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Petronius
Gaius Petronius Arbiter (/pɪˈtroʊniəs/; Classical Latin: [ˈɡaː.i.ʊs pɛˈt̪roː.ni.ʊˈs ar.bɪ.t̪ɛr]; c. 27 – c. 66 AD; sometimes Titus Petronius Niger) was a Roman courtier during the reign of Nero (r. 54–68). He is generally believed to be the author of the Satyricon, a satirical novel believed to have been written during the Neronian era. He is one of the most important characters in Henryk Sienkiewicz' historical novel Quo Vadis (1895). Leo Genn portrays him in the 1951 film of the same name.
A reference to Petronius by Sidonius Apollinaris places him, or his Satyricon, in Massalia (ancient Marseille). He might have been born and educated there. Tacitus, Plutarch and Pliny the Elder describe Petronius as the elegantiae arbiter (also phrased arbiter elegantiarum), "judge of elegance", in the court of the emperor Nero. He served as suffect consul in 62. Later, he became a member of the senatorial class who devoted himself to a life of pleasure. His relationship to Nero was apparently akin to that of a fashion advisor.
Tacitus gives this account of Petronius in his historical work the Annals (XVI.18):
He spent his days in sleep, his nights in attending to his official duties or in amusement, that by his dissolute life he had become as famous as other men by a life of energy, and that he was regarded as no ordinary profligate, but as an accomplished voluptuary. His reckless freedom of speech, being regarded as frankness, procured him popularity. Yet during his provincial government, and later when he held the office of consul, he had shown vigour and capacity for affairs. Afterwards returning to his life of vicious indulgence, he became one of the chosen circle of Nero's intimates, and was looked upon as an absolute authority on questions of taste [elegantiae arbiter; note the pun on Petronius' cognomen] in connection with the science of luxurious living.
None of the ancient sources give any further detail about his life, or mention that he was a writer. However, a medieval manuscript written around 1450 of the Satyricon credited a "Titus Petronius" as the author of the original work. Traditionally, this reference is linked with Petronius Arbiter, since the novel appears to have been written or at least set during his lifetime. The link, however, remains speculative and disputed.
Petronius's development of his characters in the Satyricon, namely Trimalchio, transcends the traditional style of writing of ancient literature. In the literature written during Petronius's lifetime, the emphasis was always on the typical considerations of the plot, which had been laid down by classical rules.[citation needed] The character, which was hardly known in ancient literature, was secondary. Petronius goes beyond these literary limitations in his exact portrayals of detailed speech, behaviour, surroundings, and appearance of the characters.
Another literary device Petronius employs in his novel is a collection of specific allusions. The allusions to certain people and events[which?] are evidence that the Satyricon was written during Nero's time.[citation needed] These also suggest that it was aimed at a contemporary audience which consisted in part of Nero's courtiers and even Nero himself.[citation needed]
The message Petronius tries to convey in his work is far from moral and does not intend to produce reform, but is written above all to entertain and should be considered artistically. Nevertheless, his writings can be a valuable tool to better comprehend the customs and ways of life of Roman society at that particular time, since the author strives to preserve the plausibility of his representation, as can be noted by the frequent use of allusions and detailed descriptions of characters and behaviours. As the title implies, the Satyricon is a satire, specifically a Menippean satire, in which Petronius satirizes nearly anything, using his taste as the only standard. It is speculated that Petronius's depiction of Trimalchio mirrors that of Nero. Although the author's own opinion is never alluded to, the opinions of the characters involved in the story are evident, as is how Encolpius criticizes Trimalchio.
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Petronius
Gaius Petronius Arbiter (/pɪˈtroʊniəs/; Classical Latin: [ˈɡaː.i.ʊs pɛˈt̪roː.ni.ʊˈs ar.bɪ.t̪ɛr]; c. 27 – c. 66 AD; sometimes Titus Petronius Niger) was a Roman courtier during the reign of Nero (r. 54–68). He is generally believed to be the author of the Satyricon, a satirical novel believed to have been written during the Neronian era. He is one of the most important characters in Henryk Sienkiewicz' historical novel Quo Vadis (1895). Leo Genn portrays him in the 1951 film of the same name.
A reference to Petronius by Sidonius Apollinaris places him, or his Satyricon, in Massalia (ancient Marseille). He might have been born and educated there. Tacitus, Plutarch and Pliny the Elder describe Petronius as the elegantiae arbiter (also phrased arbiter elegantiarum), "judge of elegance", in the court of the emperor Nero. He served as suffect consul in 62. Later, he became a member of the senatorial class who devoted himself to a life of pleasure. His relationship to Nero was apparently akin to that of a fashion advisor.
Tacitus gives this account of Petronius in his historical work the Annals (XVI.18):
He spent his days in sleep, his nights in attending to his official duties or in amusement, that by his dissolute life he had become as famous as other men by a life of energy, and that he was regarded as no ordinary profligate, but as an accomplished voluptuary. His reckless freedom of speech, being regarded as frankness, procured him popularity. Yet during his provincial government, and later when he held the office of consul, he had shown vigour and capacity for affairs. Afterwards returning to his life of vicious indulgence, he became one of the chosen circle of Nero's intimates, and was looked upon as an absolute authority on questions of taste [elegantiae arbiter; note the pun on Petronius' cognomen] in connection with the science of luxurious living.
None of the ancient sources give any further detail about his life, or mention that he was a writer. However, a medieval manuscript written around 1450 of the Satyricon credited a "Titus Petronius" as the author of the original work. Traditionally, this reference is linked with Petronius Arbiter, since the novel appears to have been written or at least set during his lifetime. The link, however, remains speculative and disputed.
Petronius's development of his characters in the Satyricon, namely Trimalchio, transcends the traditional style of writing of ancient literature. In the literature written during Petronius's lifetime, the emphasis was always on the typical considerations of the plot, which had been laid down by classical rules.[citation needed] The character, which was hardly known in ancient literature, was secondary. Petronius goes beyond these literary limitations in his exact portrayals of detailed speech, behaviour, surroundings, and appearance of the characters.
Another literary device Petronius employs in his novel is a collection of specific allusions. The allusions to certain people and events[which?] are evidence that the Satyricon was written during Nero's time.[citation needed] These also suggest that it was aimed at a contemporary audience which consisted in part of Nero's courtiers and even Nero himself.[citation needed]
The message Petronius tries to convey in his work is far from moral and does not intend to produce reform, but is written above all to entertain and should be considered artistically. Nevertheless, his writings can be a valuable tool to better comprehend the customs and ways of life of Roman society at that particular time, since the author strives to preserve the plausibility of his representation, as can be noted by the frequent use of allusions and detailed descriptions of characters and behaviours. As the title implies, the Satyricon is a satire, specifically a Menippean satire, in which Petronius satirizes nearly anything, using his taste as the only standard. It is speculated that Petronius's depiction of Trimalchio mirrors that of Nero. Although the author's own opinion is never alluded to, the opinions of the characters involved in the story are evident, as is how Encolpius criticizes Trimalchio.