Community hub
Recent from talks
Knowledge base stats:
Talk channels stats:
Members stats:
Neutral-density filter
In photography and optics, a neutral-density filter, or ND filter, is a filter that reduces or modifies the intensity of all wavelengths, or colors, of light equally, giving no changes in hue of color rendition. It can be a colorless (clear) or grey filter, and is denoted by Wratten number 96. The purpose of a standard photographic neutral-density filter is to reduce the amount of light entering the lens. Doing so allows the photographer to select combinations of aperture, exposure time and sensor sensitivity that would otherwise produce overexposed pictures. This is done to achieve effects such as a shallower depth of field or motion blur of a subject in a wider range of situations and atmospheric conditions.
For example, one might wish to photograph a waterfall at a slow shutter speed to create a deliberate motion-blur effect. The photographer might determine that to obtain the desired effect, a shutter speed of ten seconds was needed. On a very bright day, there might be so much light that even at minimal film speed and a minimal aperture, the ten-second shutter speed would let in too much light, and the photo would be overexposed. In this situation, applying an appropriate neutral-density filter is the equivalent of stopping down one or more additional stops, allowing the slower shutter speed and the desired motion-blur effect.
The term "neutral-density filter" refers to any filter that blocks a range of wavelengths evenly, so mechanisms and constructions vary. Reflective ND filters use thin coatings to reflect light. The coatings vary in composition, often consisting of metal ions, and can be specialized for use-case and spectrum. Absorptive filters change the composition of the glass itself, and may include an anti-reflective coating.
For an ND filter with optical density d, the fraction of the optical power transmitted through the filter can be calculated as
where I is the intensity after the filter, and I0 is the incident intensity.
The use of an ND filter allows the photographer to use a larger aperture that is at or below the diffraction limit, which varies depending on the size of the sensory medium (film or digital) and for many cameras is between f/8 and f/11, with smaller sensory medium sizes needing larger-sized apertures, and larger ones able to use smaller apertures. ND filters can also be used to reduce the depth of field of an image (by allowing the use of a larger aperture) where otherwise not possible due to a maximal shutter speed limit.
Instead of reducing the aperture to limit light, the photographer can add a ND filter to limit light, and can then set the shutter speed according to the particular motion desired (blur of water movement, for example) and the aperture set as needed (small aperture for maximal sharpness or large aperture for narrow depth of field (subject in focus and background out of focus)). Using a digital camera, the photographer can see the image right away and choose the best ND filter to use for the scene being captured by first knowing the best aperture to use for maximal sharpness desired. The shutter speed would be selected by finding the desired blur from subject movement. The camera would be set up for these in manual mode, and then the overall exposure adjusted darker by adjusting either aperture or shutter speed, noting the number of stops needed to bring the exposure to that which is desired. That offset would then be the amount of stops needed in the ND filter to use for that scene.
Examples of this use include:
Hub AI
Neutral-density filter AI simulator
(@Neutral-density filter_simulator)
Neutral-density filter
In photography and optics, a neutral-density filter, or ND filter, is a filter that reduces or modifies the intensity of all wavelengths, or colors, of light equally, giving no changes in hue of color rendition. It can be a colorless (clear) or grey filter, and is denoted by Wratten number 96. The purpose of a standard photographic neutral-density filter is to reduce the amount of light entering the lens. Doing so allows the photographer to select combinations of aperture, exposure time and sensor sensitivity that would otherwise produce overexposed pictures. This is done to achieve effects such as a shallower depth of field or motion blur of a subject in a wider range of situations and atmospheric conditions.
For example, one might wish to photograph a waterfall at a slow shutter speed to create a deliberate motion-blur effect. The photographer might determine that to obtain the desired effect, a shutter speed of ten seconds was needed. On a very bright day, there might be so much light that even at minimal film speed and a minimal aperture, the ten-second shutter speed would let in too much light, and the photo would be overexposed. In this situation, applying an appropriate neutral-density filter is the equivalent of stopping down one or more additional stops, allowing the slower shutter speed and the desired motion-blur effect.
The term "neutral-density filter" refers to any filter that blocks a range of wavelengths evenly, so mechanisms and constructions vary. Reflective ND filters use thin coatings to reflect light. The coatings vary in composition, often consisting of metal ions, and can be specialized for use-case and spectrum. Absorptive filters change the composition of the glass itself, and may include an anti-reflective coating.
For an ND filter with optical density d, the fraction of the optical power transmitted through the filter can be calculated as
where I is the intensity after the filter, and I0 is the incident intensity.
The use of an ND filter allows the photographer to use a larger aperture that is at or below the diffraction limit, which varies depending on the size of the sensory medium (film or digital) and for many cameras is between f/8 and f/11, with smaller sensory medium sizes needing larger-sized apertures, and larger ones able to use smaller apertures. ND filters can also be used to reduce the depth of field of an image (by allowing the use of a larger aperture) where otherwise not possible due to a maximal shutter speed limit.
Instead of reducing the aperture to limit light, the photographer can add a ND filter to limit light, and can then set the shutter speed according to the particular motion desired (blur of water movement, for example) and the aperture set as needed (small aperture for maximal sharpness or large aperture for narrow depth of field (subject in focus and background out of focus)). Using a digital camera, the photographer can see the image right away and choose the best ND filter to use for the scene being captured by first knowing the best aperture to use for maximal sharpness desired. The shutter speed would be selected by finding the desired blur from subject movement. The camera would be set up for these in manual mode, and then the overall exposure adjusted darker by adjusting either aperture or shutter speed, noting the number of stops needed to bring the exposure to that which is desired. That offset would then be the amount of stops needed in the ND filter to use for that scene.
Examples of this use include: