Philadelphia Sketch Club
Philadelphia Sketch Club
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Philadelphia Sketch Club

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Philadelphia Sketch Club

The Philadelphia Sketch Club, founded on November 20, 1860, in Philadelphia, Pennsylvania, is one of America's oldest artists' clubs. The club's own web page proclaims it the oldest. Prominent members have included Joseph Pennell, Thomas Eakins, A.B. Frost, Howard Chandler Christy, and N.C. Wyeth.

The club's mission is "to provide a community for visual artists, appreciation of the visual arts and visual arts education." The club's low-cost workshops and competitions are open to the public. All interested artists are invited to apply for membership. The club's activities are sustained by gifts from members, friends and nearly 20 major foundations, corporations and historical organizations.

The club has held shows and exhibitions since its founding. Medal winners from the club's shows include Violet Oakley, John Folinsbee and Betty Bowes. In April 2008, the club held its 145th Annual Exhibition of Small Oil Paintings at the club's main gallery.

The club's art collection includes 44 portraits of members painted in the 1890s by Thomas Anshutz; more than 125 etchings by members of the Philadelphia Society of Etchers; and sculpture, stained glass, ceramics, bronze plaques, medals and metal work by its own members. The Club lends pieces to other organizations and exhibitors from time to time. The club's archives contain information from artists associated with the club.

The Sketch Club was founded by George F. Bensell and his brother, Edmund Birckhead Bensell; Edward J. McIlhenny; Henry C. Bispham; John L. Gihon; and Robert Wylie — all students at the Pennsylvania Academy of Fine Arts, where they felt that they lacked design opportunities. Since its beginning, the club has endeavored to offer affordable life drawing classes and mount exhibitions to display local artists' work.

In 1866, the club held its first annual exhibition. The review in The New York Times began:

The impression made upon the visitor to the exhibition of paintings by the Philadelphia Sketch Club at the Derby Gallery, is one of disappointment rather than of pleasure, however modest may be his expectations before entering. True, there are in the collection a number of good paintings, and a few of more than passing merit. This, at least, might be considered guaranteed by the presence of several names in the catalogue pleasingly familiar to the connoisseur, but in a collection of over two hundred and sixty paintings exhibited, a selection doubtless from a larger number, it would not have been unreasonable to have expected a more frequent recurrence of that pleasure with which visitors linger near an occasional work of art.

The article goes on to discuss 19 of the pieces in detail and eight in passing "deserving of special mention."

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