Community hub
Recent from talks
Knowledge base stats:
Talk channels stats:
Members stats:
Pitseolak Ashoona
Pitseolak Ashoona (c. 1904 – May 28, 1983) was a Canadian Inuk artist admired for her prolific body of work. She was also a member of the Royal Canadian Academy of Arts.
Pitseolak was born to Timungiak and Oootochie on Nottingham Island in the Northwest Territories, now Nunavut. Her name means "sea pigeon" in Inuktitut. She grew up in the traditional life of her people, with food dependent on hunting and gathering. Her culture relied on angakuit.
In 1922 (or 1923), Pitseolak married Ashoona, a hunter, in the Foxe Peninsula of Baffin Island. They had 17 children, though only six (Namoonie, Qaqaq, Kumwartok, Kiugak, Napachie, and Ottochie) lived with Pitseolak until adulthood. Some died in childhood, and others were adopted out according to custom, and raised by other Inuit families.
After her husband died at the age of 40 from a viral sickness, Pitseolak raised four of the children, Kumwartok, Qaqaq, Kiawak or Kiugak, and daughter Napachie Pootoogook, herself.[citation needed] Years of hardship followed the death of Ashoona, which occurred sometime in the early to mid 1940s. He died in the early years of the Second World War, a time of decline in the market for furs.
Over time the loss of Ashoona led Pitseolak to become an artist. Making prints eased her loneliness and she described her art as what made her "the happiest since he died". Pitseolak's artwork later enabled her to support her family. Though her art arose from painful circumstances, it expressed mostly positive memories and experiences. As Christine Lalonde notes in Pitseolak Ashoona: Life & Work: "scenes of deprivation and suffering almost never appear in her drawings, though certain images convey sadness and longing" about the passing of Ashoona.
Pitseolak is recognized as one of the first Inuit artists to create autobiographical works. Her art contained images of traditional Inuit life and contributed to the establishment of a modern Inuit art form, one that transmitted traditional knowledge and values while at the same time achieving worldwide popular and commercial success.
Pitseolak died on May 28, 1983, in Cape Dorset now Kinngait. She was survived by a large family of artists, including:
Pitseolak Ashoona was one of the first artists in the 1960s to make drawings for the print studio in Cape Dorset. She was a self-taught artist, who worked out solutions to artistic problems through what Lalonde described as "a self directed-program of repetitious drawing".
Hub AI
Pitseolak Ashoona AI simulator
(@Pitseolak Ashoona_simulator)
Pitseolak Ashoona
Pitseolak Ashoona (c. 1904 – May 28, 1983) was a Canadian Inuk artist admired for her prolific body of work. She was also a member of the Royal Canadian Academy of Arts.
Pitseolak was born to Timungiak and Oootochie on Nottingham Island in the Northwest Territories, now Nunavut. Her name means "sea pigeon" in Inuktitut. She grew up in the traditional life of her people, with food dependent on hunting and gathering. Her culture relied on angakuit.
In 1922 (or 1923), Pitseolak married Ashoona, a hunter, in the Foxe Peninsula of Baffin Island. They had 17 children, though only six (Namoonie, Qaqaq, Kumwartok, Kiugak, Napachie, and Ottochie) lived with Pitseolak until adulthood. Some died in childhood, and others were adopted out according to custom, and raised by other Inuit families.
After her husband died at the age of 40 from a viral sickness, Pitseolak raised four of the children, Kumwartok, Qaqaq, Kiawak or Kiugak, and daughter Napachie Pootoogook, herself.[citation needed] Years of hardship followed the death of Ashoona, which occurred sometime in the early to mid 1940s. He died in the early years of the Second World War, a time of decline in the market for furs.
Over time the loss of Ashoona led Pitseolak to become an artist. Making prints eased her loneliness and she described her art as what made her "the happiest since he died". Pitseolak's artwork later enabled her to support her family. Though her art arose from painful circumstances, it expressed mostly positive memories and experiences. As Christine Lalonde notes in Pitseolak Ashoona: Life & Work: "scenes of deprivation and suffering almost never appear in her drawings, though certain images convey sadness and longing" about the passing of Ashoona.
Pitseolak is recognized as one of the first Inuit artists to create autobiographical works. Her art contained images of traditional Inuit life and contributed to the establishment of a modern Inuit art form, one that transmitted traditional knowledge and values while at the same time achieving worldwide popular and commercial success.
Pitseolak died on May 28, 1983, in Cape Dorset now Kinngait. She was survived by a large family of artists, including:
Pitseolak Ashoona was one of the first artists in the 1960s to make drawings for the print studio in Cape Dorset. She was a self-taught artist, who worked out solutions to artistic problems through what Lalonde described as "a self directed-program of repetitious drawing".