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Music of Cape Verde
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Music of Cape Verde
Cape Verde is known internationally for morna, a form of folk music usually sung in the Cape Verdean Creole, accompanied by clarinet, violin, guitar and cavaquinho. Funaná, Coladeira, Batuque and Cabo love are other musical forms.
In the contrary of Cape Verdean literature, the music of Cape Verde is performed in Cape Verdean Creole and not in Portuguese. Therefore, the music, in Cape Verde, is considered to be creolophone and not lusophone. Songs composed in Portuguese do exist (for instance, “Mar eterno” from Eugénio Tavares, “Ponta do Sol” from António Caldeira Marques, “Separação” from Palmeirinho) but are extremely scarce.
Cape Verde is an island archipelago that was uninhabited until the Portuguese arrived in 1462. The sailors brought with them African slaves, and the islands' population became mixed with elements of both races. Climate conditions made the islands inhospitable, and the Portuguese governments mostly ignored the inhabitants and the frequent droughts and famines that wracked the islands periodically. As a result, there are now more Cape Verdeans abroad than at home, and sizable communities exist in New England, Portugal, Wales, Senegal, Italy, France and the Netherlands.
In 2011, it would be one of the most recent countries to have its own music award – the Cabo Verde Music Awards. This recognises the greatest songs of the year by Cape Vedean and foreign artists. At the continental level, singers or artists from Cape Verde and Capeverdeans abroad are included in the MTV Africa Music Awards, hosted each year by the music network MTV. From 2001-2011, Cape Verdeans and Capeverdeans abroad were awarded the KORA Awards, with only two singers ever winning – Cesária Évora and Suzanna Lubrano.
Morna is by far the most popular genre of Cape Verdean music, and it has produced an international superstar in Cesária Évora. Morna is a national song-style, like Argentinian tango, beloved by Cape Verdeans across the many islands of the country. Lyrics are usually in Creole, and reflect highly-variable themes, including love and lust, patriotism and mourning.
Morna is believed to have originated on Boa Vista as a cheerful song-type. Eugénio Tavares was an influential songwriter of the period, and his songs are still extensively performed. Morna also spread to São Vicente, and composers like B. Leza and Manuel de Novas became popular. Solo vocalists are accompanied by a guitar, violin, bass guitar, piano and cavaquinho (similar to a ukulele).
In the 1930s, Morna evolved in a swifter form of music called coladeira. It is a more light-hearted and humorous genre, with sensual rhythms. Performers include Codé di Dona, Manuel de Novas, Frank Cavaquim, Djosa Marques and Os Tubarões.
Aside from Évora, popular morna musicians include Ildo Lobo, Titina, Celina Pereira, Bana, Djosinha, B. Leza, Travadinha, Sãozinha, Maria Alice, Carmen Souza, Gardénia Benros, and Assol Garcia.
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Music of Cape Verde
Cape Verde is known internationally for morna, a form of folk music usually sung in the Cape Verdean Creole, accompanied by clarinet, violin, guitar and cavaquinho. Funaná, Coladeira, Batuque and Cabo love are other musical forms.
In the contrary of Cape Verdean literature, the music of Cape Verde is performed in Cape Verdean Creole and not in Portuguese. Therefore, the music, in Cape Verde, is considered to be creolophone and not lusophone. Songs composed in Portuguese do exist (for instance, “Mar eterno” from Eugénio Tavares, “Ponta do Sol” from António Caldeira Marques, “Separação” from Palmeirinho) but are extremely scarce.
Cape Verde is an island archipelago that was uninhabited until the Portuguese arrived in 1462. The sailors brought with them African slaves, and the islands' population became mixed with elements of both races. Climate conditions made the islands inhospitable, and the Portuguese governments mostly ignored the inhabitants and the frequent droughts and famines that wracked the islands periodically. As a result, there are now more Cape Verdeans abroad than at home, and sizable communities exist in New England, Portugal, Wales, Senegal, Italy, France and the Netherlands.
In 2011, it would be one of the most recent countries to have its own music award – the Cabo Verde Music Awards. This recognises the greatest songs of the year by Cape Vedean and foreign artists. At the continental level, singers or artists from Cape Verde and Capeverdeans abroad are included in the MTV Africa Music Awards, hosted each year by the music network MTV. From 2001-2011, Cape Verdeans and Capeverdeans abroad were awarded the KORA Awards, with only two singers ever winning – Cesária Évora and Suzanna Lubrano.
Morna is by far the most popular genre of Cape Verdean music, and it has produced an international superstar in Cesária Évora. Morna is a national song-style, like Argentinian tango, beloved by Cape Verdeans across the many islands of the country. Lyrics are usually in Creole, and reflect highly-variable themes, including love and lust, patriotism and mourning.
Morna is believed to have originated on Boa Vista as a cheerful song-type. Eugénio Tavares was an influential songwriter of the period, and his songs are still extensively performed. Morna also spread to São Vicente, and composers like B. Leza and Manuel de Novas became popular. Solo vocalists are accompanied by a guitar, violin, bass guitar, piano and cavaquinho (similar to a ukulele).
In the 1930s, Morna evolved in a swifter form of music called coladeira. It is a more light-hearted and humorous genre, with sensual rhythms. Performers include Codé di Dona, Manuel de Novas, Frank Cavaquim, Djosa Marques and Os Tubarões.
Aside from Évora, popular morna musicians include Ildo Lobo, Titina, Celina Pereira, Bana, Djosinha, B. Leza, Travadinha, Sãozinha, Maria Alice, Carmen Souza, Gardénia Benros, and Assol Garcia.
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