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Mitsu Tanaka
Mitsu Tanaka
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Mitsu Tanaka (田中美津, Tanaka Mitsu; 1943 – August 7, 2024) was a Japanese feminist and writer, who became well known as a radical activist during the early 1970s.

Early life

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Tanaka was born in 1943 as the third daughter of a fishmonger called Uogiku in front of Kisshō-ji, Tokyo. At birth, she suffered from oxygen deprivation, leading to her becoming a frail child with whooping cough who often missed school.[1] She was raised by her parents, who had no academic background and had never graduated from an ordinary high school. As a second grader still in elementary school, she was subjected to child sexual abuse at the hands of an employee from the family business.[2] Spurred into action by this from an early age, ''discrimination against women'' and the ''frailness of the body'' would become the touchstone of her later writings. After her parents decided to rearrange their business and open a Japanese restaurant, their family fortunes started to increase, and Tanaka finally graduated from high school while deciding to search for her own way of life instead of going to college. After a young Vietnamese man living in the neighborhood came to pick up a donation, she decided to participate in a relief activity for orphans stricken by the Vietnam War, which led to the formation of a civic group called "Anti-war Akanbe".[3] She also participated in the Latin Quarter struggle, related to the Zenkyōtō student protests and other civic movements of the time.[4] At that time Tanaka was first impressed by Wilhelm Reich's Die Sexualität im Kulturkampf,[5] leading her to state:

If you have a negative view of sex, you will become a person who appreciates authority, is afraid of their own desires, and has no spontaneity. The world will end up with people who are easy to manage.

Feminist activism

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During the early 1970s, Tanaka was a leading activist for feminism in her native Japan, where the women's liberation movement was called uuman ribu. She helped establish a group of activists known as the Guruupu Tatakau Onnatachi (Fighting Women Group), who staged many public protests that gained a great deal of media attention in Japan. The most extensive and thorough analysis of Tanaka and her role in the liberation movement, elaborated in Scream from the Shadows, by Setsu Shigematsu argues that Group of Fighting Women were akin to (but in some ways differed from) radical feminist groups in the US.[6] They forwarded a comprehensive critique of the political, economic, social and cultural systems of modern Japan due to their patriarchal and capitalist nature. A core element of their critique of Japan's male dominated society focused on the need for the liberation of sex (sei no kaihō), with an emphasis on the need for women's liberation (onna no kaihō) from the Japanese male-centered family system. The group engaged in a variety of feminist campaigns and direct actions.

One of the group's largest campaigns was to protect women's access to abortion procedures in Japan. Tanaka's views on abortion became well publicized and controversial:

She believes that an abortion is murder and that women who have gone through an abortion are, therefore, murderers. Starting from this admission of 'evil' in women's own doing, Mitsu Tanaka then shed light on and condemned the societal structure that forced women to become killers. Morioka calls this line of thinking "tracing back from evil."[7]

Other Japanese feminists protested in favour of legalization of the birth control pill during the same era. However, the birth control pill was not legalized in Japan until 1999, and women still frequently rely upon abortion as the alternative in Japan today.[8][9]

Tanaka led a women's liberation rally (ribu taikai) in 1971, and another in 1972.[10] These protests drew hundreds of women supporters. She worked together with many feminist activists (such as Tomoko Yonezu, Sachi Sayama, Setsuko Mori) to establish the first women's centre and women's shelter in Japan, the Ribu Sentā, in Shinjuku, Tokyo, in 1972 (it closed in 1977).[11] Yet despite Tanaka's efforts, and the publicity her protests received in Japanese media, the male-dominated media did not take her seriously. As was the case in the United States, some media helped disseminate the message of the movement, but the majority of the male-dominated media mocked the movement's transgressive actions. Some may argue that Japan's feminist movement lacked the prominent leaders that the feminist movement in the United States had in the media (such as Betty Friedan, Gloria Steinem, Susan Sontag, and so on), but the most significant difference of the women's liberation movement in Japan, compared with that of liberal feminism (in the U.S. and Japan), is that it did not seek equality with men as their goal. They regarded men as also oppressed by the system, and argued that they also need to be liberated. Feminist activism in Japan remains on the margins of society today, but was more strongly marginalized during the years of Tanaka's activism.[12]

Writing

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Tanaka's first well-known publication was a pamphlet distributed at a rally in 1970, titled Liberation from Eros (Erosu Kaihō Sengen). In this pamphlet, Tanaka called for a break from the Japanese feminist tradition of working for equal economic rights from within conventional social systems:

We women are originally spiritual beings, and at the same time we are also sexual beings. And yet, through the consciousness of man, we have been torn apart into a mother (an object that gives birth to a child) and a toilet (an object that is convenient for the fullfilment of sexual urges). Yes, the order under the private property system was maintained by suppressing women in this way. [...] Thus as for our liberation as women, it must be a liberation of eros, which means a reform of our stream of consciousness that denies our sex...and we direct our movement towards the dismantling of the ie (household system). [...] As we continue to thoroughly question ourselves, in the mist of the struggle, we who can be none other than onna. By questioning men and authority, we will deconstruct our own fantasies of love, husband and wife, men, chastity, children, the home, and maternal love. As we design our own subjective formation, we would like to aid in the (re)formation of men's subjectivity.[13]

Tanaka's Fighting Women Group published a newsletter in addition to organizing protests. Tanaka was a prolific writer during the early 1970s, producing many pamphlets and essays for the movement. In 1970, she wrote a pamphlet that addressed women's need to change the way they regarded their role in sexual relationships and procreation. It was called Why 'Sex Liberation' - Raising the Problem of Women's Liberation. Tanaka then published a feminist manifesto called Benjo Kara no Kaiho (Liberation from the Toilet) in 1970 that is arguably the most famous manifesto of the movement. This accused leftist men in social justice movements of regarding women as little more than repositories of men's bodily fluids.[14] Tanaka published her best-selling autobiography, Inochi no Onna-tachie: Torimidashi uman ribu ron (For My Spiritual Sisters: A Disorderly Theory of Women's Liberation) in 1972, an account of her personal experiences with misogynist exploitation, including rape and discrimination in employment.[15] This book also includes her critique of the Japanese New Left for its masculinist politics and she reflects on the violence of the United Red Army internal purge.[16]

Departure from public activism

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Tanaka, exhausted from her participation in liberal movements, left public activism after 1975. She left Japan for Mexico where she attended the International Women's Year World Congress and lived for 4 years and 3 months. Meanwhile, she gave birth to a son out of wedlock with a Mexican.[17] Later, she worked as an acupuncturist, considering her "liberation activism" to be personal in nature, rather than public. She has stated that she preferred to "stand by" people rather than leading. She has also expressed the view that earlier feminism attracted followers because it enabled them to express themselves, but because feminists of her generation were not taken seriously by men, they turned to dealing with men on men's terms, adopting a masculine "academic" approach and using "jargon", which drove many women away from the movement.[18]

Tanaka died on August 7, 2024, at the age of 81.[19]

See also

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Academic paper

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  • Feminism, Disability, and Brain Death: Alternative Voices from Japanese Bioethics PDF

References

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Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
''Mitsu Tanaka'' is a Japanese feminist activist, writer, and philosopher known for her pioneering and influential role in Japan's second-wave women's liberation movement, known as ūman ribu, during the early 1970s. Often regarded as one of the most visible and controversial figures in the movement, she authored bold manifestos that challenged patriarchal norms and advocated for the liberation of women's sexuality, bodies, and reproductive autonomy. Born in 1943 in Tokyo to a working-class family, Tanaka did not attend university and graduated from high school before becoming active in leftist politics near the University of Tokyo during the late 1960s. She initially formed an anti-Vietnam War group to support orphans affected by the conflict, but soon turned to women's liberation after encountering sexism within New Left circles. Tanaka founded the Group of Fighting Women and was instrumental in establishing the Ribu Shinjuku Center in 1972, a multifaceted women's commune that served as a publishing house, counseling space for issues like abortion and divorce, and a base for protests until its closure in 1977. Her key writings from the period include the manifesto "Liberation from the Toilet," which critiqued the binary portrayal of women as either mothers or objects of male desire, and "Declaration of the Liberation of Eros," which addressed the political dimensions of sexuality and the womb under patriarchal capitalism. Tanaka also defended women convicted of infanticide as victims of systemic oppression and opposed state control over women's bodies through laws like the Eugenic Protection Act. In 1975 she relocated to Mexico, where she gave birth to a son and raised him as a single mother after separating from his father, returning to Japan in 1979. She later distanced herself from collective radical activism, trained in Eastern medicine, became a certified acupuncturist, and worked in a rehabilitation clinic while maintaining interest in issues such as U.S. military bases in Okinawa. Tanaka was the subject of the biographical documentary ''This Planet is Not My Planet'' (2019), directed by Miwa Yoshimine. She died on August 7, 2024.

Early life

Birth and family

Mitsu Tanaka was born on May 24, 1943, in Hongō, Bunkyō-ku, Tokyo, Japan. She grew up in a working-class family in the Tokyo area. Her early environment was shaped by the postwar realities of Japan following World War II. Sources indicate her family background involved modest means typical of working-class households in urban Tokyo during that period. Some accounts note she was born into a family operating a fish shop in Hongō, as the fourth of five siblings and third daughter. This working-class upbringing provided the context for her pre-adult life in Tokyo.

Education and early activities

Tanaka Mitsu graduated from Toshima Metropolitan High School. She did not enroll in university or obtain any higher education degree, unlike many women who later participated in the women's liberation movement. After high school, she worked in an advertising agency. Her early activities included involvement in relief efforts for orphans affected by the Vietnam War. This participation represented her initial engagement with social issues during her mid-twenties.

Entry into activism

Anti-war and New Left involvement

Tanaka Mitsu entered political activism in the late 1960s through her involvement in the anti-Vietnam War movement, which marked her first significant engagement with leftist causes. While living near the University of Tokyo in her mid-twenties, she formed the group "Sending Love to the Injured Orphans of the Vietnam War" to provide relief and support to children impacted by the conflict. As she participated in leftist gatherings and encountered various New Left groups, Tanaka witnessed the overbearing masculinity that characterized many of these spaces, where patriarchal attitudes often dominated interactions and marginalized women. This exposure deepened her frustration with the male-dominated structure of the New Left and student activism, in which women were frequently relegated to supportive roles rather than recognized as equal participants. Her growing awareness of these patriarchal elements within left-wing movements ultimately contributed to her shift toward women's liberation activism.

Shift to women's liberation

In the late 1960s, many Japanese women, including Mitsu Tanaka, participated actively in the New Left student movements, engaging in anti-war demonstrations and joint struggles alongside male comrades. However, women were systematically assigned secondary, supportive roles such as providing meals and housing for male activists, while facing rigid control over their bodies and reproductive choices. Male leaders often imposed arranged marriages and prohibited pregnancies, forcing abortions when they occurred, revealing deep patriarchal structures within the supposedly radical New Left. These experiences of gendered exploitation and marginalization prompted a decisive rejection of male-centered activism, as women recognized that the New Left failed to confront sex-based oppression and instead reproduced the very hierarchies it claimed to oppose. This realization marked a pivotal ideological break, leading Tanaka to shift her focus to women's liberation as an autonomous struggle that addressed the specific subjugation of women under Japan's patriarchal-capitalist system. The transition emphasized that true liberation required challenging the reduction of women to categories of maternity or sexual objects for male use, rather than seeking equality within existing leftist frameworks. This break from the New Left laid the groundwork for the emergence of ūman ribu as a distinct movement, separate from male-dominated radical politics. It ultimately contributed to the formation of dedicated women's liberation groups focused on onna's self-determination.

Leadership in the women's liberation movement

Founding of key groups

In 1970, Mitsu Tanaka founded the Group Fighting Women (Tatakau Onna Gurūpu / 闘う女グループ), one of the earliest organized groups within Japan's nascent women's liberation (ūman ribu) movement. This initiative reflected her shift toward radical feminist activism and focused on direct action to challenge gender norms and patriarchal structures. Two years later, in 1972, Tanaka played a central role in establishing the Ribu Shinjuku Center in Tokyo, which became Japan's first dedicated women's liberation center. The center functioned as a multifaceted space, operating as a commune for communal living, a publishing hub for ribu materials, and a consultation venue providing support to women. It quickly emerged as an important physical base for the movement's activities.

Major manifestos and protests

Mitsu Tanaka played a pivotal role in articulating the ideas of the Japanese women's liberation movement (ūman ribu) through key manifestos in 1970. One of her early writings was the "Declaration of the Liberation of Eros" (エロス解放宣言), which called for the liberation of eros as central to women's liberation, urging a dismantling of oppressive structures including the ie household system and conventional notions of love, marriage, chastity, children, home, and maternal love. This manifesto emphasized women's subjective formation and the need to question male authority and societal fantasies about gender. Her most prominent manifesto, "Liberation from Toilets" (便所からの解放), critiqued the patriarchal division of women into either expressions of maternal love ("mother") or vessels for male lust ("toilet"). Tanaka distributed this text on October 21, 1970, during International Anti-War Day, at a Ginza demonstration organized in part by her Group of Fighting Women (Guruppu Tatakau Onnatachi), marking one of the first public women's liberation protests in Japan. The manifesto highlighted the intersection of women's oppression with broader political struggles, framing bodily and sexual autonomy as essential to challenging male dominance in both private and public spheres. These writings reflected core demands for liberation from rigid gender roles and the assertion of women's right to bodily autonomy. In the early 1970s, Tanaka and her group actively opposed conservative attempts to restrict abortion rights, protesting government control over women's bodies and advocating for reproductive self-determination amid debates over the Eugenic Protection Law. Such actions underscored the movement's focus on connecting sexual liberation with broader social and political transformation.

Ribu Shinjuku Center

The Ribu Shinjuku Center opened in 1972 in Yoyogi, Tokyo, as an official feminist institution supported by donations from activists within the Ūman Ribu movement. It functioned as a commune, publishing house, and safe space for women, while offering consultation services on contraception, abortion, and divorce. The center facilitated exchanges among women by hosting events and publishing magazines and brochures to document and disseminate ideas within the movement. Established by the Group of Fighting Women along with other ribu groups, the center also served as a base for organizing social protests and related activities. Mitsu Tanaka played a central role in its establishment and ongoing operations, maintaining a strong presence in management and taking heavy involvement in editing and publication efforts, where she encouraged participants to write and contributed to shaping the center's materials. The center operated until 1977.

Controversies and movement dynamics

Exile in Mexico and return

Later career and activities

Acupuncture practice

After returning to Japan in 1979 following her time in Mexico, Mitsu Tanaka shifted her focus from the radical activism of the women's liberation movement to the study of Eastern medicine. She trained in this field and became a certified acupuncturist, redirecting her energies from campaigning for the "liberation of sex" to pursuing the "liberation of the body." In a 2005 keynote address, Tanaka described how her belief in releasing one's natural feelings led her to turn her attention to the study of human bodies, resulting in her becoming an acupuncturist. She framed this change as an evolution of her liberation work into a more personal and intense form, where she aimed to stand by people supportively rather than lead them. As of 2019, at age 76, Tanaka continued her professional work as an acupuncturist at a rehabilitation clinic in Hachioji. Her acupuncture practice was documented in the 2019 film This Planet is Not My Planet, which included scenes of her treating patients as part of her daily life. Alongside this career, she retained an interest in ongoing social issues.

Continued political engagement

In her later years, Tanaka Mitsu remained politically engaged, particularly in progressive causes. She actively supported Asano Shiro's candidacy in the 2007 Tokyo gubernatorial election through the initiative "Women Winning for Asano!" which mobilized women voters in his favor. Tanaka also developed a deep interest in Okinawa-related issues, focusing on the conflicts arising from the U.S. military presence and its impact on local civilians. This engagement aligned with her longstanding commitment to anti-war and anti-imperialist concerns, extending her earlier activism into contemporary regional struggles. Her continued involvement in such matters reflected an enduring dedication to social justice and solidarity with marginalized communities. In 2019, she was featured in a documentary highlighting her lifelong contributions to feminism and activism.

Media appearances

Documentaries

Mitsu Tanaka appeared as herself in the documentary "What Are You Afraid Of?" (2015), which chronicles the women's liberation movement in Japan during the 1970s through interviews with its key participants. She is the central subject of the 2019 biographical documentary "This Planet Is Not My Planet" (この星は、私の星じゃない), directed by Miwa Yoshimine, which followed her daily life and thoughts over approximately four years. The film portrays her as a pioneer of the ūman ribu movement who integrates feminist principles into her work as an acupuncturist, her family life, and her ongoing activism, including frequent visits to Henoko in Okinawa. It centers on her personal philosophy, rooted in a childhood sense that the existing world and its structures were not hers, as expressed in the recurring sentiment "this planet is not my planet," which inspired the film's title and echoes themes from her earlier writings. These documentary appearances highlight her lasting influence as a figure in Japanese feminism, presenting both her historical activism and her unfiltered personal perspective in later life.

Death

Circumstances and immediate aftermath

Tanaka Mitsu died on August 7, 2024, in Japan from multiple organ failure at the age of 81. Her family promptly announced funeral arrangements, with a wake held on August 13, 2024, at 5:00 p.m. and the funeral service on August 14, 2024, at 12:30 p.m. at the Keio Memorial Tama Center in Tama City, Tokyo, where her eldest son, Koizumi Ramon, served as chief mourner. Her death marked the end of a life dedicated to feminism and the women's liberation movement in Japan.
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