underscored Rubini's versatility as a and arranger.

References

  1. https://www.imdb.com/name/nm0006264/
  2. https://michelrubini.com/
  3. https://www.themoviedb.org/person/70381-michel-rubini
  4. https://forgottenhits60s.blogspot.com/2018/08/life-in-key-of-rubini.html
  5. https://www.discogs.com/artist/349482-Michel-Rubini
  6. https://www.amazon.com/Life-Key-Rubini-Hollywood-Adventures/dp/1543922449
  7. https://www.iajo.org/iajo04/usa/rubini.htm
  8. https://michelrubini.com/the-book/
  9. https://genius.com/Sonny-and-cher-i-got-you-babe-lyrics
  10. https://www.discogs.com/release/27350415-Sonny-Cher-Greatest-Hits
  11. https://www.sessiondays.com/2019/11/1966-the-righteous-brothers-back-to-back/
  12. https://www.discogs.com/release/15309708-Les-Crane-Desiderata
  13. https://www.discogs.com/release/15160241-Thelma-Houston-The-Devil-In-Me
  14. https://www.discogs.com/release/1412483-Thelma-Houston-The-Devil-In-Me
  15. https://www.imdb.com/title/tt0089679/soundtrack/
  16. https://www.filmscoremonthly.com/daily/article.cfm/articleID/4176/
  17. https://www.premiumbeat.com/blog/synthesizer-music-in-film-and-tv/
  18. https://consequence.net/2018/07/michael-mann-manhunter-vinyl-reissue/
  19. https://www.imdb.com/title/tt0107668/soundtrack/
  20. https://www.imdb.com/title/tt0083397/fullcredits/
  21. http://thehitchhiker.com/composer/index.html
  22. https://open.spotify.com/album/2NEPKEarTQ76kYEwhtR7XT
  23. https://www.imdb.com/title/tt0677625/fullcredits/
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  25. http://www.intrada.net/phpBB2/viewtopic.php?f=13&t=4248
  26. https://www.tunesmate.com/blog/michel-rubini-and-denny-jaeger-theme-from-the-powers-of-matthew-star/
  27. https://www.imdb.com/title/tt0083467/fullcredits/
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  29. https://lightyearentertainment.com/children/merlin-the-dragons-voices-by-kevin-kline/
  30. https://www.sessiondays.com/2018/02/1976-dunn-rubini-diggin/
  31. https://www.discogs.com/release/1603770-Dunn-And-Rubini-Diggin-It
  32. https://www.allmusic.com/album/diggin-it-mw0000879390
  33. https://www.sessiondays.com/2018/11/1978-friendly-enemies-round-one/
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  36. https://open.spotify.com/album/2YQbsCr6Osq82FhfxaTLk9
  37. https://music.apple.com/us/album/band-is-tight-tonite/1500937366
  38. https://open.spotify.com/album/1hG06a2KUNvjqOlAm4CoIv
  39. https://www.sessiondays.com/2018/02/1971-les-crane-desiderata/
  40. https://www.discogs.com/master/196052-Michel-Rubini-Denny-Jaeger-The-Hunger-Original-Motion-Picture-Soundtrack
  41. https://www.discogs.com/release/613605-Michel-Rubini-Denny-Jaeger-The-Hunger-Original-Motion-Picture-Soundtrack
  42. https://www.discogs.com/master/267523-Various-Music-From-The-Motion-Picture-Soundtrack-Manhunter
  43. https://www.discogs.com/release/166367-Various-Music-From-The-Motion-Picture-Soundtrack-Manhunter
  44. https://www.discogs.com/master/1513262-Michel-Rubini-Nemesis
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  46. https://www.discogs.com/master/395265-Various-Band-Of-The-Hand-Original-Motion-Picture-Soundtrack
  47. https://www.discogs.com/release/2235006-Various-Band-Of-The-Hand-Original-Motion-Picture-Soundtrack
  48. https://www.discogs.com/release/25917502-Michel-Rubini-The-Hitchhiker-Volume-1-Music-from-the-HBO-Series-by-Michel-Rubini
  49. https://www.cnn.com/2008/SHOWBIZ/Music/06/26/wrecking.crew/index.html
  50. https://www.guitarcenter.com/rockwalk.gc
  51. https://www.facebook.com/WreckingCrewFilm/photos/a.406252518022/10153828244428023/?type=3
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