Midlake
Midlake
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Midlake

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Midlake

Midlake is an American folk rock band from Denton, Texas, formed in 1999. The band consists of Eric Pulido (vocals, guitar), McKenzie Smith (drums), Eric Nichelson (keyboards, guitar), Jesse Chandler (keyboards, flute, backing vocals), Joey McClellan (guitar, backing vocals) and Scott Lee (bass).

In 2012, vocalist, guitarist and primary songwriter Tim Smith left the band during the recording of its fourth studio album. Following his departure, guitarist and backing vocalist Eric Pulido filled Smith's vacated role, and the band started afresh with its recordings, releasing Antiphon in 2013.

The band first gained popularity[when?] in Europe, signing to Bella Union Records and later playing at festivals such as Les Inrockuptibles, Wintercase, End of the Road and South by Southwest.

Midlake was formed in 1999 by a group of jazz students at the University of North Texas College of Music. The original lineup consisted of Tim Smith (vocals, guitars, keyboards), McKenzie Smith (drums), Paul Alexander (bass), Eric Nichelson (guitar), and Evan Jacobs (keyboards). Their initial work – under the name "The Cornbread All-Stars" – consisted of funk/jazz explorations heavily influenced by Herbie Hancock. Later, the band began to lean more toward an indie rock sound. Tim Smith quit playing saxophone and began writing songs that were heavily influenced by bands such as Jethro Tull, Radiohead, Björk, and Grandaddy, artists who experiment, while still remaining accessible.

Speaking about the band's influences, Smith commented:

We don't want to get called a Radiohead rip-off band. I think Radiohead is a lot closer to my natural tendencies as a songwriter than a band like, um, Jethro Tull. I listen to way more Jethro Tull than I do Radiohead these days, but I could write 10 Radiohead songs before I could write one Jethro Tull song. I want to sound more like Jethro Tull, but I just can't. That's a big struggle.

In an interview with Reverb Magazine's Nick Milligan, Smith said of the band's origins:

"We were jazz musicians, but right from the get go we'd never really play jazz music. We'd play some funk stuff and then jump right into playing Led Zeppelin. For jazz musicians, rock is sort of frowned upon for how easy it is. If we had friends that knew we were playing, the best thing we could play was Herbie Hancock or Stevie Wonder. A distortion pedal seemed like a no-no. It took us a while to get away from the jazz.

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