Neil Davidge
Neil Davidge
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Neil Davidge

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Neil Davidge

Neil Davidge is an English record producer, songwriter, film score composer and musician. Once an associate of dance musicians DNA, he is best known as the long-term co-writer and producer for trip hop collective Massive Attack. In 1997, he also produced the Sunna album One Minute Science. He has an established career as a film score composer, working on such films as Push, Bullet Boy, Trouble the Water, and Clash of the Titans.

Artists he has worked with include Unkle, Damon Albarn, Elizabeth Fraser, Mos Def, David Bowie, and Snoop Dogg.

In 2012, he composed the Halo 4 Original Soundtrack, scoring the music included in the video game Halo 4. He also recorded "The Storm That Brought Me To You" with Tina Dico and Ramin Djawadi for the Clash of the Titans soundtrack, the first vocal track for which he is credited as an artist separately from Massive Attack.

In 2017, Davidge composed the critically acclaimed soundtrack for the TV series, Britannia, and in 2023, co-scored Apple TV+'s television series Criminal Record.

Davidge worked with UK duo DNA in the period between 1989 and 1992, co-producing four singles and one album.

Davidge had met Massive Attack's Andrew Vowles as early as 1991, and was in and around Bristol's Coach House Studios when Portishead recorded their debut album Dummy between 1991 and 1994. Neil was introduced to the rest of Massive Attack in 1996, and hitting it off, he produced 'The Hunter Gets Captured by the Game', a song for the Batman Forever soundtrack that featured Everything But The Girl vocalist Tracey Thorn.

Working in close collaboration with Massive's Robert Del Naja, Neil shaped the sound of the band's third album, 1998's Mezzanine, including the song "Teardrop", which became the theme song for the medical drama "House". Mezzanine won a Q Award for Best Album and was nominated for a Mercury Award.

As with Mezzanine, Massive Attack's fourth album 100th Window was largely piloted by Davidge and Robert Del Naja. Sessions were protracted and pressurised, the group discarding material to re-write the whole record in the last six months of a three-year odyssey. "Some great things had been said about Mezzanine and we didn't want to repeat ourselves", says Neil "It was a strange period of isolation and the weirdness of 9/11, but we got there in the end."[non-primary source needed]

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