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Mishima: A Life in Four Chapters
Mishima: A Life in Four Chapters is a 1985 biographical drama film directed by Paul Schrader from a screenplay he co-wrote with his brother Leonard and Leonard's wife Chieko Schrader. The film is based on the life and work of Japanese writer Yukio Mishima (portrayed by Ken Ogata), interweaving episodes from his life with dramatizations of segments from his books The Temple of the Golden Pavilion, Kyoko's House, and Runaway Horses. Francis Ford Coppola and George Lucas were executive producers of the film, which has a musical score composed by Philip Glass and production design by Eiko Ishioka.
The film begins on November 25, 1970, the last day of Mishima's life. He finishes a manuscript and then puts on a uniform he designed for himself and meets with four of his most loyal followers from his private army, the Tatenokai.
In flashbacks highlighting episodes from his past life, the viewer sees Mishima's progression from a sickly young boy to one of Japan's most acclaimed writers of the post-war era. In adulthood, Mishima trains himself into the acme of muscular discipline, owing to a morbid and militaristic obsession with masculinity and physical culture. His loathing for the materialism of modern Japan has him turn towards an extremist traditionalism. He establishes the Tatenokai and advocates for reinstating the emperor as head of government.
The biographical sections are interwoven with short dramatizations of three of Mishima's novels: In The Temple of the Golden Pavilion, a stuttering aspirant sets fire to the famous Zen Buddhist temple because he feels inferior at the sight of its beauty. Kyoko's House depicts the ultimately fatal sadomasochistic relationship between a middle-aged woman and her young lover, who is in her financial debt. In Runaway Horses, a group of young fanatic nationalists plots to overthrow the government and zaibatsu, with its leader subsequently committing suicide. Dramatizations, frame story, and flashbacks are segmented into the four chapters of the film's title, named Beauty, Art, Action, and Harmony of Pen and Sword.
The film culminates in Mishima and his followers taking hostage a General of the Japan Self-Defense Forces. He addresses the garrison's soldiers, asking them to join him in his struggle to reinstate the Emperor as the nation's sovereign. His speech is largely ignored and ridiculed. Mishima then returns to the General's office and commits seppuku.
Mishima dramatizes three of the writer's novels and also uses segments from his autobiographical novel Confessions of a Mask. At least two scenes, one showing the young Mishima being aroused by a painting of Saint Sebastian and another where he exaggerates his illness at a military health examination, appear in Confessions of a Mask.
The use of one further Mishima novel, Forbidden Colors, which describes the marriage of a homosexual man to a woman, was denied by Mishima's widow. As Schrader wanted to visualize a book illustrating Mishima's narcissism and sexual ambiguity, he chose the novel Kyoko's House (which he had translated for him exclusively) instead. Kyoko's House contains four storylines following different protagonists, but Schrader picked only the one which he considered most relevant.
Mishima used various colour palettes to differentiate between frame story, flashbacks and scenes from Mishima's novels: the scenes set in 1970 were shot in naturalistic colours, the flashbacks in black-and-white, the Temple of the Golden Pavilion-episode is dominated by golden and green, Kyoko's House by pink and grey, and Runaway Horses by orange and black.
Mishima: A Life in Four Chapters
Mishima: A Life in Four Chapters is a 1985 biographical drama film directed by Paul Schrader from a screenplay he co-wrote with his brother Leonard and Leonard's wife Chieko Schrader. The film is based on the life and work of Japanese writer Yukio Mishima (portrayed by Ken Ogata), interweaving episodes from his life with dramatizations of segments from his books The Temple of the Golden Pavilion, Kyoko's House, and Runaway Horses. Francis Ford Coppola and George Lucas were executive producers of the film, which has a musical score composed by Philip Glass and production design by Eiko Ishioka.
The film begins on November 25, 1970, the last day of Mishima's life. He finishes a manuscript and then puts on a uniform he designed for himself and meets with four of his most loyal followers from his private army, the Tatenokai.
In flashbacks highlighting episodes from his past life, the viewer sees Mishima's progression from a sickly young boy to one of Japan's most acclaimed writers of the post-war era. In adulthood, Mishima trains himself into the acme of muscular discipline, owing to a morbid and militaristic obsession with masculinity and physical culture. His loathing for the materialism of modern Japan has him turn towards an extremist traditionalism. He establishes the Tatenokai and advocates for reinstating the emperor as head of government.
The biographical sections are interwoven with short dramatizations of three of Mishima's novels: In The Temple of the Golden Pavilion, a stuttering aspirant sets fire to the famous Zen Buddhist temple because he feels inferior at the sight of its beauty. Kyoko's House depicts the ultimately fatal sadomasochistic relationship between a middle-aged woman and her young lover, who is in her financial debt. In Runaway Horses, a group of young fanatic nationalists plots to overthrow the government and zaibatsu, with its leader subsequently committing suicide. Dramatizations, frame story, and flashbacks are segmented into the four chapters of the film's title, named Beauty, Art, Action, and Harmony of Pen and Sword.
The film culminates in Mishima and his followers taking hostage a General of the Japan Self-Defense Forces. He addresses the garrison's soldiers, asking them to join him in his struggle to reinstate the Emperor as the nation's sovereign. His speech is largely ignored and ridiculed. Mishima then returns to the General's office and commits seppuku.
Mishima dramatizes three of the writer's novels and also uses segments from his autobiographical novel Confessions of a Mask. At least two scenes, one showing the young Mishima being aroused by a painting of Saint Sebastian and another where he exaggerates his illness at a military health examination, appear in Confessions of a Mask.
The use of one further Mishima novel, Forbidden Colors, which describes the marriage of a homosexual man to a woman, was denied by Mishima's widow. As Schrader wanted to visualize a book illustrating Mishima's narcissism and sexual ambiguity, he chose the novel Kyoko's House (which he had translated for him exclusively) instead. Kyoko's House contains four storylines following different protagonists, but Schrader picked only the one which he considered most relevant.
Mishima used various colour palettes to differentiate between frame story, flashbacks and scenes from Mishima's novels: the scenes set in 1970 were shot in naturalistic colours, the flashbacks in black-and-white, the Temple of the Golden Pavilion-episode is dominated by golden and green, Kyoko's House by pink and grey, and Runaway Horses by orange and black.