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Myth of the flat Earth

The myth of the flat Earth, or the flat-Earth error, is a modern historical misconception that European scholars and educated people during the Middle Ages believed the Earth to be flat.

According to Stephen Jay Gould, "there never was a period of 'flat Earth darkness' among scholars, regardless of how the public at large may have conceptualized our planet both then and now. Greek knowledge of sphericity never faded, and all major medieval scholars accepted the Earth's roundness as an established fact of cosmology." Historians of science David Lindberg and Ronald Numbers point out that "there was scarcely a Christian scholar of the Middle Ages who did not acknowledge [Earth's] sphericity and even know its approximate circumference".

Historian Jeffrey Burton Russell says the flat-Earth error flourished most between 1870 and 1920, and had to do with the ideological setting created by struggles over biological evolution. Russell claims "with extraordinary few exceptions no educated person in the history of Western Civilization from the third century B.C. onward believed that the Earth was flat", and ascribes popularization of the flat-Earth myth to histories by John William Draper, Andrew Dickson White, and Washington Irving.

The earliest clear documentation of the idea of a spherical Earth comes from the ancient Greeks (5th century BC). The belief was widespread in the Greek world when Eratosthenes calculated the circumference of Earth around 240 BC. This knowledge spread with Greek influence such that during the Early Middle Ages (c.600 –1000 AD), most European and Middle Eastern scholars espoused Earth's sphericity. Belief in a flat Earth among educated Europeans was almost nonexistent from the Late Middle Ages (c.1300 –1500 AD) onward, though fanciful depictions appear in art, such as the exterior panels of Hieronymus Bosch's famous triptych The Garden of Earthly Delights, in which a disc-shaped Earth is shown floating inside a transparent sphere.

In Inventing the Flat Earth: Columbus and Modern Historians, Jeffrey Russell describes the Flat Earth theory as a fable used to impugn pre-modern civilization and creationism.

James Hannam wrote:

The myth that people in the Middle Ages thought the Earth is flat appears to date from the 17th century as part of the campaign by Protestants against Catholic teaching. But it gained currency in the 19th century, thanks to inaccurate histories such as John William Draper's History of the Conflict Between Religion and Science (1874) and Andrew Dickson White's A History of the Warfare of Science with Theology in Christendom (1896). Atheists and agnostics championed the conflict thesis for their own purposes, but historical research gradually demonstrated that Draper and White had propagated more fantasy than fact in their efforts to prove that science and religion are locked in eternal conflict.

French dramatist Cyrano de Bergerac in chapter 5 of his Comical History of the States and Empires of the Moon (published two years posthumously in 1657) quotes Augustine of Hippo as saying "that in his day and age the Earth was as flat as a stove lid and that it floated on water like half of a sliced orange." Robert Burton, in his The Anatomy of Melancholy wrote:

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misconception that Europeans in Middle Ages believed in flat Earth
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