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Over the Hedge
Over the Hedge
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Over the Hedge
A raccoon, a turtle, and a flying squirrel hang on to a food-stacked wagon, attached with a lit-up propane tank and a lounge chair resembling wings, that blasts into a large hedge and above a man in an orange suit equipped with an animal catcher tool.
Theatrical release poster
Directed by
Screenplay by
Based on
Produced byBonnie Arnold
Starring
Edited byJohn K. Carr
Music byRupert Gregson-Williams
Production
company
Distributed byParamount Pictures[a]
Release dates
  • April 30, 2006 (2006-04-30) (Los Angeles)[2]
  • May 19, 2006 (2006-05-19) (United States)
Running time
83 minutes[3]
CountryUnited States
LanguageEnglish
Budget$80 million[4]
Box office$339.8 million[3]

Over the Hedge is a 2006 American animated heist comedy film produced by DreamWorks Animation and based on the comic strip by Michael Fry and T. Lewis. The film was directed by Tim Johnson and Karey Kirkpatrick and written by Len Blum, Lorne Cameron, David Hoselton and Kirkpatrick, and features the voices of Bruce Willis, Garry Shandling, Steve Carell, William Shatner, Wanda Sykes and Nick Nolte. Set in Indiana, the plot follows RJ, a raccoon who is forced to deliver food to a bear named Vincent after accidentally destroying his stockpile of food, whereupon he manipulates a family of woodland animals who have recently awakened from hibernation into helping him steal food in order to speed up the process.

Over the Hedge was theatrically released in the United States on May 19, 2006 by Paramount Pictures. The film received generally positive reviews from critics and was a commercial success, grossing $339.8 million worldwide on an $80 million budget.

Plot

[edit]

In a deserted picnic area in Chesterton, Indiana, unable to find food for himself, a raccoon named RJ tries stealing a stockpile from a hibernating bear named Vincent. The plan backfires when Vincent is woken up by the commotion and the food is destroyed. Vincent almost kills RJ, who offers to replace his food by the time the full moon approaches, which is in one week's time. Vincent threatens to kill him if he fails.

The next morning, a family of woodland animals led by a turtle named Verne awaken from hibernation on the first day of spring and discover that most of the forest they lived in has been turned into a housing development that is separated from the little forest remaining by a giant hedge. RJ introduces himself to the group and explains that they can have better food by scavenging off the humans and offers to spend the next 274 days left until winter starts. Despite Verne's concerns, RJ convinces the other animals to steal and stockpile food and other human stuff, unaware of his true intentions of delivering the stash to Vincent, paying off his debt. Gladys Sharp, the neighborhood Home Owners Association president, notices the animal problem and hires exterminator Dwayne LaFontant. While RJ tries to stop a worried Verne from returning the pile of food in order to avoid Dwayne, the food is destroyed following a chase by an excited Rottweiler named Nugent. RJ blames Verne for the destruction while Verne tries to convince his family not to follow RJ for their own safety; the family shuns him in favor of RJ after the former accidentally insults them.

That night RJ sees Dwayne rig animal traps, including an illegal contraband device called the Depelter Turbo, in Gladys' yard. Verne reconciles with RJ and the other animals, and RJ convinces everyone to invade Gladys' home and steal her massive stockpile of food. The squirrel Hammy disables the Depelter Turbo while the striped skunk Stella steals Gladys' Persian cat Tiger's collar, which enables entry into the house. The animals stockpile another wagon full of food, but before leaving, RJ sees a can of Spuddies potato chips and becomes determined to get it per Vincent's request. RJ flees with the food while Verne and the other animals are captured by Dwayne, who takes them away in his truck.

While delivering the food to Vincent, RJ sees Dwayne's truck driving past. In an attempt to free the animals, he causes the wagon to crash into Dwayne's van, which knocks him unconscious. This prompts an enraged Vincent to attack RJ and the other animals while the porcupine triplets drive the truck back to the neighborhood. Verne convinces them to forgive RJ during the commotion. The animals crash the truck into Gladys' home and return to the hedge, only to be attacked by Vincent, Gladys, and Dwayne. Hammy, fueled by an energy drink, reactivates the Depelter Turbo while RJ and Verne trick Vincent into leaping over the hedge, resulting in him, Gladys, and Dwayne being caught in the Depelter Turbo. The local animal control service ships Vincent to the Rocky Mountains, Gladys and Dwayne are arrested for possessing the Depelter Turbo and resisting arrest, and Dwayne's attempt to escape arrest is thwarted by Nugent. RJ rejoins the woodland creatures permanently alongside Tiger, who had fallen in love with Stella. After Verne thinks they have wasted a whole week without gathering food for the winter, Hammy reveals that he has found the nuts he had stored for the previous winter, replenishing the animals' food supply.

In a post-credits scene, RJ is seen demonstrating to his new family how to operate the vending machine (the same one he was at earlier in the film) into delivering all products, but ends up blocking the access door, much to his dismay.

Voice cast

[edit]
Bruce Willis voices RJ the raccoon.
  • Bruce Willis as RJ, an intelligent, charismatic and manipulative raccoon. He starts out as a con artist to deliver food to a greedy bear named Vincent who will kill him if he does not deliver. Despite this, he is revealed to have a sensitive side to his personality, developing feelings of guilt over using his newfound companions to his own ends, becoming the new leader of the foragers.
  • Garry Shandling as Verne, a cynical and timid ornate box turtle who is the leader-turned-second in command of the foragers. He has his own ways of doing their daily tasks, but his world is turned upside-down when RJ introduces his free-spirited lifestyle into the mix. Though Verne genuinely cares for his family, he sometimes comes off as condescending. As two running gags, Verne's shell falls off regularly and is laughed at, and that he is commonly mistaken for an amphibian despite the fact that he is a reptile.
  • Steve Carell as Hammy, a hyperactive squirrel. His mouth moves as fast as his feet. He is naïve and childish in nature, with an extremely short attention span.
  • Wanda Sykes as Stella, a short-tempered and sassy striped skunk. She later goes undercover as a black cat to distract Tiger, but ends up falling in love with him when he reveals he has no sense of smell.
  • William Shatner and Avril Lavigne as Ozzie and Heather, a Virginia opossum father and teenage daughter respectively who see the world from different points of view. Ozzie often embarrasses Heather when he constantly feigns death to get away from danger.
  • Nick Nolte as Vincent, a greedy, predatory American black bear, to whom RJ owes food, and is the main antagonist. He makes a cameo in Bee Movie.[5]
  • Allison Janney as Gladys Sharp, the president of the El Rancho Camelot Estates Home Owners Association and the secondary antagonist who is disgusted by wild animals and strict on H.O.A. rules. It is implied that she is not taken seriously by the other residents of the housing development, much to her irritation.
  • Thomas Haden Church as Dwayne LaFontant,[6][7] an overzealous pest exterminator who is hired by Gladys to get rid of the animals. He can detect the species of any animal that has recently been in the area by smell. He has a strong Texan accent, sports a bad combover, and is nicknamed the "Verminator", a spoof of the Terminator.
  • Eugene Levy and Catherine O'Hara as Lou and Penny, an easygoing North American porcupine couple; Lou has an overly friendly and optimistic attitude and a strong Minnesota accent, while Penny encourages her children to partake in the wonders of suburbia.
  • Omid Djalili as Tiger, a snobbish Persian cat whose full name is "Prince Tigerius Mahmoud Shabazz".[8] Initially hating the forest animals, he guards Gladys' house against them until Stella seduces him disguised as a black cat. He later joins the other animals after he falls in love with Stella even after realizing she is a skunk.
  • Shane Baumel, Sami Kirkpatrick and Madison Davenport as Spike, Bucky and Quillo, Lou and Penny's triplet children who enjoy playing video games and are the most enthusiastic about exploring beyond the hedge.
  • Brian Stepanek as Nugent, an excitable Rottweiler whose only spoken word is "Play!" He otherwise communicates by barks.

Two minor human characters named Lunch Table Larry and BBQ Barry who appear during the dog chase scene, were voiced by Lee Bienstock and Sean Yazbeck, two participants on The Apprentice 5 as part of a reward for winning a task.[9]

Production

[edit]

Initial development

[edit]

Over the Hedge originally began development at 20th Century Fox Animation, when studio head Chris Meledandri was impressed by the comic strip's humor and acquired the rights to the strip. Meledandri then hired the screenwriting team of Jeffrey Price and Peter S. Seaman, best known for writing Who Framed Roger Rabbit, Doc Hollywood and How the Grinch Stole Christmas, to write the script for the project, which was initially set up at Fox Animation Studios. However, Fox Animation Studios shut down in 2000 following the disappointing performance of its second and final film Titan A.E., prompting Fox to put the film in turnaround. It was picked up one year later by DreamWorks Animation under the leadership of its co-founder and CEO Jeffrey Katzenberg, with Len Blum, Lorne Cameron, David Hoselton, and Karey Kirkpatrick replacing the original screenwriters. Kirkpatrick was also promoted to co-direct the film with Tim Johnson.

Casting

[edit]

Bill Murray and Harold Ramis were initially considered as the voices of RJ and Verne, respectively.[10] In July 2002, Jim Carrey was announced to co-star in the film as RJ, with Garry Shandling as Verne. However, Carrey dropped out in October 2004 and was replaced by Bruce Willis,[11][12][13] although some of the former's lines remained. Gene Wilder was offered a role in the film as well, namely an owl named Norbert,[14] but he turned it down, and said character was ultimately scrapped. Nick Nolte was extended a role as Vincent, the main antagonist, which he accepted; Nolte did extensive research on bears to provide the ideal tone and inflections to his character.

Animation

[edit]

While production was based at DreamWorks' Glendale campus, a satellite crew working out of the Pacific Data Images studios helped with additional animation, effects, and lighting support.[15]

Music

[edit]

The soundtrack for the film was released on May 16, 2006, by Epic Records. Rupert Gregson-Williams composed the original score while Hans Zimmer served as an executive music producer and Ben Folds contributed three original songs, along with a rewrite of his song "Rockin' the Suburbs" and a cover of The Clash's "Lost in the Supermarket".[16]

For the Japanese and Korean dubs of the movie BoA provides the voice of Heather the opossum and sings the theme songs, "KEY OF HEART" for the Japanese release,[17] and "People Say" for the Korean release.[18]

Over the Hedge: Music from the Motion Picture
Soundtrack album by
Various Artists
ReleasedMay 16, 2006
StudioDreamWorks Animation
GenrePop, rock, soundtrack
Length48:45
Label
ProducerHans Zimmer[16]
Professional ratings
Review scores
SourceRating
AllMusicStarStarStarStar[19]
No.TitleArtistLength
1."Family of Me"Ben Folds1:28
2."RJ Enters the Cave"Rupert Gregson-Williams4:37
3."The Family Awakes"Rupert Gregson-Williams2:33
4."Heist"Ben Folds3:02
5."Lost in the Supermarket"Ben Folds (Originally by The Clash)3:30
6."Let's Call It Steve"Rupert Gregson-Williams3:40
7."Hammy Time"Michael Whitlock2:28
8."Still"Ben Folds2:38
9."Play?"Rupert Gregson-Williams1:49
10."Rockin' the Suburbs"Ben Folds (Featuring a speaking part by William Shatner)4:57
11."The Inside Heist"Rupert Gregson-Williams7:38
12."RJ Rescues His Family"Rupert Gregson-Williams4:18
13."Still (Reprise)"Ben Folds6:07
Total length:48:45

Release

[edit]

Theatrical

[edit]
Karey Kirkpatrick
Bonnie Arnold
Co-director Karey Kirkpatrick and producer Bonnie Arnold in 2006 promoting the film

Over the Hedge had an original release date of November 2005;[20] however, in December 2004, the date was changed to May 2006. The film was originally to be distributed by DreamWorks Animation's former parent company DreamWorks SKG. In late 2005, distributor Paramount Pictures' parent company Viacom purchased DreamWorks Pictures (whom distributed DWA's films from 1998 to 2005), which lead DWA to terminate its distribution contact with its former parent and sign a seven-year distribution deal with Paramount in early 2006 (The latter would later obtain distribution rights to the DWA films that were released by DreamWorks SKG from 1998-2005 until 2014 when DWA acquired Paramount's distribution rights to the pre-2012 library, and the distribution rights were transferred to 20th Century Fox, DWA's distribution partner from 2013 to 2017, after the end of their distribution deal with Paramount in 2012, the distribution rights were transferred again to Universal Pictures in 2018, after its parent company NBCUniversal purchased DreamWorks Animation in 2016 and after the end of their distribution deal with 20th Century Fox in 2017), and thus, Over the Hedge became DreamWorks Animation's first film to be distributed under this deal.[21] The film was screened as a "work-in-progress" on April 29, 2006, at the Indianapolis International Film Festival,[22] and premiered on April 30 in Los Angeles.[2] Nolte, Willis, Lavigne, Shandling, Sykes, O'Hara and Steve Carell attended the premiere.[2]

The film was theatrically released in the United States on May 19, 2006 by Paramount Pictures.[23] In select theaters, it was accompanied by the short film First Flight.[23] The film was also screened out of competition on May 21, 2006, at the Cannes Film Festival.[24][25]

Home media

[edit]

Over the Hedge was released on DVD, in wide- and full-screen editions, by DreamWorks Animation's newly-formed home entertainment division and Paramount Home Entertainment on October 17, 2006.[26]

The film was released on Blu-ray on February 5, 2019, by Universal Pictures Home Entertainment as a Walmart exclusive,[27] and was subsequently given a wider release on June 4.[28]

The film's home media releases feature Hammy's Boomerang Adventure, a short film taking place after the events of the film that was also later added in the Madly Madagascar (2013) DVD as a bonus feature. It features Steve Carell, Bruce Willis, Madison Davenport, Shane Baumel, Sami Kirkpatrick and Garry Shandling reprising their roles from the main film.

Tie-ins

[edit]

Video games

[edit]

A video game based on the film was released on May 9, 2006. Developed by Edge of Reality, Beenox and Vicarious Visions, it was published by Activision for the PlayStation 2, Microsoft Windows, Xbox, GameCube, Nintendo DS and Game Boy Advance.[29] Shane Baumel, Sami Kirkpatrick, and Madison Davenport were the only ones to reprise their roles for the video game while the other characters were voiced by different actors.

Three different versions of the video game Over the Hedge: Hammy Goes Nuts! were released by Activision in the fall of 2006: a miniature golf game for Game Boy Advance, an action adventure game for Nintendo DS, and a platform game for PlayStation Portable.[30]

Picture books

[edit]

Scholastic published a series of picture books to tie-in with the film. Two books, Over the Hedge: Meet the Neighbors and Over the Hedge: Movie Storybook, were both authored by Sarah Durkee and illustrated by Michael Koelsch.[31][32]

Reception

[edit]

Box office

[edit]

On its opening weekend, Over the Hedge finished in second place to The Da Vinci Code,[33] but its gross of $38,457,003 did not quite live up to DreamWorks Animation's other titles released over the past few years.[34] The film had a per-theater average of $9,474 from 4,059 theaters.[34] In its second weekend, the film dropped 30% to $27,063,774 for a $6,612 average from an expanded 4,093 theaters and finishing third,[34] behind X-Men: The Last Stand and The Da Vinci Code.[35] Since it was Memorial Day Weekend, the film grossed a total of $35,322,115 over the four-day weekend, resulting in only an 8% slide.[36] In its third weekend, the film held well with a 24% drop to $20,647,284 and once again placing in third behind The Break-Up and X-Men: The Last Stand, for a $5,170 average from 3,993 theaters.[37] The film closed on September 4, 2006, after 112 days of release, grossing $155,019,340 in the United States and Canada, along with $180,983,656 internationally for a worldwide total of $336,002,996,[3] against a production budget of $80 million.[4]

Critical response

[edit]

On Rotten Tomatoes, the film has a rating of 75% based on 172 reviews, with an average score of 6.80/10. The site's consensus states: "Even if it's not an animation classic, Over the Hedge is clever and fun, and the jokes cater to family members of all ages."[38] On Metacritic, the film has a score of 67 out of 100 based on 31 critics.[39] Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale.[40]

Ken Fox of TVGuide.com praised the film for being "a sly satire of American 'enough is never enough' consumerism and blind progress at the expense of the environment. It's also very funny, and the little woodland critters that make up the cast are a kiddie-pleasing bunch."[41] Roger Ebert of the Chicago Sun-Times give the film three out of four and called it "Not at the level of Finding Nemo or Shrek, but is a lot of fun, awfully nice to look at, and filled with energy and smiles."[42] Nick De Semlyen of Empire give the film three out of five and wrote, "You'll soon be sick of digital furballs, but there's plenty of fun here and Hammy is up there with Ice Age's Scrat in the pantheon of lunatic movie rodents."[43] Peter Bradshaw of The Guardian gave the film two out of five, writing "The spoilt and wasteful American consumer is satirised in this patchy animated comedy from DreamWorks."[44]

Accolades

[edit]
Awards
Award Category Recipients Result
Annie Awards Best Animated Feature[45] Nominated
Character Animation in a Feature Production Kristof Serrand Nominated
Character Design in a Feature Production Nico Marlet Won
Directing in a Feature Production Tim Johnson & Karey Kirkpatrick Won
Production Design in a Feature Production Paul Shardlow Nominated
Storyboarding in a Feature Production Thom Enriquez Nominated
Gary Graham Won
Voice Acting in a Feature Production Wanda Sykes Nominated
Critics' Choice Awards Best Animated Feature[46] Nominated
Kids' Choice Awards Animated Movie Nominated
Voice From an Animated Movie[47] Bruce Willis Nominated
Online Film Critics Society Awards Best Animated Film[48] Nominated
People's Choice Awards Favorite Family Movie[49] Nominated
Saturn Awards Best Animated Film[50] Nominated
Toronto Film Critics Association Awards Best Animated Film[51] Nominated
Cannes Film Festival Golden Camera Karey Kirkpatrick Nominated
Capri Hollywood International Film Festival Capri Arts Award Enzo Ghinazzi Won
Genesis Awards Outstanding Family Feature - Animated DreamWorks Nominated
Gold Derby Awards Best Animated Feature Best Animated Feature Nominated
Golden Schmoes Awards Best Animated Movie of the Year Best Animated Movie of the Year Nominated
Indianapolis Film Festival Best Family Film[52] Tim Johnson & Karey Kirkpatrick Won

Possible sequel

[edit]

In May 2007, DreamWorks Animation CEO Jeffrey Katzenberg said that Over the Hedge would not receive a sequel due to its box office performance, saying that "It was close. An almost."[53] In October 2010, an article explaining the possibility of a sequel was posted on the official Over the Hedge blog, saying that if a sequel failed to perform as well financially as the first film, DreamWorks could lose money on the project:[54]

The Over the Hedge film cost about $100 million to make (with allocated overhead included) [...] In the end the film nets about $50 million. Not bad. But it’s not the $300-$400 million that Shrek netted.

Now let’s say you want to make Hedge II. First off, you have to actually pay the actors this time. They did the first one for a fraction of their usual rates with the hope that there would be a sequel and they could cash in. That adds about $20 million to the budget. Now your margin is pretty slim. If the second film doesn’t perform as well as the first you could actually lose money.  So, when you have the choice of doing Madagascar III (Mad II nets $200 million) and Hedge II, that’s no choice at all.

Combine this with the fact that DWA is a small studio that makes 2 to 3 movie per year [sic] and the choice becomes even easier.  A larger studio could make Hedge II and amortize the potiential [sic] risk across 20-30 movies instead of just 3. [...] In the end, the only hope for Hedge II or a Hedge TV show is if DWA is bought by a large studio.  Which will happen eventually. Eventually being defined as a long, long time.

Notes

[edit]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Over the Hedge is a 2006 American computer-animated heist comedy film produced by DreamWorks Animation and distributed by Paramount Pictures. Directed by Tim Johnson and Karey Kirkpatrick (the latter in his directorial debut), it is loosely based on the comic strip of the same name created by writer Michael Fry and artist T. Lewis, which debuted on June 12, 1995, and is syndicated by Andrews McMeel Syndication. The film stars the voices of Bruce Willis as the scheming raccoon RJ, Garry Shandling as the cautious turtle Verne, Steve Carell as the hyperactive squirrel Hammy, and features supporting performances by Nick Nolte, William Shatner, Avril Lavigne, and Omid Djalili. Set in a suburban neighborhood encroaching on a forest, the story follows RJ as he manipulates a group of woodland animals awakening from hibernation into helping him steal human food to repay a debt to a hibernating bear, leading to comedic clashes between wildlife instincts and suburban temptations. Released theatrically in the United States on May 19, , Over the Hedge received generally positive reviews from critics, earning a 75% approval rating on based on 171 reviews, with praise for its humor, , and , though some noted its formulaic plot. Commercially successful, it grossed $155.0 million in North America and $343.4 million worldwide against a of $80 million, marking it as one of DreamWorks Animation's profitable releases during that era. The film also inspired a tie-in developed by , released in for multiple platforms, which expanded on the movie's heist mechanics. The original Over the Hedge humorously explores the interactions between anthropomorphic forest animals and human suburban life, running daily since its 1995 launch and collected in several book volumes published by . While the film adaptation takes creative liberties, expanding the core characters into a feature-length narrative, the strip continues to be produced, celebrating its 30th anniversary in 2025 with ongoing syndication in newspapers and online formats.

Background

Comic strip origins

The "Over the Hedge" comic strip was created by writer Michael Fry and artist T. Lewis, debuting on June 12, 1995, under syndication by . The duo's collaboration brought a fresh perspective to newspaper comics, focusing on forest animals navigating the encroachment of human suburbs. Initially launched in a limited number of outlets, the strip quickly gained traction for its witty take on modern life, expanding to approximately 150 newspapers across the by 2006. At its core, the strip explores themes of suburban wildlife encountering human consumer culture, blending environmental with humorous animal antics. Raccoon RJ, a clever opportunist drawn to the "goodies" of human trash like chips and sodas, leads forays into backyard patios and garages, often clashing with the more cautious Verne. These escapades highlight the animals' fascination and bewilderment with suburban excess—such as automated sprinklers, , and holiday decorations—while poking fun at humanity's wasteful habits and . The underscores broader commentary on consumerism's impact on nature, influencing the film's premise of opportunistic scavenging amid . Main characters like RJ and Verne emerged in the strip's early years, evolving from simple foils in short gags to recurring leads driving the ensemble's dynamics. RJ's scheming personality and Verne's prudent leadership provided a classic odd-couple tension, with supporting animals like the hyperactive Hammy adding chaotic energy to their suburban raids. The strip's episodic format—typically three- or four-panel dailies and Sunday pages centered on self-contained jokes—contrasted sharply with the film's cohesive narrative arc, prompting adapters to selectively draw from key character traits and thematic motifs rather than replicate the ongoing, vignette-style series.

Initial development

DreamWorks Animation acquired the film rights to the "Over the Hedge" comic strip from in 2001, following the expiration of Fox's earlier option on the property. This move came after a bidding war in the late that initially favored Fox, but the project stalled there, allowing DreamWorks to secure it for development. Jeffrey Katzenberg, DreamWorks Animation's co-founder and CEO, was instrumental in advancing the project, having anticipated Fox's inaction and directing the studio to prioritize it upon acquisition. Under his oversight, was hired as director and co-writer, while handled initial script contributions to adapt the source material into a feature-length narrative. The project entered active development by 2002, with an initial release targeted for , and early storyboarding focused on key comic arcs depicting the animals' opportunistic raids on suburban supplies. Adapting the comic strip's sharp on and human encroachment into a family-oriented animated presented significant challenges, necessitating the creation of additional ensemble characters like a porcupine family to expand the story beyond the original turtle-raccoon duo and softening some environmental critiques to maintain broad appeal. These adjustments shifted the tone toward accessible humor while preserving the core theme of forest creatures navigating human excess. The production was allocated an initial budget of $80 million to support the CGI animation pipeline at DreamWorks' Glendale facility.

Production

Casting

The casting for Over the Hedge was directed by Leslee Feldman, who selected a diverse ensemble of established actors to bring the film's animal and human characters to life. The principal voice cast includes as RJ, the cunning who cons his way into leading a group of woodland creatures; as Verne, the cautious serving as the group's moral compass; as Hammy, the energetic and oblivious squirrel; as Stella, the street-smart skunk; as Ozzie, the dramatic male possum; and as Vincent, the intimidating . Supporting roles feature as Gladys Sharp, the uptight suburban homeowner; as Dwayne LaFontant, the inept pest control expert; as Lou, the laid-back father; as Penny, the mother; as Heather, Ozzie's teenage possum daughter; and as Tiger, Gladys's sophisticated . The young siblings—Bucky, Spike, and Quillo—are voiced by Sami Kirkpatrick, , and , respectively. Early announcements featured as RJ and as Verne, with voicing Hammy.

Animation

Over the Hedge was produced using (CGI) by at their facilities in , and Redwood City (formerly PDI/DreamWorks). The film adapted the 2D comic strip characters into 3D models, emphasizing a stylized visual approach that preserved the source material's cartoonish exaggeration, such as squash-and-stretch effects on turtle shells and heightened suburban backyard perspectives viewed from low animal eye levels. Production designer Kathy Altieri led the to evoke a vibrant, oversized human world contrasting the animals' scale. A key innovation was the introduction of a full-body dynamic fur system, derived from the wig technology developed for and , marking the first application of such comprehensive fur simulation at DreamWorks. This system rendered millions of individual hairs— for instance, 1,656,680 on raccoon RJ and over 400,000 on each —using guide hairs manipulated via magnetic fields for realistic motion during interactions like hugs or hedge traversals. Rendering employed , hierarchical volume data for self-shadowing fur, and averaged normals to simplify calculations, with frames processed on pooled farms of 3,000 processors averaging 12 hours each. Shallow depth-of-field effects, simulated via telephoto lenses (40mm to 75mm), enhanced the sense of scale and focus on character actions. Character animation focused on high-energy and animal-specific dynamics, such as mass-spring simulations for bellies and pose-based follow-through for tails and limbs. Challenges included resolving intersections during close contacts and amplifying expressions by up to 20% to convey through stylized and features. Techniques like aggressive rim highlighted tactility, while virtual camera rigs mimicked dollies and cranes for dynamic cinematic shots. Two advancements—Averaged Normals for efficient and the hyperactive "Sonic Hammy" animation method—were presented at 2006.

Music

Score

The musical score for Over the Hedge was composed by , a British composer known for his work on animated films. served as executive music producer, overseeing the project as part of DreamWorks Animation's collaboration with his Remote Control Productions. Additional music was contributed by Halli Cauthery, with orchestration handled by Gregson-Williams alongside Alastair King, Seanine Joyce, Bradley Miles, and Simon Whiteside; the score was conducted by Gregson-Williams and King. Recording took place at Air Lyndhurst Studios and EMI Abbey Road Studios in , . Gregson-Williams' score features a full orchestral emphasizing woodwinds and strings to underscore the film's comedic and adventurous tone, delivering bold and colorful cues that support action sequences without relying on electronic elements or exaggerated cartoonish effects reminiscent of earlier scores. Tracks such as "The Inside Heist" (7:38) and "RJ Rescues His Family" (4:18) highlight dramatic builds and playful motifs, blending subtlety with high-energy to match the animals' suburban escapades. Reception of the score was mixed among critics. Filmtracks described it as "predictably fluffy orchestral score" and "typical, functional, and forgettable," critiquing its generic quality within the production style, with an average user rating of 2.8 out of 5. In contrast, theLogBook praised its "unapologetically bold and colorful" approach as "fun and full of action," awarding it 4 out of 4 and calling it one of 2006's most underrated soundtracks for its lively dramatic underscore. The score was released as part of the hybrid soundtrack album Over the Hedge: Music from the Motion Picture on May 16, 2006, by Epic Records/Sony Music Soundtrax, running 48:45 across 13 tracks that intersperse instrumental cues with songs by Ben Folds.

Songs

The songs for Over the Hedge were primarily composed and performed by musician Ben Folds, who contributed original tracks as well as covers and re-recorded versions to complement the film's themes of suburban adaptation, family dynamics, and moral dilemmas among the animal characters. Folds was recruited specifically for the vocal elements of the soundtrack, resulting in five key songs integrated into the narrative or end credits, which blend pop-rock sensibilities with the story's humorous yet poignant tone. These tracks appear on the official album Over the Hedge: Music from the Motion Picture, released by Epic Records on May 16, 2006. The original songs—"Family of Me," "Heist," and "Still"—were written by Folds to reflect character arcs, particularly protagonist RJ's internal conflicts. "Family of Me" opens the film shortly after the , underscoring RJ's boastful exterior masking his isolation as a lone ; its upbeat melody contrasts with lyrics like "How great I am; gotta tell myself, 'Yeah, I'm the man,'" highlighting themes of and . "Heist" accompanies the animals' chaotic forays into human suburbs, capturing the excitement and risk of their scavenging escapades with energetic piano-driven rhythms. "Still," a more introspective piece, plays during a crucial scene where RJ confronts his scheme to betray his new forest companions, with lines such as "It's only change, it's only everything I know" mirroring his and Verne's struggles with transformation and loyalty; a closes the album, reinforcing resolution. Folds also included reinterpretations of existing material to enhance the film's satirical take on . His cover of The Clash's 1979 punk track "" (from ) features prominently during the animals' disorienting exploration of a human , transforming the original's alienation into a whimsical critique of excess through Folds' piano-pop arrangement. Additionally, a re-recorded "Over the Hedge Version" of Folds' 2001 hit "" appears, featuring guest vocals by ; this version pokes fun at suburban life and plays over the end credits, tying the animals' adventures back to the hedge as a boundary between wild and domesticated worlds. These songs not only provide emotional depth but also amplify the 's humor, with Folds' versatile style—ranging from anthemic to melancholic—allowing seamless integration into the 's fast-paced sequences. The contributions earned praise for elevating the beyond typical animated fare, though they remain secondary to ' score in driving the plot.

Release

Theatrical

Over the Hedge had its world premiere at the International Film Festival on , 2006, followed by a premiere on April 30, 2006. The film was theatrically released in the United States on May 19, 2006, by , marking the first feature distributed by the studio under their new partnership. It opened in 4,059 theaters nationwide, reaching a maximum of 4,093 theaters, the widest release for a film at that time. In select theaters in New York and , the feature was preceded by DreamWorks Animation's short film First Flight, a 7-minute animated piece directed by Tim Johnson. The film received a PG rating from the Motion Picture Association of America for mild rude humor and action. Internationally, Over the Hedge began rolling out in June 2006, with early releases in and on June 2, followed by on June 15, on July 5, and the on July 30. Paramount Pictures handled distribution in most major markets, with local partners such as Asmik Ace Entertainment in . The film continued its theatrical run through late 2006 and into early 2007 in various territories, concluding with releases as late as 2007 in some regions.

Home media

The film was released on and DVD on October 17, 2006, by DreamWorks Home Entertainment in . The single-disc DVD edition featured widescreen and full-screen versions, along with special features including the Hammy's Boomerang Adventure, featurettes like "Behind the Hedge" and "The Tech of Over the Hedge", a "Verm-Tech ", cast interviews in "Meet the Cast", and an track by filmmakers Tim Johnson and . A two-disc special edition DVD was also available, adding more bonus content such as a hibernating feature that unlocked additional materials online after November 28, 2006. The DVD performed strongly in its debut week, generating an estimated $65 million in consumer spending and topping the national sales chart. By the first quarter of 2007, over 12.6 million units had been shipped, contributing $33.1 million in revenue primarily from home video. In total, the film sold 7,571,037 DVD units in the United States, generating $120,893,405 in revenue. Following DreamWorks Animation's acquisition by , the film received a Blu-ray release on February 5, 2019, as a exclusive from , including the same special features as the DVD plus digital HD. A wider retail Blu-ray edition followed on June 4, 2019. Digital versions became available for purchase and through platforms like and around this time.

Marketing and tie-ins

Promotional campaigns

The promotional campaigns for Over the Hedge were extensive, leveraging partnerships with brands to tie into the film's themes of suburban scavenging and , primarily targeting families and children ahead of its May 19, 2006, theatrical release and subsequent DVD launch. These efforts included product packaging, mail-in offers, in-store displays, and digital interactions, generating buzz through cross-promotions that reached millions via retail and media channels. Food and snack brands played a central role, with Act II offering movie-themed packages featuring mail-in opportunities for Over the Hedge merchandise such as posters and toys. Similarly, Crunch 'n Munch incorporated licensed character images on its packaging, allowing consumers to redeem proofs of purchase for additional film-related items, while promoted Trix yogurt in six-cup packs with activity games starring characters like RJ and Verne, supported by TV commercials and in-store signage. integrated the campaign into its Kids' Meals, providing five character-themed premiums along with games on meal bags, backed by online resources and point-of-purchase materials to encourage family visits. Retail giant Wal-Mart positioned Over the Hedge as the core of its summer marketing push, featuring special packaging on select snacks like Crunch 'n Munch and deploying TV spots with film characters to boost in-store traffic and merchandise sales. Technology partners extended the reach digitally; launched a global interactive website (overthehedge.amd.com) with games, character profiles, and theater finders, while HP produced a custom-animated TV commercial highlighting its role in the film's production and offered printable activity discs via point-of-purchase displays. For the October 17, 2006, DVD release, DreamWorks partnered with Chuck E. Cheese's across 500 U.S. locations starting October 1, distributing special-edition tokens featuring characters like Hammy and Stella with food, drink, and game bundles, and incorporating an Over the Hedge video into in-store entertainment shows; these tokens were also bundled with DVDs at Toys 'R Us. Additional campaigns included faux commercials parodying (e.g., Verm-Tech Institute) on the DVD extras and theatrical trailers emphasizing the film's humor.

Video games and merchandise

The video game adaptation of Over the Hedge, titled Over the Hedge, was published by and released on May 9, 2006, for , , , Windows PC, Game Boy Advance, and . Developed by for the console versions, for PC, and Vicarious Visions for the handheld ports, the game is a 3D combining action-adventure and stealth elements, where players control characters such as RJ the and Hammy the to raid suburban homes for food and gadgets while avoiding humans and traps. The title received mixed reviews, with praising its colorful visuals and appeal to fans of the film but criticizing repetitive gameplay, assigning it a 6.5 out of 10. A follow-up game, Over the Hedge: Hammy Goes Nuts!, focusing on Hammy's hyperactive antics, was published by and released on October 19, 2006, for , , and . This puzzle-platformer involves the forest animals navigating urban obstacles like construction sites and sewers to gather items for their log home, featuring character-specific abilities such as Hammy's speed bursts. It garnered generally unfavorable reception, with aggregating a score of 58 out of 100 based on critic reviews highlighting simplistic mechanics despite the film's charm. Merchandise for Over the Hedge primarily consisted of character-based and collectibles launched in to coincide with the film's release, capitalizing on the suburban animal theme. Plush figures of protagonists like RJ, Hammy, and Verne were produced by retailers such as through their Cares for Kids line, offering soft, huggable versions approximately 9-12 inches tall for charitable donations. Additional items included action figures and wind-up from manufacturers like Decopac, depicting characters in dynamic poses or vehicles, as well as promotional sets tied to fast-food chains; for instance, offered a series of five collectible figures in kids' meals, featuring the main cast in movie-inspired scenarios. These products emphasized the film's comedic ensemble, with examples like Hammy's energetic design proving popular among young audiences.

Reception

Box office

Over the Hedge was released on May 19, 2006, by Paramount Pictures and DreamWorks Animation, opening in 4,059 theaters across the United States and Canada. It earned $38.5 million in its opening weekend, finishing second at the box office behind The Da Vinci Code. During its domestic theatrical run, the film grossed $155.0 million, marking it as the eighth-highest-grossing film of 2006 in North America. Internationally, it performed strongly, accumulating $184.8 million from markets including the United Kingdom ($25.9 million), Germany ($21.7 million), and Spain ($8.0 million). The film's worldwide total reached $339.8 million against a of $80 million, resulting in a multiplier of over four times its cost and establishing it as a commercial success for . This performance contributed to the studio's strong year, with Over the Hedge ranking among the top animated releases of 2006 globally.

Critical response

Upon its release, Over the Hedge received generally positive reviews from critics, who praised its energetic humor, vibrant , and appeal, though some noted its formulaic storytelling and lack of deeper emotional resonance. On , the film garnered a 75% approval rating based on 171 reviews, with an average score of 6.8/10; the site's consensus described it as "clever and fun," with jokes suitable for viewers of all ages, even if it fell short of animation classic status. assigned it a score of 67 out of 100, based on 31 reviews, reflecting "generally favorable" reception, with commendations for its sequences and voice performances. Critics frequently highlighted the film's witty take on suburban consumerism and the strong ensemble voice cast, including Bruce Willis as the sly raccoon RJ and Steve Carell as the hyperactive squirrel Hammy. Roger Ebert of the Chicago Sun-Times gave it two out of four stars, appreciating the "fun action scenes" and "well-drawn" characters but critiquing it as not reaching the inventive heights of films like Finding Nemo or Shrek, making it more suitable for children than adult solo viewing. Kyle Smith of the New York Post called it "genuinely witty and even a little barbed," valuing its self-aware commentary on suburban sprawl and conformity. Similarly, Michael Ferraro of Film Threat lauded the "funny and clever" writing alongside the high-quality animation. However, some reviewers found the narrative predictable and underdeveloped, relying on familiar tropes of animal-human conflict without sufficient innovation. In Variety, described it as a "rather narrowly conceived tale" that made only "modest hay" from the overworked premise of wildlife versus encroaching suburbia, though he acknowledged the engaging setup and sympathetic characters. The New York Times review by Dana Stevens emphasized the technical strengths in and voices but faulted the screenplay for lacking the poetic depth of classics, resulting in a superficial matinee experience that prioritized pratfalls over meaningful character growth. Overall, the was seen as solid family entertainment, particularly appealing to younger audiences through its fast-paced gags and colorful visuals, but not a standout in the crowded animated landscape.

Accolades

Over the Hedge received a mix of nominations and a few wins across various film awards ceremonies, primarily in the animated feature category, reflecting its recognition within the animation community despite not securing major academy honors. The film earned seven nominations at the 34th Annie Awards, including for Best Animated Feature, though it did not win in any category. It was also nominated for Best Animated Feature at the 12th Critics' Choice Awards, where Cars ultimately prevailed. The film garnered additional nominations from genre and critics' groups, such as Best Animated Film at the 33rd and the Online Film Critics Society's 10th Annual Awards. It was shortlisted for the Golden Camera at the , highlighting its international appeal. Among children's awards, Over the Hedge was nominated for Favorite Animated Movie at the and received a nomination in the Kids' Vote category at the 2006 BAFTA Children's Awards.
AwardCategoryResultSource
(34th, 2007)Best Animated FeatureNominated
(34th, 2007)Directing in a Feature Production (Tim Johnson, )Nominated
(34th, 2007)Writing in a Feature ProductionNominated
(34th, 2007)Voice Acting in a Feature Production ()Nominated
(34th, 2007)Music in a Feature ProductionNominated
(34th, 2007)Character Animation in a Feature ProductionNominated
Critics' Choice Awards (12th, 2007)Best Animated FeatureNominated
Kansas City Film Critics Circle Awards (2006)Best Animated FilmWon
Kids' Choice Awards (2007)Favorite Animated MovieNominated
Online Film Critics Society Awards (10th, 2007)Best Animated FeatureNominated
(33rd, 2007)Best Animated FilmNominated
St. Louis Film Critics Association Awards (2006)Best Animated FilmNominated
Toronto Film Critics Association Awards (2006)Best Animated FilmNominated
BAFTA Children's Awards (2006)Kids' VoteNominated
(2006)Golden CameraNominated
Indianapolis International Film Festival (2006)Audience Award (Best Family Film)Won
The film's voice cast and animation techniques were particularly praised in technical categories, contributing to its overall 26 nominations across 7 wins in lesser-known festivals.

Legacy

Cultural impact

Over the Hedge (2006) has been recognized for its satirical commentary on American consumerism and suburban sprawl, portraying the encroachment of human development on natural habitats as a metaphor for environmental and cultural displacement. The film depicts forest animals discovering the allure of junk food and human conveniences, highlighting themes of overconsumption and the seductive pull of material excess on both wildlife and society. Roger Ebert noted that while the source comic strip often tackled deeper issues like population control and global warming, the film focuses on a lighter, family-friendly critique of suburban lifestyles, such as the obsession with SUVs and processed foods. This anti-consumerist message resonated in contemporary reviews, with critics noting the film's portrayal of humans as wasteful and disconnected from , exemplified by characters raiding garbage for "manna" like nacho chips while humans drive short distances for snacks. highlighted the irony of the film's corporate tie-ins, such as promotions with brands like and , which underscored the very consumerism it lampooned. In academic discourse, serves as a for how animated for children embed and propagate ideologies of consumption, targeting young audiences through narratives that blend with subtle influences. A 2007 analysis in Papers: Explorations into examined the film as an example of how such media constructs child consumers, intertwining moral lessons on and with promotional elements that reinforce capitalist values. Retrospective evaluations have solidified its cultural niche as an underappreciated gem in DreamWorks Animation's catalog, valued for its witty pop culture references and voice performances by stars like and , which have contributed to its enduring appeal among audiences reflecting on early 2000s animation. Despite modest initial box office expectations relative to contemporaries like Cars, the film's clever balance of humor and social observation has fostered nostalgic appreciation, positioning it as a touchstone for discussions on in popular media.

Sequel developments

Following the release of Over the Hedge in 2006, considered a but ultimately decided against it due to the film's underwhelming financial performance relative to expectations and contemporaries. The movie grossed $339 million worldwide against a of approximately $80 million, but after accounting for costs of around $70 million and distributor fees, the studio netted only about $60 million in profit. This fell short of the benchmarks set by higher-earning DreamWorks films like , which generated $919 million and far greater returns, leading to prioritization of sequels for more lucrative franchises such as and . In May 2007, DreamWorks Animation CEO publicly stated that a had come close to being greenlit but was halted because of the original's results, which, while solid, did not justify the increased risks and costs associated with a follow-up. salaries would likely have risen significantly—potentially by $20 million or more—for returning like and the late Gary Shandling, further eroding profit margins for a studio producing only two to three films annually. The competitive 2006 release landscape, including ’s Cars and other family animations like Monster House, also diluted Over the Hedge's performance, contributing to the decision. Co-creator of the original comic strip Michael Fry elaborated on these financial hurdles in a 2010 blog post, noting that studios like DreamWorks required massive returns to greenlight sequels, and Over the Hedge simply did not meet that threshold despite strong DVD sales of about $75 million. Fry suggested a potential path forward if DreamWorks were acquired by a larger entity, but no such shift materialized to revive interest. Subsequent years saw additional barriers: Shandling, the voice of Verne, passed away in 2016, and Willis, who voiced RJ, retired from acting in 2022 following an aphasia diagnosis, complicating any hypothetical revival. As of November 2025, has made no official announcements regarding an Over the Hedge sequel, with the studio's slate focusing on established franchises like Shrek 5 (2026), The Bad Guys 2 (2025), and original projects such as Forgotten Island (September 2026). Fan petitions and speculative online content have periodically surfaced, but none have led to development. The film's enduring popularity on streaming platforms has not translated into sequel momentum, leaving Over the Hedge as a standalone entry in DreamWorks' catalog.

References

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