New York City Gay Men's Chorus
New York City Gay Men's Chorus
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New York City Gay Men's Chorus

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868178

New York City Gay Men's Chorus

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New York City Gay Men's Chorus

The New York City Gay Men's Chorus is a choral organization in New York City that has been presenting an annual concert season for more than four decades.

The New York City Gay Men's Chorus (NYCGMC) was founded in August 1980 by Ed Weaver who having moved to NYC had been a member of the San Francisco Gay Men's Chorus. Their first season culminated in a sold-out concert with the Riverside Symphony at Alice Tully Hall in June 1981 which featured new pieces or newly arranged works by Leonard Bernstein, Jack Gottlieb, Calvin Hampton, John Mueter, Stephen Sondheim, and Glen Vecchione. Music critic Allen Hughes in his review in The New York Times wrote:

The chorus is less than a year old, having been organized last August, but there was nothing about it that suggested immaturity. Musicianship and diction were exemplary, the dark tuxedos worn by all singers made for neat appearance, and the entrances and exits had been planned to achieve optimum efficiency, dignity and style.

In 1982 the chorus became one of the founding members of the GALA Choruses along with The Stonewall Chorale, the Anna Crusis Women's Choir, the San Francisco Gay Men's Chorus and a handful of other choruses and the following year the chorus was host to the "first national gay choral festival" presented by GALA at Alice Tully Hall. In addition to the NYCGMC, the festival featured performances by gay choruses from Chicago, Denver, Los Angeles, Seattle, Washington, Madison, Wis., Anaheim, Calif., and New Orleans. The final performance included performances by New York's Stonewall Chorale and NYCGMC. Included on the NYCGMC performance was a commissioned work by composer John David Earnest, with the world premiere of "Only in the Dream." The festival concluded with the combined choruses and featured two world premieres: Libby Larsen's Everyone Sang and Ned Rorem's Whitman Cantata. In 1984 the chorus performed at the Eastern Division Conference of the American Choral Directors Association (ACDA). It was the first time that the ACDA had featured a gay chorus at one of its conventions.

In 1985 the NYCGMC participated in a high-profile AIDS Benefit, The Best of the Best: A Show of Concern, at the Metropolitan Opera House; appearing alongside Burt Bacharach, Mikhail Baryshnikov, Carole Bayer Sager, Carol Burnett, Ellen Burstyn, Colleen Dewhurst, Marilyn Horne, Melissa Manchester, Bette Midler, Christopher Reeve, Brooke Shields, Lily Tomlin, and Dr. Ruth Westheimer. The chorus has continued to perform regularly in benefits for a variety of organizations and causes, including arts education funding for New York schools.

Throughout its history the NYCGMC has been committed to supporting contemporary composers. In 1985 the chorus established an annual choral competition, the first winner of which was John Burge's Songs of War. In a July 1985 review music critic Bernard Holland wrote: "The creation of homosexual singing ensembles in recent years provides more than just a sense of cultural community. Good music for concerted male voices has occupied major composers only marginally in the past, and enthusiastic performers such as the New York City Gay Men's Chorus are providing an outlet and an inspiration for new music." As of 2011 the NYCGMC has commissioned more than 100 choral works, including Conrad Susa's The Chanticleer's Carol (1981), Stuart Raleigh's Words for the Future (1985), David Conte's Invocation and Dance (1987), and Frank Ferko's Humoresques (1987).

In 1988 the NYCGMC became the first American gay chorus to tour Europe with performances in London, Amsterdam, Cologne, Germany and Paris. The performances were all used as benefits for the local communities to raise funds to combat the AIDS crisis in those cities. In London, the concert was hosted by Ian McKellen and featured Eartha Kitt.

The chorus would return to Europe in 1991 to promote its third recording, Love Lives On. This tour featured performances in London, Amsterdam, Cologne, Berlin, Munich and Paris. Again the performances raised funds for local AIDS charities. In London the host for the concert was Simon Callow. In Amsterdam the chorus performed in a concert benefit for the Dutch National AIDS Fund. The concert, Friends For Life, featured soprano Roberta Alexandra and the Dutch National Police Band. The concert was recorded as well as televised on national television.

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