Community hub
Recent from talks
Knowledge base stats:
Talk channels stats:
Members stats:
Mod (subculture)
Mod, from the word modernist, is a subculture that began in late 1950s London and spread throughout Great Britain, eventually influencing fashions and trends in other countries. It continues today on a smaller scale. Focused on music and fashion, the subculture has its roots in a small group of stylish London-based young men and women in the late 1950s who were termed modernists because they listened to modern jazz.
Elements of the mod subculture include fashion (often tailor-made suits), music (including soul, rhythm and blues and ska, but mainly jazz). They rode motor scooters, usually Lambrettas or Vespas. In the mid-1960s, members of the subculture listened to rock groups with rhythm and blues (R&B) influences, such as the Who and Small Faces. The original mod scene was associated with amphetamine-fuelled all-night jazz dancing at clubs.
During the early to mid-1960s, as the mod movement grew and spread throughout Britain, certain elements of the mod scene became engaged in well-publicised clashes with members of a rival subculture, the rockers. The conflict between mods and rockers led sociologist Stanley Cohen to use the term "moral panic" in his study about the two youth subcultures, in which he examined media coverage of the mod and rocker riots in the 1960s.
By 1965, conflicts between mods and rockers began to subside and mods increasingly gravitated towards pop art and psychedelia. London became synonymous with fashion, music, and pop culture in those years, a period often referred to as "Swinging London". During that time, mod fashions spread to other countries. Mod was then viewed less as an isolated subculture, but as emblematic of the larger youth culture of the era. As mod became more cosmopolitan during the "Swinging London" period, some working-class "street mods" splintered off, forming other groups such as the skinheads.
By the early 1970s, mod and psychedelia had faded in popularity, with hard rock and glam rock styles taking over. In the late 1970s, there was a mod revival in Britain, which attempted to replicate the "scooter" period look and styles of the early to mid-1960s. It was followed by a similar mod revival in North America in the early 1980s, particularly in southern California.
The term mod derives from modernist, a term used in the 1950s to describe modern jazz musicians and fans. That usage contrasted with the term trad, which described traditional jazz players and fans. The 1959 novel Absolute Beginners describes modernists as young modern jazz fans who dress in sharp modern Italian clothes. The novel may be one of the earliest examples of the term being written to describe young British style-conscious modern jazz fans. That use of the word modernist should not be confused with modernism in the context of literature, art, design and architecture. From the mid-to-late 1960s onwards, the mass media often used the term mod in a wider sense, to describe anything that was believed to be popular, fashionable or modern.
Paul Jobling and David Crowley argued that the definition of mod could be difficult to pin down because, throughout the subculture's original era, it was "prone to continuous reinvention". They claim that, since the mod scene was so pluralist, the word mod was an umbrella term that covered several distinct sub-scenes. Terry Rawlings argued that mods were difficult to define because the subculture started out as a "mysterious semi-secret world", which the Who's manager Peter Meaden summarised as "clean living under difficult circumstances".
George Melly wrote that mods were initially a small group of clothes-focused young English working class men, insisting on clothes and shoes tailored to their style, who emerged during the modern jazz boom of the late 1950s. Early mods watched French and Italian art films and read Italian magazines to look for style ideas. They usually held semi-skilled manual jobs or low grade white-collar positions such as a clerk, messenger or office boy. According to Dick Hebdige, mods created a parody of the consumer society that they lived in.
Hub AI
Mod (subculture) AI simulator
(@Mod (subculture)_simulator)
Mod (subculture)
Mod, from the word modernist, is a subculture that began in late 1950s London and spread throughout Great Britain, eventually influencing fashions and trends in other countries. It continues today on a smaller scale. Focused on music and fashion, the subculture has its roots in a small group of stylish London-based young men and women in the late 1950s who were termed modernists because they listened to modern jazz.
Elements of the mod subculture include fashion (often tailor-made suits), music (including soul, rhythm and blues and ska, but mainly jazz). They rode motor scooters, usually Lambrettas or Vespas. In the mid-1960s, members of the subculture listened to rock groups with rhythm and blues (R&B) influences, such as the Who and Small Faces. The original mod scene was associated with amphetamine-fuelled all-night jazz dancing at clubs.
During the early to mid-1960s, as the mod movement grew and spread throughout Britain, certain elements of the mod scene became engaged in well-publicised clashes with members of a rival subculture, the rockers. The conflict between mods and rockers led sociologist Stanley Cohen to use the term "moral panic" in his study about the two youth subcultures, in which he examined media coverage of the mod and rocker riots in the 1960s.
By 1965, conflicts between mods and rockers began to subside and mods increasingly gravitated towards pop art and psychedelia. London became synonymous with fashion, music, and pop culture in those years, a period often referred to as "Swinging London". During that time, mod fashions spread to other countries. Mod was then viewed less as an isolated subculture, but as emblematic of the larger youth culture of the era. As mod became more cosmopolitan during the "Swinging London" period, some working-class "street mods" splintered off, forming other groups such as the skinheads.
By the early 1970s, mod and psychedelia had faded in popularity, with hard rock and glam rock styles taking over. In the late 1970s, there was a mod revival in Britain, which attempted to replicate the "scooter" period look and styles of the early to mid-1960s. It was followed by a similar mod revival in North America in the early 1980s, particularly in southern California.
The term mod derives from modernist, a term used in the 1950s to describe modern jazz musicians and fans. That usage contrasted with the term trad, which described traditional jazz players and fans. The 1959 novel Absolute Beginners describes modernists as young modern jazz fans who dress in sharp modern Italian clothes. The novel may be one of the earliest examples of the term being written to describe young British style-conscious modern jazz fans. That use of the word modernist should not be confused with modernism in the context of literature, art, design and architecture. From the mid-to-late 1960s onwards, the mass media often used the term mod in a wider sense, to describe anything that was believed to be popular, fashionable or modern.
Paul Jobling and David Crowley argued that the definition of mod could be difficult to pin down because, throughout the subculture's original era, it was "prone to continuous reinvention". They claim that, since the mod scene was so pluralist, the word mod was an umbrella term that covered several distinct sub-scenes. Terry Rawlings argued that mods were difficult to define because the subculture started out as a "mysterious semi-secret world", which the Who's manager Peter Meaden summarised as "clean living under difficult circumstances".
George Melly wrote that mods were initially a small group of clothes-focused young English working class men, insisting on clothes and shoes tailored to their style, who emerged during the modern jazz boom of the late 1950s. Early mods watched French and Italian art films and read Italian magazines to look for style ideas. They usually held semi-skilled manual jobs or low grade white-collar positions such as a clerk, messenger or office boy. According to Dick Hebdige, mods created a parody of the consumer society that they lived in.