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Neil Davidge

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Neil Davidge

Neil Davidge is an English record producer, songwriter, film score composer and musician. Once an associate of dance producers DNA, he is best known as the long-term co-writer and producer for trip hop collective Massive Attack. In 1997, he also produced the Sunna album One Minute Science. During that time he has established a career as a film score composer including projects such as Push, Bullet Boy, Trouble the Water, and additional music for Clash of the Titans.

Artists he has worked with include Unkle, Damon Albarn, Elizabeth Fraser, Mos Def, David Bowie, and Snoop Dogg.

In 2012, he composed the soundtrack to the video game Halo 4 and recorded "The Storm That Brought Me To You" with Tina Dico and Ramin Djawadi for the Clash of the Titans soundtrack, the first vocal track for which he is credited as an artist separately from Massive Attack. In 2017, Davidge composed the critically acclaimed soundtrack for the TV series, Britannia, and in 2023, co-scored Apple TV+'s Criminal Record.

Davidge worked with UK duo DNA in the period between 1989 and 1992, co-producing four singles and one album.

Davidge had met Massive Attack's Andrew Vowles as early as 1991, and was in and around Bristol's Coach House Studios when Portishead recorded their debut album Dummy between 1991 and 1994. Neil was introduced to the rest of Massive Attack in 1996, and hitting it off, he produced 'The Hunter Gets Captured by the Game', a song for the Batman Forever soundtrack that featured Everything But The Girl vocalist Tracey Thorn.

Working in close collaboration with Massive's Robert Del Naja, Neil shaped the sound of the band's third album, 1998's Mezzanine, including the song "Teardrop", which became the theme song for the medical drama "House". Mezzanine won a Q Award for Best Album and was nominated for a Mercury Award.

As with Mezzanine, Massive Attack's fourth album 100th Window was largely piloted by Davidge and Robert Del Naja. Sessions were protracted and pressurised, the group discarding material to re-write the whole record in the last six months of a three-year odyssey. "Some great things had been said about Mezzanine and we didn't want to repeat ourselves", says Neil "It was a strange period of isolation and the weirdness of 9/11, but we got there in the end."[non-primary source needed]

Following the release of 100th Window, Davidge and Del Naja established a new studio in Bristol, which would become the primary recording location for Massive Attack going forward, as well as Davidge and Del Naja's soundtrack projects.

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