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Paule Constable
Amanda Paule Constable OBE is a British lighting designer. She is an Associate Director for the National Theatre, the Lyric Hammersmith and Matthew Bourne's company New Adventures.
Originally from North Devon and grown up in a military family, Constable moved across various countries in her youth. Constable thought about pursuing her studies in architecture, then pursuing an English degree at Goldsmiths' College, London. Influenced by the art scene in London in the 1980s, she then decided to combine English with Drama, graduating in 1989, while working in the music business. She has since become a Goldsmith fellow, as well as of Rose Bruford College and Central School of Speech and Drama.
Constable started her career while studying, working for Midnight Design on rock' n' roll concerts design, while starting to develop an interest in the theatre.
Her "big break" came with show The Street of Crocodiles at the National Theatre, for which she was nominated for an Olivier Award for Best Lighting Design at age 26. She also worked on operas, as well as in the theatre, and collaborated extensively with the Royal Opera, English National Opera, Glyndebourne, Opera North, Scottish Opera and Welsh National Opera.
Constable won the 2005, 2006, 2009, 2013, 2020, 2025 Laurence Olivier Award for Best Lighting Design. She was also a nominee for four further productions and for a 2007 Tony Award on Broadway. In 2011 she won the Tony Award for Best Lighting Design of a play for War Horse.
Abroad she has worked in Paris, Salzburg, Strasbourg, Berlin, Brussels, New Zealand, Dallas and Houston. For the Metropolitan Opera in New York she has designed lighting for Satyagraha, Anna Bolena, Don Giovanni, Giulio Cesare, The Marriage of Figaro, and others.
She has created fifteen productions at the National Theatre, including Paul. Her lighting designs are regularly seen at the Royal Shakespeare Company, the Donmar Warehouse, the Royal Court Theatre and with Théâtre de Complicité. In the West End she lit Evita, Don Carlos, The Weir and Amadeus (also Broadway, 1999 LA Critics' Award winner).[citation needed]
Theatre-dance productions in Britain and abroad include productions for Matthew Bourne, Will Tuckett and Adam Cooper.[citation needed]
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Paule Constable
Amanda Paule Constable OBE is a British lighting designer. She is an Associate Director for the National Theatre, the Lyric Hammersmith and Matthew Bourne's company New Adventures.
Originally from North Devon and grown up in a military family, Constable moved across various countries in her youth. Constable thought about pursuing her studies in architecture, then pursuing an English degree at Goldsmiths' College, London. Influenced by the art scene in London in the 1980s, she then decided to combine English with Drama, graduating in 1989, while working in the music business. She has since become a Goldsmith fellow, as well as of Rose Bruford College and Central School of Speech and Drama.
Constable started her career while studying, working for Midnight Design on rock' n' roll concerts design, while starting to develop an interest in the theatre.
Her "big break" came with show The Street of Crocodiles at the National Theatre, for which she was nominated for an Olivier Award for Best Lighting Design at age 26. She also worked on operas, as well as in the theatre, and collaborated extensively with the Royal Opera, English National Opera, Glyndebourne, Opera North, Scottish Opera and Welsh National Opera.
Constable won the 2005, 2006, 2009, 2013, 2020, 2025 Laurence Olivier Award for Best Lighting Design. She was also a nominee for four further productions and for a 2007 Tony Award on Broadway. In 2011 she won the Tony Award for Best Lighting Design of a play for War Horse.
Abroad she has worked in Paris, Salzburg, Strasbourg, Berlin, Brussels, New Zealand, Dallas and Houston. For the Metropolitan Opera in New York she has designed lighting for Satyagraha, Anna Bolena, Don Giovanni, Giulio Cesare, The Marriage of Figaro, and others.
She has created fifteen productions at the National Theatre, including Paul. Her lighting designs are regularly seen at the Royal Shakespeare Company, the Donmar Warehouse, the Royal Court Theatre and with Théâtre de Complicité. In the West End she lit Evita, Don Carlos, The Weir and Amadeus (also Broadway, 1999 LA Critics' Award winner).[citation needed]
Theatre-dance productions in Britain and abroad include productions for Matthew Bourne, Will Tuckett and Adam Cooper.[citation needed]