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Of the Night

"Of the Night" is a song by British band Bastille, released on 11 October 2013 as the lead single from All This Bad Blood (2013), a reissue of their debut studio album Bad Blood (2013). The song debuted at number two on the UK Singles Chart, and has also charted in several other countries.

The song was covered by Ellie Goulding at BBC Radio 1's Live Lounge.

"Of the Night" is a mash up of two 1990s Eurodance songs, the 1993 hit "The Rhythm of the Night" by Italian act Corona and the 1992 hit "Rhythm Is a Dancer" by German group Snap!. The song was first featured on Bastille's mixtape Other People's Heartache, which was released in 2012 as a free download.

That's a strange one. It's kind of a tongue-in-cheek thing that we did that kind of got out of hand. It started because Dan [Smith] got really ill when we first got signed, and so to ease his way back into vocal recording we decided to do some mixtapes using old songs that we listened to growing up. These were interesting songs you wouldn't expect us to cover and try to reinvent in a more current kind of way, and then it became one of our biggest songs. Then we started doing it live just because it was a cool song and was fun to play, and audiences started to really kind of dig it. And it all started like a little experiment."

— Will Farquarson, talking about "Of the Night"

"Of the Night" was later used in a promotional trailer for the eighth series of ITV's Dancing on Ice in January 2013. It received its first radio play on Huw Stephens' BBC Radio 1 show on 9 October 2013, and was released digitally on 11 October 2013. On 15 November 2013, Of the Night EP was released, featuring three remixes of the song and a live recording of "Oblivion".

Paul Leake of Click Music gave the track five out of five stars, and called it "one of the most inspired covers ever made," adding that it evokes "doe-eyed nostalgia for the purity of 90s' dance music" and "modulates between the sombre heartbreak and quiet intensity."

Digital Spy's Robert Copsey wrote, "On paper, Dan Smith & Co.'s gloomy, atmospheric re-working sounds like career-suicide, and while it certainly isn't that, by opting for such a daring choice it feels like all their hard work at carefully carving out their own niche has come undone."

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