Mine Is Yours
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Mine Is Yours

Mine Is Yours is the third studio album by American indie rock band Cold War Kids. It was released on January 25, 2011, by Downtown Records.

Following the releases of Loyalty to Loyalty (2008) and Behave Yourself (2010), the band sought to work on new material that spanned the course of three months in Nashville and California after two years of touring. Produced by Jacquire King, responsible for the mainstream success of fellow American rock band Kings of Leon, the album deviates from the band's dark blues rock-influenced folk tales heard in their previous records into a more mainstream sound with lyrics that talked about personal relationships.

Mine Is Yours debuted at number 21 on the Billboard 200 and spawned four singles (two official and two promotional): "Louder Than Ever", "Skip the Charades", "Finally Begin" and "Royal Blue". The album received a mixed response from critics, with reviews divided by the band's change in sound and lyrical content. To promote the record, the band toured across North America and Europe with appearances at music festivals and talk shows. Mine Is Yours was the band's last album to feature lead guitarist Jonnie Russell, who left for personal reasons.

Cold War Kids released their sophomore album Loyalty to Loyalty on September 23, 2008. The album received a generally favorable reception but critics found it uneven in terms of songwriting and performance. To promote the record, the band spent the next two years touring across North America and Europe making appearances at music festivals and talk shows. After the release of their seventh EP Behave Yourself, the band went to Nashville to work on new material for their next album. Instead of writing and recording songs in a few days, they spent two months carefully working on the material. Lead singer Nathan Willett found this new experience to be "much more spread out, [it was] much more broken down and built up again."

The band found the approach different than the one used on their previous record, with Willett saying that, "[A] lot of our good ideas went unfinished. Nobody was there to tell us, "This is good, but it could be better." The album was produced by Jacquire King, who previously did albums for Kings of Leon, Modest Mouse and Tom Waits. Willett was surprised by King, commenting how he would interject himself into the recording process with advice and allow his artists to brainstorm ideas until they come up with the answer. The production featured reverb-tinged guitars and drum machines that were considered new to the band when they came across them during recording. Critics gave note to the production being reminiscent of bands like U2 and Coldplay, with Willett also alluding to some White Stripes influences as well.

The album's lyrical content and overall sound differ strongly from the band's previous albums. In an interview with Rolling Stone, Willett said that he went back to Long Beach after two years of touring to perfect his voice and write lyrics that came from his personal life. He also said that one of the influences that inspired him was Michael Stipe and R.E.M. saying their initial lyricism was "more or less kind of just good-sounding words, and then kind of moved into really revealing something about themselves — that was my goal." Aside from Stipe, other influences that Willett was inspired by were Woody Allen (Husbands and Wives), John Cassavetes (A Woman Under the Influence) and Jonathan Franzen (The Discomfort Zone).

Lyrically, Mine Is Yours uses a first-person narrative in its songs, whereas previous albums were more character-driven. Willett explained that Cassavetes' A Woman Under the Influence got him to write songs about men-women relationships. The opening title track was described by Willett as being more straightforward than the previous two albums and embodies the record's themes of relationships. The track begins with a minute-long intro that's inspired by U2's The Joshua Tree. Claire Suddath from Time described "Louder Than Ever" as a song that "isn't a breakup song so much as a we-need-to-talk anthem", and also gave note of "Royal Blue" being "a spirited, piano-and-guitar number about the redemptive quality of devotion." The overall sound of the track is reminiscent of funk. "Finally Begin" has drum work that's similar in style to Ringo Starr. "Out of the Wilderness" was described by Sputnikmusic's Rudy Klap as "a gently lilting ballad" that's backed up by drums and a combustible bridge that "coalesces into one of Willett's most fiery performances." It also utilizes guitar tones and a breakdown that's reminiscent of The Who.

"Skip the Charades" was based on the idea of relationships using charades and the theatricality of it all. "Sensitive Kid" is about a son dealing with the separation of his parents by throwing a party in his empty house and being admonished for it when told to act more like a grown up. Willett explained that in high school, he would have parties at his house because it was empty and that his mother was out dating other people. The overall sound of the track utilizes "fractured stabs of piano, electronic percussion, and obtuse grooves" reminiscent of Spoon. "Bulldozer" is about starting over from a failed relationship. Willett said that the inspiration for the song came from the marital problems that some of his college friends had gone through in their relationships, but with more of a happy ending from the aftermath of it all. "Cold Toes on the Cold Floor" was described by critics as a return to the band's debut record Robbers & Cowards, specifically the track "Hang Me Up to Dry". Willett called the track one of his favorites off the album because of its similarity to their previous efforts and its playability live that allow for a lot of improvisation.

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