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Peter Straub
Peter Francis Straub (/straʊb/; March 2, 1943 – September 4, 2022) was an American novelist and poet. He had success with several horror and supernatural fiction novels, among them Julia (1975), Ghost Story (1979) and The Talisman (1984), the latter co-written with Stephen King. He explored the mystery genre with the Blue Rose trilogy, consisting of Koko (1988), Mystery (1990) and The Throat (1993). He fused the supernatural with crime fiction in Lost Boy, Lost Girl (2003) and the related In the Night Room (2004). For the Library of America, he edited the volume H. P. Lovecraft: Tales and the anthology American Fantastic Tales. Straub received such literary honors as the Bram Stoker Award, World Fantasy Award, and International Horror Guild Award.
According to his New York Times obituary, Straub "brought a poet's sensibility to stories about ghosts, demons and other things that go bump in the night."
Straub was born in Milwaukee, Wisconsin, the son of Gordon Anthony Straub and Elvena (Nilsestuen) Straub. At the age of seven, Straub was struck by a car, sustaining serious injuries. He was hospitalized for several months and used a wheelchair until he had re-learned how to walk. Straub has said that the accident made him prematurely aware of his own mortality.
Straub read voraciously from an early age, although his father hoped that he would grow up to be a professional athlete, and his mother wanted him to be a Lutheran minister. He attended Milwaukee Country Day School on a scholarship, and, during his time there, began writing. In high school, he "discovered Thomas Wolfe and Jack Kerouac, patron saints of wounded and self-conscious adolescence and also, blessedly, jazz music, which spoke in utterance of beyond any constraint: passion and liberation in the form of speech on the far side of the verbal border."
Straub attended the University of Wisconsin–Madison where he discovered "the various joys of Henry James, William Carlos Williams, and the Texas blues-rocker Steve Miller, a great & joyous character who lived across the street." He earned an honors BA in English in 1965 and an MA at Columbia University a year later. He briefly taught English at Milwaukee Country Day, where he "enjoyed a minor but temporary success as Mr. Chips-cum-jalapenos, largely due to the absolute freedom given him by the administration and his affection for his students, who faithfully followed him as he struck matches and led them into caves named Lawrence, Forster, Brontë, Thackeray, etc., etc. On his off-hours, he fell in love with poetry, especially John Ashbery’s poetry, and wrote imitations of same. Three years later, fearing to turn into a spiritless & chalk-stained drudge, he went to Dublin, Ireland, to work on a Ph.D., secretly (a secret even to him) to start writing seriously."
After mixed success with two attempts at literary mainstream novels in the mid-1970s (Marriages and Under Venus), Straub dabbled in the supernatural for the first time with Julia (1975). He recalls that "The reason I chose to write scary books was because, at the time, there were three horror novels that had been enormously successful: The Exorcist, Rosemary's Baby and The Other. But there were only three of them, so it looked to me as though there was plenty of room for newcomers. And if I wrote in the horror genre, I knew I could do anything. I could experiment." He followed Julia with If You Could See Me Now (1977), and came to widespread public attention with his fifth novel, Ghost Story (1979), which was a critical success and was later loosely adapted into a 1981 film starring Fred Astaire. In 1980, he published the fantasy Shadowland. After returning to America, he wrote Floating Dragon, which won the August Derleth Award. He said "I knew that this book would be an at least temporary farewell to the supernatural material that had been my daily fare." He coauthored the horror-fantasy The Talisman with his longtime friend Stephen King.
After a fallow period, Straub re-emerged in 1988 with Koko, a non-supernatural (though horrific) novel about the Vietnam war. Koko was followed by Mystery (1990) and The Throat (1993). The three novels comprise the "Blue Rose Trilogy", which extended Straub's experiments with metafiction and unreliable narrators.
In 1990, Straub published Houses Without Doors, a collection of short fiction including the shorter version of the novella Mrs. God. In 1996, he published the mainstream thriller The Hellfire Club. In 1999, Straub published Mr. X, a novel with a doppelgänger theme. The novel pays homage to H. P. Lovecraft, as the eponymous character writes in a similar style. In 2001, Straub and King rejoined forces for Black House, a loose sequel to The Talisman which tied that book in with King's The Dark Tower series. 2003 saw the publication of Lost Boy, Lost Girl, followed a year later by the related In the Night Room. Both won the Bram Stoker Award.
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Peter Straub
Peter Francis Straub (/straʊb/; March 2, 1943 – September 4, 2022) was an American novelist and poet. He had success with several horror and supernatural fiction novels, among them Julia (1975), Ghost Story (1979) and The Talisman (1984), the latter co-written with Stephen King. He explored the mystery genre with the Blue Rose trilogy, consisting of Koko (1988), Mystery (1990) and The Throat (1993). He fused the supernatural with crime fiction in Lost Boy, Lost Girl (2003) and the related In the Night Room (2004). For the Library of America, he edited the volume H. P. Lovecraft: Tales and the anthology American Fantastic Tales. Straub received such literary honors as the Bram Stoker Award, World Fantasy Award, and International Horror Guild Award.
According to his New York Times obituary, Straub "brought a poet's sensibility to stories about ghosts, demons and other things that go bump in the night."
Straub was born in Milwaukee, Wisconsin, the son of Gordon Anthony Straub and Elvena (Nilsestuen) Straub. At the age of seven, Straub was struck by a car, sustaining serious injuries. He was hospitalized for several months and used a wheelchair until he had re-learned how to walk. Straub has said that the accident made him prematurely aware of his own mortality.
Straub read voraciously from an early age, although his father hoped that he would grow up to be a professional athlete, and his mother wanted him to be a Lutheran minister. He attended Milwaukee Country Day School on a scholarship, and, during his time there, began writing. In high school, he "discovered Thomas Wolfe and Jack Kerouac, patron saints of wounded and self-conscious adolescence and also, blessedly, jazz music, which spoke in utterance of beyond any constraint: passion and liberation in the form of speech on the far side of the verbal border."
Straub attended the University of Wisconsin–Madison where he discovered "the various joys of Henry James, William Carlos Williams, and the Texas blues-rocker Steve Miller, a great & joyous character who lived across the street." He earned an honors BA in English in 1965 and an MA at Columbia University a year later. He briefly taught English at Milwaukee Country Day, where he "enjoyed a minor but temporary success as Mr. Chips-cum-jalapenos, largely due to the absolute freedom given him by the administration and his affection for his students, who faithfully followed him as he struck matches and led them into caves named Lawrence, Forster, Brontë, Thackeray, etc., etc. On his off-hours, he fell in love with poetry, especially John Ashbery’s poetry, and wrote imitations of same. Three years later, fearing to turn into a spiritless & chalk-stained drudge, he went to Dublin, Ireland, to work on a Ph.D., secretly (a secret even to him) to start writing seriously."
After mixed success with two attempts at literary mainstream novels in the mid-1970s (Marriages and Under Venus), Straub dabbled in the supernatural for the first time with Julia (1975). He recalls that "The reason I chose to write scary books was because, at the time, there were three horror novels that had been enormously successful: The Exorcist, Rosemary's Baby and The Other. But there were only three of them, so it looked to me as though there was plenty of room for newcomers. And if I wrote in the horror genre, I knew I could do anything. I could experiment." He followed Julia with If You Could See Me Now (1977), and came to widespread public attention with his fifth novel, Ghost Story (1979), which was a critical success and was later loosely adapted into a 1981 film starring Fred Astaire. In 1980, he published the fantasy Shadowland. After returning to America, he wrote Floating Dragon, which won the August Derleth Award. He said "I knew that this book would be an at least temporary farewell to the supernatural material that had been my daily fare." He coauthored the horror-fantasy The Talisman with his longtime friend Stephen King.
After a fallow period, Straub re-emerged in 1988 with Koko, a non-supernatural (though horrific) novel about the Vietnam war. Koko was followed by Mystery (1990) and The Throat (1993). The three novels comprise the "Blue Rose Trilogy", which extended Straub's experiments with metafiction and unreliable narrators.
In 1990, Straub published Houses Without Doors, a collection of short fiction including the shorter version of the novella Mrs. God. In 1996, he published the mainstream thriller The Hellfire Club. In 1999, Straub published Mr. X, a novel with a doppelgänger theme. The novel pays homage to H. P. Lovecraft, as the eponymous character writes in a similar style. In 2001, Straub and King rejoined forces for Black House, a loose sequel to The Talisman which tied that book in with King's The Dark Tower series. 2003 saw the publication of Lost Boy, Lost Girl, followed a year later by the related In the Night Room. Both won the Bram Stoker Award.
