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Milton Drake
Milton Drake
Milton Drake
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Milton Drake (August 3, 1912 – November 13, 2006) was an American lyricist and performing rights administrator.

As a child, he performed in vaudevilles, in films and on radio. Later he wrote special material for theater and nightclub revues, including "Cotton Club Parade", "Riviera Follies", "Paradise Parade", and "Latin Quarter Revue". Drake's musical collaborators included Oscar Levant, Al Hoffman, Jerry Livingston, Louis Alter, Ben Oakland and Con Conrad, among others.

Drake was a member of the American Guild of Authors and Composers for 28 years, and for 5 years was the chairman of the AGAC council.[1] In August 1962 he resigned from AGAC in protest, criticizing the lack of progressive leadership at the organisation, and their relationship with music publishers.[1]

In 1949 Drake married the singer Adele Clark, Decca recording artist and star of The Adele Clark Show.[2] His brother was songwriter Ervin Drake (1919-2015).

Notable songs

[edit]
  • "Java Jive" (1940)
  • "If It’s You" (1941)
  • "Mairzy Doats" (1943)[3]
  • "Fuzzy Wuzzy" (1944)
  • "Nina Never Knew" (1952)
  • "She Broke My Heart in Three Places"
  • "My Dreams are Gone with the Wind"
  • "Has Hitler Made a Monkey Out of You?"[4]

References

[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Milton Drake

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Milton Drake is an American lyricist and songwriter known for co-writing the enduring novelty hit "Mairzy Doats" (1943) with Al Hoffman and Jerry Livingston, as well as the popular standard "Java Jive" (1940) with Ben Oakland. His work also includes other notable songs such as "Nina Never Knew" and "If It's You," contributing to the American popular music landscape of the mid-20th century. Born on August 3, 1912, Drake began his entertainment career as a child performer in vaudeville, films, and radio before shifting to songwriting and creating special material for prominent theater and nightclub revues, including the Cotton Club Parade, Riviera Follies, Paradise Parade, and Latin Quarter Revue. He collaborated with composers such as Oscar Levant, Louis Alter, and Con Conrad, among others, across his career. In addition to his creative output, Drake served as a performing rights administrator and was a long-time member of the American Guild of Authors and Composers (AGAC), where he held the position of council chairman for five years before resigning in 1962 over concerns about leadership and industry relationships. Drake married singer Adele Clark in 1949 and was the brother of songwriter Ervin Drake. He died on November 13, 2006, in Palm Beach, Florida.

Early Life

Childhood and Early Performances

Milton Drake was born on August 3, 1912, in New York City. He was the older brother of fellow songwriter Ervin Drake, born in 1919 to Jewish immigrant parents in Manhattan. As a child, Drake performed in vaudeville acts, appeared in films, and performed on radio, gaining early experience in entertainment before pursuing songwriting later in life. These early performances marked the beginning of his involvement in the performing arts during his youth in New York.

Songwriting Career

Early Songwriting and Collaborations

Milton Drake embarked on his songwriting career in the early 1930s, initially focusing on lyrics for popular songs and live entertainment. His first notable published work was "Pu-leeze! Mister Hemingway," released in 1932 and co-written with Walter Kent and Abner Silver. He joined the American Society of Composers, Authors and Publishers (ASCAP) in 1934, gaining formal recognition and protection for his compositions within the industry. Drake developed lasting professional relationships with several composers during this formative period. His frequent collaborators included Al Hoffman, Jerry Livingston, Ben Oakland, Louis Alter, and Con Conrad. These partnerships yielded various works, including the 1940 song "Java Jive," co-written with Ben Oakland. In addition to standalone songs, Drake contributed special material to theater and nightclub revues beginning in the 1930s, supplying lyrics tailored for stage and cabaret performances. This early involvement in revue writing helped establish his versatility as a lyricist in New York's entertainment scene.

Notable Compositions

Milton Drake achieved his greatest commercial success with the novelty song "Mairzy Doats," co-written with Al Hoffman and Jerry Livingston in 1943. The tune's playful, tongue-twisting lyrics—built around the seemingly nonsensical phrase that resolves into "mares eat oats and does eat oats and little lambs eat ivy"—captured widespread attention and became a major hit in early 1944, boosted by popular recordings from artists including the Merry Macs and the Pied Pipers. It spawned numerous covers, with over fifty documented versions across genres, adaptations in other languages, and enduring appeal as a classic novelty number. Drake continued his collaboration with Hoffman and Livingston on several other novelty compositions during the 1940s. "Fuzzy Wuzzy (Wuz a Bear)," published in 1944, featured similar whimsical wordplay and was first recorded by the Milt Herth Trio and the Jesters in 1945. That same year saw "She Broke My Heart in Three Places" (1944), another lighthearted effort from the trio, followed by "I'm a Big Girl Now" in 1946, which maintained their style of catchy, humorous material. In the 1950s, Drake worked with composer Louis Alter on "Nina Never Knew" (1952), a more sentimental ballad that became a notable standard in jazz and popular music repertoires. Among his other noteworthy works are "Champagne Waltz," co-written with Ben Oakland and Con Conrad, as well as "Kiss Me Sweet" (1949) and "Hotta Chocolotta" with Vic Mizzy, each contributing to his reputation for versatile and memorable songwriting.

Revue and Theater Contributions

Milton Drake contributed special material to several prominent theater and nightclub revues during his songwriting career. His work in this area included contributions to the Cotton Club Parade, Riviera Follies, Paradise Parade, and Latin Quarter Revue. These assignments involved creating tailored lyrics and sketches suited to the revue format, which typically featured a series of musical numbers, comedy routines, and production elements in nightclub or stage settings.

Film and Media Contributions

Direct Film Credits

Milton Drake contributed directly to several Hollywood films during the late 1930s and 1940s, primarily as a lyricist for original songs and as an uncredited composer of stock music. These roles emerged from his established career as a songwriter. He received credit for providing lyrics to songs in The Awful Truth (1937), The Lady Objects (1938), and Glamour for Sale (1940). In addition, Drake composed stock music—frequently uncredited—for various films, including Who Killed Gail Preston? (1938), Rockin' in the Rockies (1945), Devil Ship (1947), and Triple Threat (1948).

Songs in Soundtracks and Television

Milton Drake's novelty songs, most notably from the 1940s, have continued to appear in films, television series, and other media long after their original chart success, often as period-appropriate or whimsical elements in soundtracks. "Mairzy Doats" has been one of the most frequently reused, featuring prominently in the psychological thriller The Cell (2000), where it forms part of the film's soundtrack. The song also appeared in the coming-of-age drama Armageddon Time (2022), integrated into scenes evoking the 1980s setting. In television, "Mairzy Doats" was used in multiple episodes of the Prime Video series The Marvelous Mrs. Maisel (2017–2023), alongside Drake's "Fuzzy Wuzzy (Wuz a Bear)" in select placements that highlighted mid-20th-century popular music. "Java Jive," another enduring Drake collaboration, was included in the soundtrack for the comedy-mystery Radioland Murders (1994), fitting the film's 1939 radio station backdrop. Other compositions, such as "Nina Never Knew," have appeared in more limited contexts, including the documentary A Letter to True (2004). These later usages underscore the lasting cultural footprint of Drake's whimsical lyrics in visual media.

Professional Involvement

ASCAP and AGAC Roles

Milton Drake was a member of the American Society of Composers, Authors and Publishers (ASCAP) from 1934 onward. He also held leadership positions in the American Guild of Authors and Composers (AGAC), serving as vice president and council chairman. Drake was a member of AGAC for 28 years and served as chairman of the AGAC council for five years. In August 1962 he resigned from AGAC in protest, criticizing the lack of progressive leadership at the organization and its relationship with music publishers. This action underscored his concerns about the direction and effectiveness of songwriter representation in the industry during that period.

Market Research Career

Milton Drake transitioned to a career in market research in his later professional life, applying his analytical skills to the publishing and media industries. He served as Market Research Manager for McGraw-Hill, specifically contributing to the publication Electronics during the 1960s. In this role, he was responsible for market studies in the electronics sector, including conducting interviews with over a hundred companies, government agencies, and industry associations to compile comprehensive data for industry reports. He also held the position of Director of Market and Media Research for Hayden Publications Company.

Personal Life

Family and Personal Interests

Milton Drake married singer Adele Clark in 1949. The marriage was announced in Billboard magazine's July 30, 1949 issue. He was the brother of Ervin Drake (1919–2015). Drake was an avid amateur ham radio operator and held the call sign W2JPN.

Later Years and Death

In his later years, Milton Drake resided in Florida. He died on November 13, 2006, in Palm Beach, Florida, at the age of 94. Obituaries noted his residence in Boca Raton, Florida, and arrangements through Weiss Memorial Chapel in Boynton Beach.
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