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Orangey
View on WikipediaOrangey with Audrey Hepburn in Breakfast at Tiffany's (1961) | |
| Other names |
|
|---|---|
| Species | Felis catus |
| Born | United States |
| Occupation | Actor |
| Notable role |
|
| Years active | 1950s–1960s |
| Owner | Frank Inn |
| Awards | PATSY Award (1951, 1961) |
Orangey was a name used by multiple male, red domestic shorthair tabby cats[1] which served as animal actors in motion pictures.[2][3] While portrayed as a single cat in early studio publicity and news accounts, the cats' owner and trainer Frank Inn has stated that the original Orangey died prior to his first role and was actually multiple cats.[4]
Career
[edit]Orangey, publicized as a single cat with multiple stand-ins, had a career in film and television in the 1950s and early 1960s. He is the only cat to win two PATSY Awards, the first for the title role in Rhubarb (1951) and the second for his role in Breakfast at Tiffany's (1961).[5] The cat was also credited as "Jimmy", "Jeremy", and "Rhubarb".[6]
A 1951 article in the San Francisco Chronicle stated that Orangey was found after he wandered into the Sherman Oaks, California home of a homemaker named Agnes Murray in 1948. Murray fed him and nursed his bad leg back to health. After reading that the producers of Rhubarb were seeking a "Jimmy Cagney kind of cat", Murray phoned the studio and set up an interview. Orangey was selected out of 5000 cats.[7]
According to an Associated Press article in 1951, Frank Inn called cats harder to handle than coyotes. The article refers to Orangey as "Orangey Murray". Inn said: "At least you can train a coyote to do tricks and he'll do them. You can never tell about cats." Inn said that cats do not respond to a trainer's voice or hand gestures, and that the only way to get them to do things was by repetition. Inn said that Orangey had a dozen stand-ins, and that he received the finest food and veterinary attention every other day. He said that animal welfare officers supervised the sets to check on working conditions and had vetoed cat-dog fights.[8]
According to Sam Wasson, author of 5th Avenue, 5AM: Audrey Hepburn, Breakfast at Tiffany's, and the Dawn of the Modern Woman, Inn said Orangey was "a real New York type cat, just what we want. In no time at all I'm going to make a method, or Lee Strasberg type, cat out of him".[5] Often scratching and biting actors, Orangey was called "the world's meanest cat" by one studio executive, but he was prized for his ability to stay for several hours. He would sometimes flee after filming scenes, and production would be shut down until he could be found. Inn would sometimes have to post guard dogs at the studio entrance to keep him from running away.[3]
In a 2001 interview with the Television Academy Foundation, Inn stated that the early publicity on Orangey was encouraged by the studio, which liked the "beautiful" origin story, but that the original Orangey died prior to the making of Rhubarb. In the film, the cat character was portrayed by multiple orange cats. Inn stated that he purchased Orangey from the original owners for $25.[4]
For Breakfast at Tiffany's, Orangey won the 1962 PATSY Award for his portrayal of "the poor slob without a name". He was also credited as the cat Mouschi in the film adaptation of The Diary of Anne Frank (1959).[1] The cat was credited as the family pet, "Butch", in the film The Incredible Shrinking Man (1957).[citation needed]
On television, Orangey played a regular role as "Minerva" on the series Our Miss Brooks (1952–1958).[citation needed] On The Dick Van Dyke Show he portrayed Sally's cat, Mr. Henderson, in "Where you been, Fassbinder?" on March 14, 1962.[9][10][11] On the sitcom The Beverly Hillbillies, Orangey played Rusty in the 1963 episode "Elly's Animals"[12] and was uncredited as Matilda Cat in "The Cat Burglar" in 1966.[13][14]
Sofia Bohdanowicz's 2020 short documentary film, The Hardest Working Cat in Show Biz is based on Dan Sallitt's essay of the same name, and explores Orangey's history, mythology, and rumors that the name "Orangey" was ascribed to several different cats as opposed to one single cat.[15][16]
Filmography
[edit]| Title | Year | Role | Notes | Ref. |
|---|---|---|---|---|
| Rhubarb | 1951 | Rhubarb | Uncredited, one of 14 cats in the role | |
| This Island Earth | 1955 | Neutron | Uncredited | |
| The Incredible Shrinking Man | 1957 | Butch | Uncredited | |
| The Matchmaker | 1958 | Himself - a Cat | Credited as Rhubarb | |
| The Diary of Anne Frank | 1959 | Mouschi | Uncredited | |
| Visit to a Small Planet | 1960 | Clementine | Uncredited | |
| Breakfast at Tiffany's | 1961 | Cat | Frank Inn also credited | |
| Gigot | 1962 | Uncredited | ||
| The Comedy of Terrors | 1963 | Cleopatra | Credited as Rhubarb | |
| Village of the Giants | 1965 | Giant Cat | Uncredited |
- Television
- Gilligan's Island Cat
- Our Miss Brooks (1952–1958) as Minerva (uncredited)
- Alfred Hitchcock Presents (January 22, 1956) (Season 1 Episode 17: "The Older Sister") as Cat (uncredited)
- Alfred Hitchcock Presents (December 22, 1957) (Season 3 Episode 12: "Miss Paisley's Cat") as Stanley the cat (uncredited)
- Shirley Temple's Storybook (1958) as The Cat
- The Dick Van Dyke Show (1962) as Mr. Henderson
- The Beverly Hillbillies (1963) as Rusty, Cat
- The Many Loves of Dobie Gillis Cat (Season 2 episode 10 Jingle Bells)
- My Favorite Martian (1963–1964) as Herbie, Max the Cat, Cat on Footpath
- Mission Impossible ("The Seal", 1967) as IMF agent Rusty the cat (uncredited)
- Batman (1967–1968) as Cat
- Documentary
- Audrey Hepburn Remembered (1993) as Cat
Awards
[edit]| Year | Nominated work | Category | Awards | Result |
|---|---|---|---|---|
| 1952 | Rhubarb | Picture Animal Top Star of the Year | PATSY Award | Won |
| 1962 | Breakfast at Tiffany's | Picture Animal Top Star of the Year | PATSY Award | Won |
See also
[edit]References
[edit]- ^ a b Bass, Iris (2011). Cat Lover's Daily Companion. Quarry Books. p. 250. ISBN 978-1592537495.
- ^ "Anna Jane Grossman: Training a Cat Actor for Broadway? Better Understand the Peculiar World of Feline Motivation". HuffPost. Archived from the original on 2016-03-08. Retrieved 2014-01-27.
- ^ a b Powe Allred, Alexandra (2005). Cat's Most Wanted. Washington D.C.: Potomac Books. p. 172. ISBN 1612342930.
- ^ a b "Frank Inn | Television Academy Interviews". interviews.televisionacademy.com. Retrieved 2026-01-06.
- ^ a b Deczynski, Rebecca (25 March 2015). "6 Cats Who Made a Mark on the Silver Screen". Mental Floss. Archived from the original on 9 December 2018. Retrieved 9 December 2018.
- ^ Billson, Anne (January 25, 2014). "Cats improve every film they are in". The Telegraph. Archived from the original on January 27, 2014. Retrieved January 27, 2014.
- ^ "The Rhubarb Over Rhubarb". San Francisco Chronicle. 25 March 1951. p. 66. Retrieved 6 January 2026 – via Newspapers.com.
- ^ "Cat Actors Learn Slowly". Tulare Advance-Register. Associated Press. 3 March 1951. p. 2. Retrieved 5 January 2026 – via Newspapers.com.
- ^ KJ Ricardo (2020-08-08). "DICK VAN DYKE SHOW" - Guest Star Spotlight: Orangey the Cat (Sally's Cat, Mr. Henderson)!!!. Retrieved 2025-03-15 – via YouTube.
- ^ "The Dick Van Dyke Show" Where You Been, Fassbinder? (TV Episode 1962) - Orangey as Mr. Henderson - IMDb. Retrieved 2025-03-15 – via m.imdb.com.
- ^ Kay, Linda (2015-09-08). "The Dick Van Dyke Show – "Where You Been, Fassbinder?"". Cinema Cats. Retrieved 2025-03-15.
- ^ Whorf, Richard (1963-01-30), "Elly's Animals", The Beverly Hillbillies, Buddy Ebsen, Irene Ryan, Donna Douglas, retrieved 2025-03-15
- ^ Depew, Joseph (1966-01-26), "The Cat Burglar", The Beverly Hillbillies, Buddy Ebsen, Irene Ryan, Donna Douglas, retrieved 2025-03-15
- ^ "The Cat Burglar (1966)". IMDb. Retrieved 2025-03-15.
- ^ Sallitt, Dan (23 April 2020). "The Hardest Working Cat in Show Biz". Filmmaker Magazine. Archived from the original on 2020-11-26. Retrieved 2020-12-06.
- ^ Rizov, Vadim (27 April 2020). "Online Premiere: Sofia Bohdanowicz's The Hardest Working Cat in Showbiz". Filmmaker Magazine. Archived from the original on 2020-12-03. Retrieved 2020-12-06.
External links
[edit]Orangey
View on GrokipediaEarly Life and Training
Origins and Early Years
"Orangey" was the stage name for multiple orange tabby cats trained by Hollywood animal handler Frank Inn, with the principal or original cat born approximately in 1950 as a domestic shorthair without documented pedigree. These cats originated from non-elite stock, often reflecting the resilience of stray or shelter felines in mid-20th-century America.[5] Early in their involvement, the cats billed as Orangey were sourced by Frank Inn from local animal pounds and shelters, where many faced euthanasia due to overpopulation—a common issue for unclaimed strays at the time. Inn, recognized for his efforts to save animals from destruction, selected look-alike orange tabbies, including dozens for specific projects like the 1951 film Rhubarb, providing them stability in a structured training environment. This sourcing highlighted their adaptability from street or shelter life. Recent research as of 2025 confirms the use of multiple cats under the name, including stand-ins, with the original cat reportedly dying before filming Rhubarb.[6][1][2] Lacking original names beyond generic shelter identifiers, the early years of the Orangey cats emphasized unpretentious roots, distinct from the pedigreed backgrounds of many Hollywood animal performers. These origins laid the groundwork for their professional training under Inn's care.[1]Training by Frank Inn
In the early 1950s, Frank Inn, a pioneering Hollywood animal trainer, acquired and trained multiple orange tabby cats under the name Orangey after identifying their suitability for film work. Inn, who had recently become independent following his time with the Weatherwax organization, selected cats with the ideal temperament and presence, describing one principal cat as "a real New York type cat, just what we want."[7][8] Inn's approach to training cats like those known as Orangey emphasized positive reinforcement and patience, adapting dog-training techniques to feline independence. He used food rewards to encourage behaviors, building associations between commands and treats for reliability without coercion. Desensitization involved gradual exposure to set elements like bright lights, noises, and cameras, enabling composure in professional settings. These methods, developed through Inn's work with over 1,000 animals, suited cats via short, frequent sessions aligned with their attention spans.[9][10] Under Inn's guidance, the Orangey cats mastered key animal acting skills, such as remaining still on cue, responding to signals, and handling chaotic scenes without distraction. This training made them among Inn's most reliable performers, contributing to the name's two PATSY Award wins.[11]Professional Career
Debut and Early Roles
Orangey, a male orange tabby cat trained by animal handler Frank Inn, made his Hollywood debut in the 1951 comedy film Rhubarb, where he portrayed the title character—a stray cat who inherits a fortune and a professional baseball team from his late owner.[12] Billed as "Rhubarb the Cat," this role marked Orangey's breakthrough as a versatile performer capable of handling both comedic and dramatic scenes, earning him his first PATSY Award from the American Humane Association for outstanding animal actor in a motion picture.[3] The film's success, directed by Arthur Lubin and starring Ray Milland, showcased Inn's rigorous training methods that emphasized responsiveness and on-set reliability, allowing Orangey to quickly establish himself in the industry.[8] Following his debut, Orangey secured steady supporting roles in 1950s B-movies and dramas, leveraging Inn's extensive connections with studios like Paramount and Universal. In 1957, he appeared uncredited as the family cat in The Incredible Shrinking Man, a science fiction film directed by Jack Arnold, where his pursuit of the shrunken protagonist added tension to key sequences.[13] The next year, Orangey, billed as Rhubarb, played a minor pet role in The Matchmaker, a romantic comedy starring Shirley Booth and adapted from Thornton Wilder's play.[14] These appearances, often in low-budget productions, highlighted his adaptability to various genres and helped build momentum for more prominent work. Orangey's television presence also grew during this period, with recurring appearances as Minerva the Cat on the sitcom Our Miss Brooks from 1952 to 1956, providing comic relief in episodes centered on the high school teacher's life.[15] By 1959, Inn's network opened doors to higher-profile projects, such as The Diary of Anne Frank, where Orangey portrayed Mouschi, the pet cat belonging to Peter van Daan, contributing emotional depth to the family's hidden existence in the Anne Frank adaptation directed by George Stevens.[16] These early credits solidified Orangey's reputation as a dependable actor for pet parts, paving the way for his expanded career through Inn's ongoing advocacy and placements.Major Breakthrough in Breakfast at Tiffany's
Orangey was cast as the unnamed pet cat accompanying Holly Golightly, portrayed by Audrey Hepburn, in the 1961 Paramount Pictures film Breakfast at Tiffany's, directed by Blake Edwards. The role required an orange tabby with a streetwise demeanor to match the character's New York setting, leading trainer Frank Inn to audition 25 similar cats at the Hotel Commodore in New York; Orangey, a 12-pound domestic shorthair owned by Mr. and Mrs. Albert Murphy of Hollis, Queens, was selected for his authentic "New York type" personality.[7][1] Although the script left the cat nameless—referred to simply as "Cat" in the film—Orangey received on-screen credit under his stage name, marking a pivotal moment in his career.[11] Production faced significant challenges due to Orangey's temperament, which Inn described as method-acting intensity but often manifested as uncooperativeness. Known for scratching, hissing, and biting actors, he earned the nickname "the world's meanest cat" from a studio executive, leading to multiple takes in scenes where he refused to stay in position or interact as directed.[1][7] To manage his tendency to flee the set immediately after filming, Inn stationed guard dogs at studio exits, yet delays persisted as crew searched for him during key sequences. His early training under Inn, which emphasized patience and cue response, proved essential in navigating these issues without derailing the schedule entirely.[11] A standout moment was the film's climactic alleyway scene, where Holly, in a fit of despair, abandons Cat in a rainy New York alley before remorsefully retrieving him, capturing the animal's bewildered expressiveness amid the downpour and highlighting Orangey's ability to convey emotional depth. This sequence, filmed over several challenging takes due to the wet conditions and his reluctance to perform, became iconic for symbolizing themes of loneliness and reconciliation. The role's success immediately elevated Orangey to Hollywood's premier feline actor, with his naturalistic portrayal drawing widespread acclaim and opening doors to high-profile projects thereafter.[11][1]Later Film and Television Work
Following the success of his role in Breakfast at Tiffany's, Orangey transitioned into a variety of television roles that highlighted his versatility in comedic and dramatic formats. His fame from the film opened doors to guest appearances on popular sitcoms, where he often portrayed family pets or mischievous companions, demonstrating his ability to perform reliably under studio lights and with human co-stars. Recent research as of 2025 confirms that multiple cats from Frank Inn's stable shared the Orangey role across projects to handle the demands of filming.[1][2] In 1962, Orangey appeared as Mr. Henderson, the pet of character Sally Rogers, in an episode of The Dick Van Dyke Show titled "Where You Been, Fassbinder?", contributing to the show's lighthearted domestic humor through subtle interactions. He followed this with roles in The Beverly Hillbillies, including as the Clampett family cat Rusty in the 1963 episode "Elly's Animals" and as Mathilda in the 1966 episode "The Cat Burglar," where his presence added charm to the rural-to-urban fish-out-of-water scenarios. These spots showcased his adaptability to ensemble casts and fast-paced sitcom production.[17][18] Orangey also featured in science fiction-tinged series, playing Max the Cat in the 1964 My Favorite Martian episode "Poor Little Rich Cat," where he navigated plotlines involving inheritance and extraterrestrial antics. A possible appearance as a ginger tabby in The Munsters episode "Herman, Coach of the Year" (1965) further illustrated his fit within quirky family dynamics, though sourced to trainer Frank Inn's stable of similarly trained cats. By the mid-1960s, as the cats performing as Orangey reached advanced ages, workloads for the role began to decline, reflecting the physical demands of filming on older animals.[19][20] His career wound down with notable late roles in 1967, including as IMF agent Rusty the Cat in the Mission: Impossible episode "The Seal," where he executed a key retrieval task in a high-stakes espionage plot. That same year, Orangey made his final appearances as the uncredited pet cat to Eartha Kitt's Catwoman in two episodes of Batman, titled "The Funny Feline Felonies" and "The Purr-fect Crime," marking a fittingly dramatic close to his on-screen tenure. These projects underscored his enduring demand into retirement, driven by his proven reliability despite advancing age.[21][22][1]Filmography
Feature Films
Orangey's credited appearances in feature films spanned from 1951 to 1965, primarily in supporting roles as various cats, often uncredited but confirmed through production records and trainer accounts. He was sometimes billed under the name Rhubarb, reflecting his breakthrough role.- Rhubarb (1951), directed by Arthur Lubin for Paramount Pictures, as Rhubarb, the eponymous stray cat who inherits a fortune and a baseball team.[23]
- This Island Earth (1955), directed by Joseph M. Newman for Universal-International, as Neutron, a laboratory cat owned by scientists.[24]
- The Incredible Shrinking Man (1957), directed by Jack Arnold for Universal-International, as Butch, the family cat that poses a threat to the shrunken protagonist.[25]
- The Matchmaker (1958), directed by Joseph Anthony for Hecht-Hill-Lancaster Productions, as Cat (billed as Rhubarb), a minor pet role in the comedy set in early 20th-century New York.
- The Diary of Anne Frank (1959), directed by George Stevens for 20th Century Fox, as Mouschi, the van Daan family's pet cat hidden in the annex.[16]
- Breakfast at Tiffany's (1961), directed by Blake Edwards for Paramount Pictures, as Cat, Holly Golightly's nameless pet companion.
- Gigot (1962), directed by Gene Kelly for United Artists, as Rhubarb the Cat, a stray befriended by a mute handyman.
- The Comedy of Terrors (1963), directed by Jacques Tourneur for American International Pictures, as Cleopatra (billed as Rhubarb), the pet of eccentric widow Mrs. Phipps.
- Village of the Giants (1965), directed by Bert I. Gordon for Embassy Pictures, as the orange tabby cat that grows giant after exposure to an experimental substance.[26]
