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Pompeian Styles

The Pompeian Styles are four periods which are distinguished in ancient Roman mural painting. They were originally delineated and described by the German archaeologist August Mau (1840–1909) from the excavation of wall paintings at Pompeii, which is one of the largest groups of surviving Roman frescoes.

The wall painting styles have allowed art historians to delineate phases of interior decoration leading up to the eruption of Mount Vesuvius in 79 AD between stylistic shifts in Roman art during late Republican and Augustan periods.

The four main styles of Roman wall painting defined are: structural (or incrustation), architectural, ornamental, and intricate. Each style following the first contains aspects of the previous styles. The first two styles (incrustation and architectural) were from the Republican period (related to Hellenistic Greek wall painting) and the last two (ornamental and intricate) from the Imperial period.

Roman wall paintings have been found in buildings, private homes and villas across the Roman empire. Many of the first paintings discovered were around the Bay of Naples, the area in which Mount Vesuvius had erupted. The paintings sometimes contained depictions of life in this area prior to the great eruption that destroyed much of the countryside and the cities of Pompeii and Herculaneum.

Typically paintings were frescoes painted on plaster while it was drying.

In the first century BC different styles of paintings developed. These paintings ranged from being realistic to impressionist works of art. Inspiration came from mythology, landscapes, and other interests.

The First style, also referred to as structural, incrustation or masonry style, is traditionally dated to 200 BC until 80 BC but outside of Pompeii already existed much earlier, since the late 5th century BC. It is characterized by the trompe-l'œil simulation of marble (marble veneering). The marble-like look was acquired by the use of stucco moldings, which caused portions of the wall to appear raised. Other simulated elements (e.g. suspended alabaster discs in vertical lines, 'wooden' beams in yellow and 'pillars' and 'cornices' in white), and the use of vivid color, were considered signs of wealth. Those who were not as wealthy mainly used variations of the colors yellow, purple, and pink.

This style reflects the spread of Hellenistic culture as Rome interacted and conquered Greek and Hellenistic states in this period. Mural reproductions of Greek paintings are also found. This style divided the wall into various multi-colored patterns that took the place of extremely expensive cut stone. The First Style was also used with other styles for decorating the lower sections of walls that were not seen as much as the higher levels.

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artistic styles of Roman murals
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