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Phyllis Kennedy
Phyllis Kennedy
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Phyllis Kennedy (June 16, 1914 – December 29, 1998) was an American film actress.

Key Information

Early life

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She was born on June 16, 1914, in Detroit, Michigan. Following her high school graduation in 1932, she got employment as a clothes model in a local department store. During her modeling period, one of her friends recommended that she try her hand at acting. She began her acting career on the New York stage in a small role in a 1935 production of Jane Eyre. Soon, she decided to try her hand in the film industry. Around 1935, she broke her back while dancing in a show in Denver and was told she would never dance again.[1] Two years later, she was able to dance again.[2]

Hollywood years

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Kennedy was noticed by Ginger Rogers when she performed as a chorus girl in Shall We Dance?[3] She did some comedy dances for Rogers offstage, which impressed the other actress.[4][5] This relationship led to her being cast as a maid in Stage Door with Rogers and Katharine Hepburn.[3] She was eventually signed onto RKO Radio.[6] She then began getting parts in films playing dimwitted servants; most notably in such films as Vivacious Lady (1938), Mother Carey's Chickens (1938), Love Affair (1939), East Side of Heaven (1939), and Anne of Windy Poplars (1940).

Well into the 1940s Kennedy made over twenty film appearances although a lot of her film roles were uncredited. In later years she made appearances on shows like the Lucy-Desi Comedy Hour, The Missourians, and The Lone Ranger. She also appeared as an uncredited Cockney in the film My Fair Lady (1964). Her last screen appearance was in Finian's Rainbow in 1968 in an uncredited role.

Later years and personal life

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Kennedy's cremains were scattered into the Garden of Roses at Westwood Village Memorial Park Cemetery.[7]

Partial filmography

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References

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from Grokipedia
''Phyllis Kennedy'' was an American character actress known for her supporting roles in classic Hollywood films, often portraying maids, waitresses, and other comedic "Plain Jane" types that provided humorous contrast to leading performers. She appeared in dozens of films from the 1930s through the 1960s, frequently in uncredited or small parts, and maintained lifelong friendships with prominent stars including Katharine Hepburn, Ginger Rogers, and Lucille Ball. Kennedy retired from acting in 1968 and devoted her later years to charitable and religious causes, animal welfare, painting, and collecting commemorative spoons. Born on June 16, 1914, in Detroit, Michigan, Kennedy graduated from high school in 1932 and initially worked as a clothing model in a local department store. Encouraged by a friend, she pursued acting, making her stage debut in a small speaking role in a production of Jane Eyre before relocating to Hollywood. She began her film career with an uncredited part in On Again-Off Again (1937) and soon gained notice for her breakthrough role as the gabby maid Hattie in Stage Door (1937), alongside Hepburn, Rogers, and Lucille Ball. Kennedy's filmography includes memorable appearances in Vivacious Lady (1938), Love Affair (1939), Yankee Doodle Dandy (1942), Samson and Delilah (1949) with a small but distinctive prison scene bit, and later uncredited roles in My Fair Lady (1964) and Finian's Rainbow (1968), her final film. She also made television guest appearances, including as a maid opposite Tallulah Bankhead in an episode of The Lucy-Desi Comedy Hour. Kennedy died of natural causes on December 29, 1998, in Los Angeles, California, at the age of 84.

Early life

Youth in Detroit

Phyllis Kennedy was born on June 16, 1914, in Detroit, Michigan. She attended high school in Detroit and graduated in 1932. After graduation, she found work as a clothes model in a local department store. While employed in this role, a friend recommended that she pursue acting.

Introduction to acting

Phyllis Kennedy's entry into acting began while she was working as a clothing model in a local department store in Detroit following her high school graduation. A friend recommended that she try acting during this period. She soon relocated to New York, where she appeared in a small speaking role in a 1935 stage production of Jane Eyre. This marked her first professional acting experience and served as her introduction to the performing arts. This initial stage work led to her pursuit of film opportunities in Hollywood.

Acting career

Hollywood debut and early roles

Phyllis Kennedy made her Hollywood film debut in 1937 with an unbilled, uncredited role in the comedy On Again-Off Again. Her breakthrough came later that same year with a credited supporting part as Hattie, the gabby and slightly vapid maid in the theatrical boarding house, in Gregory La Cava's ensemble comedy Stage Door (1937), where she appeared alongside Katharine Hepburn, Ginger Rogers, and Lucille Ball. In Stage Door, Kennedy also contributed to the soundtrack by performing "Il Bacio." These early appearances typically featured her in small or supporting roles, often as maids or hired help, and helped establish her reputation for a wisecracking, comically bemused delivery that suited character work. In 1938, she played Marie in Joy of Living, a maid in Vivacious Lady, and provided uncredited vocals for "Bury Me Not on the Lone Prairie" and "Home on the Range" in Artists and Models Abroad. Her roles during this period also fostered lifelong friendships with co-stars including Katharine Hepburn and Ginger Rogers.

Character acting in the 1940s and 1950s

Phyllis Kennedy established herself as a dependable character actress during the 1940s and 1950s, specializing in small supporting and bit parts that were most often uncredited. She was consistently typecast in wisecracking "Plain Jane" roles or as maids, waitresses, and other hired help, bringing comic relief or bemused observation to scenes centered on the leading players. These parts capitalized on her distinctive features and delivery to portray humorous, down-to-earth servants or peripheral figures in major studio productions. She appeared uncredited in several prominent films of the era, including My Sister Eileen (1942), Yankee Doodle Dandy (1942), Coney Island (1943), and Shine on Harvest Moon (1944). In addition to her on-screen work in Coney Island (1943) and Shine on Harvest Moon (1944), Kennedy contributed uncredited vocals to their soundtracks, performing "Coney Island" and "Cuddle Up a Little Closer" in the former and "Just Like a Gipsy" in the latter. Among her credited performances were the role of Ethel the maid in The Heavenly Body (1944) and Annie Pearl in Living in a Big Way (1947). A particularly memorable uncredited bit came in Samson and Delilah (1949), where she portrayed the Wide-Eyed Girl who peers through prison bars and declares "He still looks strong as an ox!" This pattern of brief but distinctive character turns persisted into the 1950s, with similar uncredited assignments as maids and waitresses in various films.

Later work and retirement

In her later career, Kennedy made occasional television guest appearances. She played Miss Prynne in one episode of The Lone Ranger (1950). She appeared as an Unattractive Waitress (uncredited) in one episode of The Abbott and Costello Show (1953). In 1957, she portrayed a Maid in an episode of The Lucy-Desi Comedy Hour. After a long period with few screen credits, Kennedy returned for small, uncredited roles in two major musical films. She appeared as a Cockney in My Fair Lady (1964). Her final screen appearance was as a Sharecropper in Finian's Rainbow (1968). Kennedy retired from acting in 1968 after completing Finian's Rainbow. Following her retirement, she devoted her time to charitable and religious causes while concentrating on her hobbies of painting and collecting commemorative spoons.

Personal life

Marriage and family

Phyllis Kennedy married Paul Card Howell on June 19, 1944. Their marriage lasted until his death in 1994. The couple had two children.

Friendships and interests

Phyllis Kennedy maintained lifelong friendships with several prominent Hollywood actors and actresses, many of which originated from her early film collaborations. These included close bonds with Katharine Hepburn, Ginger Rogers, and Lucille Ball, formed during the production of Stage Door (1937). She also remained close friends with William Powell, James Stewart, Sylvia Sidney, Fred Astaire, James Cagney, Rosalind Russell, Doris Day, and Loretta Young throughout her life. Kennedy pursued a variety of personal interests and hobbies. She had a particular love of letter writing, enjoyed painting, and collected commemorative spoons. She owned a Cavalier King Charles Spaniel and was an avid animal lover.

Death

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