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Parc de la Ciutadella
The Parc de la Ciutadella (Catalan pronunciation: [ˈpaɾɡ də lə siwtəˈðeʎə]; lit. 'Citadel Park'; Spanish: Parque de la Ciudadela; Spanish pronunciation: [ˈpaɾke ðe la θjuðaˈðela]) is a park on the northeastern edge of Ciutat Vella, Barcelona, Catalonia, Spain. For decades following its creation in the mid-19th century, this park was the city's only green space. The 31-hectare (77 acres) grounds include the city zoo (once home to the albino gorilla Snowflake, who died in 2003), the Palau del Parlament de Catalunya, a small lake, museums, and a large fountain designed by Josep Fontserè (with possible contributions by the young Antoni Gaudí).
As the location of the Parliament of Catalonia, the tensions in 2018 and 2019 regarding Catalan independence regularly led to the police closure of the park to public access to prevent crowds forming near to the official buildings.
In 1714, during the War of the Spanish Succession, Barcelona was laid siege for 13 months by the army of Philip V of Spain. The city fell, and in order to maintain control over it, and to prevent the Catalans from rebelling as they had in the previous century, Philip V built the citadel of Barcelona, at that time the largest fortress in Europe.
A substantial part of the district it was constructed in (La Ribera) was destroyed to obtain the necessary space, leaving its inhabitants homeless. The fortress was characterized by having five corners, which gave the citadel defensive power, and by a rather wide surrounding margin, serving as location for the army's cannons. It included enough buildings to house 8,000 people.
Hundreds of Catalans were forced to work on the construction for three years, while the rest of the city provided financial backing for this and for warfare-related expenses as well, with a new tax named el cadestre. Three decades later a quarter was rebuilt around the fortress named Barceloneta, which is located inside the neighbourhood of Ciutat Vella.
In 1841 the city's authorities decided to destroy the fortress, which was hated by Barcelona's citizens. Yet two years later, in 1843, under the regime of Maria Cristina, the citadel was restored. In 1848, after Maria Cristina's abdication and as the citadel lost its use, General Espartero razed most of the buildings within the fortress as well as its walls by bombarding it from the nearby mountain fortress Montjuic, which helped him gain political popularity. By 1869, as the political climate liberalised enough to permit it, General Prim decided to turn over what was left of the fortress to the city and some buildings were demolished under Catalan orders, for it was viewed by the citizens as a much-hated symbol of central Spanish government.
The chapel (now the Military Parish Church of Barcelona), the Governor's palace (now Verdaguer Secondary School), and the arsenal (now home to the Catalan Parliament) remain, with the rest of the site being turned into the contemporary park by the architect Josep Fontserè in 1872. Nineteen years later, in 1888, Barcelona held the Exposición Universal de Barcelona extravaganza, inspired by Mayor Rius i Taulet, and the park was redesigned with the addition of sculptures and other complementary works of art. This marked the conclusion of the old provincial and unprogressive Barcelona and the establishment of a modern cosmopolitan city. From that point until 1892, half of the park's layout was enhanced again in order to obtain sufficient space for the zoo. The park's bandstand, Glorieta de la Transsexual Sònia, is dedicated to a transsexual woman, Sonia Rescalvo Zafra, who was murdered there on 6 October 1991 by right-wing extremists.
The Cascada (waterfall or cascade in Spanish) is located at the northern corner of the park opposite to the lake. It was first inaugurated in 1881 without sculptures or any meticulous details, and was thereby criticized by the press, after which this triumphal arch was thoroughly amended by the addition of a fountain and some minor attributes, which required six years of construction from 1882 to 1888, and was thenceforth put on display at the Universal Exhibition, and hitherto not been redesigned. It was erected by Josep Fontserè and to a small extent by Antoni Gaudí, who at that time was still an unknown student of architecture. Fontserè aimed to loosely make it bear resemblance to the Trevi Fountain of Rome. Two enormous pincers of gigantic crabs serve as stairs to access a small podium located in the centre of the monument. In front of it a sculpture (designed by Venanci Vallmitjana) of Venus standing on an open clam was placed. The whole cascade is divided in two levels. From the podium on a path leads to the Feminine Sculpture and to the northeastern corner of the park, and upon following the route down the stairs the fountain's pond is rounded and the southern tip of the artifact is reached.
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Parc de la Ciutadella
The Parc de la Ciutadella (Catalan pronunciation: [ˈpaɾɡ də lə siwtəˈðeʎə]; lit. 'Citadel Park'; Spanish: Parque de la Ciudadela; Spanish pronunciation: [ˈpaɾke ðe la θjuðaˈðela]) is a park on the northeastern edge of Ciutat Vella, Barcelona, Catalonia, Spain. For decades following its creation in the mid-19th century, this park was the city's only green space. The 31-hectare (77 acres) grounds include the city zoo (once home to the albino gorilla Snowflake, who died in 2003), the Palau del Parlament de Catalunya, a small lake, museums, and a large fountain designed by Josep Fontserè (with possible contributions by the young Antoni Gaudí).
As the location of the Parliament of Catalonia, the tensions in 2018 and 2019 regarding Catalan independence regularly led to the police closure of the park to public access to prevent crowds forming near to the official buildings.
In 1714, during the War of the Spanish Succession, Barcelona was laid siege for 13 months by the army of Philip V of Spain. The city fell, and in order to maintain control over it, and to prevent the Catalans from rebelling as they had in the previous century, Philip V built the citadel of Barcelona, at that time the largest fortress in Europe.
A substantial part of the district it was constructed in (La Ribera) was destroyed to obtain the necessary space, leaving its inhabitants homeless. The fortress was characterized by having five corners, which gave the citadel defensive power, and by a rather wide surrounding margin, serving as location for the army's cannons. It included enough buildings to house 8,000 people.
Hundreds of Catalans were forced to work on the construction for three years, while the rest of the city provided financial backing for this and for warfare-related expenses as well, with a new tax named el cadestre. Three decades later a quarter was rebuilt around the fortress named Barceloneta, which is located inside the neighbourhood of Ciutat Vella.
In 1841 the city's authorities decided to destroy the fortress, which was hated by Barcelona's citizens. Yet two years later, in 1843, under the regime of Maria Cristina, the citadel was restored. In 1848, after Maria Cristina's abdication and as the citadel lost its use, General Espartero razed most of the buildings within the fortress as well as its walls by bombarding it from the nearby mountain fortress Montjuic, which helped him gain political popularity. By 1869, as the political climate liberalised enough to permit it, General Prim decided to turn over what was left of the fortress to the city and some buildings were demolished under Catalan orders, for it was viewed by the citizens as a much-hated symbol of central Spanish government.
The chapel (now the Military Parish Church of Barcelona), the Governor's palace (now Verdaguer Secondary School), and the arsenal (now home to the Catalan Parliament) remain, with the rest of the site being turned into the contemporary park by the architect Josep Fontserè in 1872. Nineteen years later, in 1888, Barcelona held the Exposición Universal de Barcelona extravaganza, inspired by Mayor Rius i Taulet, and the park was redesigned with the addition of sculptures and other complementary works of art. This marked the conclusion of the old provincial and unprogressive Barcelona and the establishment of a modern cosmopolitan city. From that point until 1892, half of the park's layout was enhanced again in order to obtain sufficient space for the zoo. The park's bandstand, Glorieta de la Transsexual Sònia, is dedicated to a transsexual woman, Sonia Rescalvo Zafra, who was murdered there on 6 October 1991 by right-wing extremists.
The Cascada (waterfall or cascade in Spanish) is located at the northern corner of the park opposite to the lake. It was first inaugurated in 1881 without sculptures or any meticulous details, and was thereby criticized by the press, after which this triumphal arch was thoroughly amended by the addition of a fountain and some minor attributes, which required six years of construction from 1882 to 1888, and was thenceforth put on display at the Universal Exhibition, and hitherto not been redesigned. It was erected by Josep Fontserè and to a small extent by Antoni Gaudí, who at that time was still an unknown student of architecture. Fontserè aimed to loosely make it bear resemblance to the Trevi Fountain of Rome. Two enormous pincers of gigantic crabs serve as stairs to access a small podium located in the centre of the monument. In front of it a sculpture (designed by Venanci Vallmitjana) of Venus standing on an open clam was placed. The whole cascade is divided in two levels. From the podium on a path leads to the Feminine Sculpture and to the northeastern corner of the park, and upon following the route down the stairs the fountain's pond is rounded and the southern tip of the artifact is reached.