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Music of Somalia
Music of Somalia (Somali: Muusiga Soomaaliya) is music following the musical styles, techniques and sounds of the Somali people.
Somali people have a rich musical heritage centered on traditional Somali folklore.
Somali songs are pentatonic. That is, they only use five pitches per octave in contrast to a heptatonic (seven note) scale such as the major scale. At first listen, Somali music might be mistaken for the sounds of nearby regions such as Oromo in Ethiopia, Sudan or the Arabian Peninsula, but it is ultimately recognizable by its own unique tunes and styles. Somali songs are usually the product of collaboration between lyricists (lahamiste), songwriters (abwaan), and vocalists (odka or "voice"). The Somali word for dance is ciyaar.
Traditional instruments prominently featured in the music of Somalia include the oud lute (kaban). It is often accompanied by small drums and a reed flute in the background. However, heavy percussion and metallic sounds are uncommon within Somalia. The riverine and coastal areas of Somalia use a wide variety of traditional instruments including:
Somali popular music began with the balwo style, pioneered by Abdi Sinimo, who rose to fame in the early 1940s. This new genre then in turn created the Heelo style of Somali music. Abdi's innovation and passion for music revolutionized Somali music forever.
Introduction of melody in modern Somali song is credited to Abdullahi Qarshe, who is recognised for introducing the kaban (oud) as an accompaniment to Somali music. Qarshe is revered by Somalis as "father of Somali music".
Many qaraami songs from this era are still extremely popular today. This musical style is mostly played on the kaban (oud). Prominent Somali kaban players of the 1950s include Ali Feiruz and Mohamed Nahari.
During the rule of the Supreme Revolutionary Council (Somalia), music was suppressed except for a small amount of officially sanctioned music. There were many protest songs produced during this period, pioneered by the people of Somaliland who were trying to gain independence from the government of Somalia, especially the genocidal Barre regime.
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Music of Somalia
Music of Somalia (Somali: Muusiga Soomaaliya) is music following the musical styles, techniques and sounds of the Somali people.
Somali people have a rich musical heritage centered on traditional Somali folklore.
Somali songs are pentatonic. That is, they only use five pitches per octave in contrast to a heptatonic (seven note) scale such as the major scale. At first listen, Somali music might be mistaken for the sounds of nearby regions such as Oromo in Ethiopia, Sudan or the Arabian Peninsula, but it is ultimately recognizable by its own unique tunes and styles. Somali songs are usually the product of collaboration between lyricists (lahamiste), songwriters (abwaan), and vocalists (odka or "voice"). The Somali word for dance is ciyaar.
Traditional instruments prominently featured in the music of Somalia include the oud lute (kaban). It is often accompanied by small drums and a reed flute in the background. However, heavy percussion and metallic sounds are uncommon within Somalia. The riverine and coastal areas of Somalia use a wide variety of traditional instruments including:
Somali popular music began with the balwo style, pioneered by Abdi Sinimo, who rose to fame in the early 1940s. This new genre then in turn created the Heelo style of Somali music. Abdi's innovation and passion for music revolutionized Somali music forever.
Introduction of melody in modern Somali song is credited to Abdullahi Qarshe, who is recognised for introducing the kaban (oud) as an accompaniment to Somali music. Qarshe is revered by Somalis as "father of Somali music".
Many qaraami songs from this era are still extremely popular today. This musical style is mostly played on the kaban (oud). Prominent Somali kaban players of the 1950s include Ali Feiruz and Mohamed Nahari.
During the rule of the Supreme Revolutionary Council (Somalia), music was suppressed except for a small amount of officially sanctioned music. There were many protest songs produced during this period, pioneered by the people of Somaliland who were trying to gain independence from the government of Somalia, especially the genocidal Barre regime.