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Ray Campi
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Key Information

Ray promo shot in the 70's
Ray performing at the Make The Music Go Bang festival in Orange County, California. September 2014. Photo by Peter Dervin
Onstage at The Americana International Festival, Newark, England. July 2008.
Ray onstage in the mid-80's. Glendale, California.
Ray in his classroom for a story in New West magazine. 1980. Los Angeles, California
Ray Campi And His Rockabilly Rebels promo shot, Hollywood, California. 1978. Photo by Jeffrey Scales.

Raymond Charles Campi (April 20, 1934 – March 11, 2021) was an American singer, musician and songwriter, nicknamed "The Rockabilly Rebel". He first recorded in the mid-1950s. Campi's trademark was his white double bass, which he often jumped on top of and "rode" while playing. He was a member of the Rockabilly Hall of Fame.

Biography

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Campi was born in New York City in April 1934 and lived in Yonkers, New York during his earliest years. After his family moved to Austin, Texas in 1944, Ray began a lifetime of performing and recording music in numerous genres, including Rockabilly, Folk, Blues, Western Swing, Country, and Rock And Roll.

In the 1950s, Ray recorded for Domino Records.[2] and other labels, including Dot Records. He cut the first tribute record to the 1959 Buddy Holly plane crash, "The Ballad of Donna and Peggy Sue," backed by the Big Bopper's band. Ray also worked with a diverse range of singers, including Ian Whitcomb, and Mae West, who recorded his song "Caterpillar".

He rarely concentrated on his musical career exclusively, working a wide variety of jobs. From 1967 on, he was a junior high school teacher. He fiercely criticized the mainstream music industry, in particular its connections with drug culture.

His musical career took off in the early 1970s when he was tracked down by Ronny Weiser, the owner of Rollin' Rock Records. Ronny owned some of Campi's 50's singles and had heard he was a teacher living in the San Fernando Valley, so he looked Ray up in the phone book. Soon after, Weiser purchased a double bass for him. Previously, Campi had been accustomed to playing guitar, but after four days of practice they recorded "Pan American Boogie" in Weiser's bedroom.

Starting in 1977, Campi began touring Great Britain and Europe, playing clubs and festivals there and gigging regularly at home in California, while keeping his teaching job. He also recorded with American, German, Finnish, British and Dutch Rockabilly bands, and produced his own albums with artists such as Rosie Flores, Bobby 'Fats' Mizell, and Ian Whitcomb. Ray performed on several solo albums by Kevin Fennell, his lead guitarist from 1977 to 2015. He also performed and recorded with longtime musical associate Rip Masters.

Campi died in his sleep at home on March 11, 2021 at age 86 of natural causes.[3]

Early discography

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Many of Ray Campi's earliest 1950s recordings were not issued until the 1980s and 1990s, mostly on European albums. But the following were issued on 45-rpm and, in some cases, 78-rpm. "Caterpillar" was considered his most popular record until his revival in the 1970s.

  • TNT 145 "Caterpillar"/"Play It Cool" 1956
  • Dot 15617 "It Ain't Me"/"Give That Love to Me" 1957
  • Domino 700 "My Screamin' Screamin' Mimi"/"Uh Huh Huh" 1958
  • Domino 701 "You Gambled"/"No Time" 1958
  • D-104 "Ballad of Donna and Peggy Sue"/"The Man I Met (Tribute to the Big Bopper)" 1959
  • Verve 10208 "Our Man in Havana"/"Reprieve of Love" 1960
  • Colpix 166 "Cry For Happy"/"Hear What I Wanna Hear" 1960

References

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Ray Campi

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Ray Campi is an American singer, musician, and songwriter known for his pioneering contributions to rockabilly music as both an original 1950s artist and a key figure in its 1970s revival. Born Raymond Charles Campi on April 20, 1934, in Yonkers, New York, he moved with his family to Austin, Texas, at age ten, where he developed an interest in country music, learned guitar, and began performing. He first recorded in the mid-1950s for labels including TNT, D, and Dot, producing raw rockabilly sides that captured the genre's early spirit. Nicknamed "The Rockabilly Rebel" and sometimes referred to as "The King of Rockabilly," Campi bridged the original era of rock and roll with later generations through his persistent activity and influence. Campi's career extended beyond the 1950s decline of rockabilly, as he maintained his passion for the style during the 1960s and became a central figure in the European rockabilly revival of the 1970s, where he was among the first original artists to gain renewed popularity overseas. His energetic performances, slap bass techniques, and authentic connection to the genre's roots earned him lasting respect among fans and musicians alike. He continued recording and performing into the 21st century, releasing material that honored his early work while engaging new audiences. Campi died on March 11, 2021, leaving behind a legacy as one of the most enduring and dedicated figures in rockabilly history. His work helped preserve and revitalize the genre for subsequent generations of artists and enthusiasts.

Early life

Birth and family background

Raymond Charles Campi was born on April 20, 1934, in Yonkers, New York, a suburb of New York City. He spent his earliest childhood years living there before his family relocated to Austin, Texas, in 1943. Limited details are available about his immediate family background during this period in New York.

Relocation to Texas

Ray Campi's family relocated from Yonkers, New York, to Austin, Texas, in 1943. He was approximately 9 years old at the time of the move. This relocation placed him in a region steeped in country and western music traditions. The move to Austin marked a significant change in his environment during his childhood.

Early musical influences and activities

Ray Campi's early musical development was profoundly shaped by his cousin Harold Layman, who was six years older and proficient on both accordion and guitar. After his family relocated to Austin, Texas, Campi acquired his own guitar and began collaborating with Layman and other young musicians in informal Sunday afternoon sessions, where they listened to records and played together. Through Layman's collection, Campi absorbed influences from Arthur “Guitar Boogie” Smith on M-G-M, Hank Williams, Jimmie Rodgers (whose records Layman had amassed), bluegrass, and especially Hank Snow, whom Campi regarded as his favorite artist of all time after Layman brought many Snow records from Newfoundland. By 1949, Campi and his friends experimented with home recordings using a disc cutter to capture their early country performances. These primitive sessions produced material that was later compiled and released by Bear Family Records on the 10” LP Austin, Texas 1949-1950 in 2017. Campi also performed on local radio programs over KNOW in Austin and KTAE in Taylor, Texas, billing himself as Ramblin’ Ray and The Ramblers. The group continued until 1952, when it disbanded following Campi's high school graduation. These formative experiences established the groundwork for his first commercial recordings in 1956.

Music career

1950s recordings in Texas

Ray Campi launched his commercial recording career in Texas during the mid-1950s with a series of rockabilly singles on independent labels, establishing him as an early figure in the state's vibrant scene. His debut single, recorded in 1956 on the San Antonio-based TNT label and issued in 1957, coupled the energetic "Catapillar" with "Play It Cool," recorded in August with Johnny Maddox on lead guitar, Henry Hill on bass, and finger-snapping by Doc Shyrock in place of drums. "Catapillar" stood out as his most recognized early track, noted for its wild, humorous rockabilly drive. In 1957, Campi recorded in Dallas for Dot Records, issuing "It Ain't Me" backed with "Give That Love to Me" credited to Ray Campi & The Snappers, a name inspired by the prominent finger-snapping percussion on the tracks. The following year, he released two singles on the Austin-based Domino label: "My Screamin' Screamin' Mimi" paired with "With You," and "You Gambled" paired with "No Time," both cut at Radio House with supporting musicians including Johnny Maddox, Henry Hill, and background vocalists. "My Screamin' Screamin' Mimi" was a blistering rocker composed with Little Richard's style in mind. Campi's final 1950s Texas single came in early 1959 on the D label, following the February 3 plane crash that killed Buddy Holly, Ritchie Valens, and The Big Bopper. Released on February 9, "Ballad of Donna and Peggy Sue" b/w "The Man I Met (A Tribute to the Big Bopper)" was recorded at Gold Star Studio in Houston with a band featuring Link Davis on saxophone, Hal Harris on guitar, and Doc Lewis on piano. The A-side tribute highlighted the girlfriends left behind by Valens and Holly, deliberately steering clear of conventional sentimental themes.

1960s transition and recordings

In September 1959, Ray Campi relocated to Los Angeles. The following year he joined Perry Botkin, Jr. and Gil Garfield as The McCoy Boys to record a single for Verve Records, with "Our Man in Havana" performed by the group and "Reprieve of Love" sung solo by Campi. Later in 1960 he released a single under his own name on Colpix Records, featuring "Hear What I Wanna Hear" backed with "French Fries," both sides arranged by Perry Botkin, Jr. The Colpix release ostensibly had a slightly longer shelf life than the Verve single. Apart from an early 1960s stint in New York, Campi planted deep roots in Los Angeles and supported himself through a series of day jobs during this period. This decade represented a time of lower visibility in his music career.

1970s rockabilly revival

In the early 1970s, while teaching school in Los Angeles, Ray Campi was rediscovered by Ronny Weiser, the founder and producer of Rollin' Rock Records, who sought him out after acquiring some of Campi's 1950s recordings. Weiser convinced Campi to take up the upright double bass and master the slap bass technique to achieve an authentic 1950s rockabilly sound, leading Campi to acquire the instrument and practice intensively. Shortly afterward, they recorded "Pan American Boogie" in Weiser's home, marking Campi's entry into the emerging rockabilly revival. Campi went on to record prolifically for Rollin' Rock throughout the 1970s and 1980s, producing numerous singles and albums that highlighted his powerful, high-energy upright bass slapping as a defining element of his style. These recordings captured raw, stripped-down rockabilly energy and helped establish him as a key figure in the genre's resurgence. He collaborated with several musicians during this era, including Rosie Flores, Bobby 'Fats' Mizell, Ian Whitcomb, Rip Masters, and Kevin Fennell. Beginning in 1977, Campi started touring Great Britain and performed regularly at European festivals and clubs, where his authentic rockabilly approach drew enthusiastic audiences. His appeal in Europe proved enduring, sustaining his popularity on the continent into later decades.

Later recordings and performances

Ray Campi remained active in music well into the 21st century, releasing albums through Bear Family Records that included reissues of his classic material and new tribute projects honoring influential figures in rockabilly and country music. Bear Family issued compilations and reissues such as The Eager Beaver Boy / Rockabilly Lives, which brought together his earlier rockabilly works for a new audience. The label also released Taylor, Texas 1988 - Remembering Jimmy Heap, a project dedicated to the Texas musician Jimmy Heap and his Melody Masters. In 2005, Campi recorded The Memory Lingers On - Remembering Jesse James, a 17-track tribute album to Jesse James and other contemporaries, complete with a 24-page booklet. Later, he collaborated with Rip Masters on Still Rippin' It Up, released around 2015, featuring songs written by Masters and showcasing Campi's continued engagement with the genre. Campi maintained a strong presence on the live circuit, particularly in Europe where he regularly toured Great Britain and other countries from the late 1970s onward and remained a popular performer into the 2010s. He also continued performances in California while preserving a large personal recording archive of unreleased material. Throughout this period, Campi maintained criticism of the mainstream music industry.

Film and television contributions

Soundtrack credits

Ray Campi's songs have been licensed for use in feature film soundtracks. "Eager Boy," performed by Ray Campi, appeared in the 1977 film Young, Hot 'n Nasty Teenage Cruisers. His composition "Caterpillar," which he also performed, was included in the soundtrack for Hounddog (2007). The track was credited as performed by Ray Campi and The Snappers, courtesy of Real Music Productions / Ray Campi and arranged through Bug.

Documentary appearances

Ray Campi has appeared as himself in documentaries that document the history and revival of rockabilly music. He performed with his band Ray Campi & His Rockabilly Rebels in the 1980 British documentary Blue Suede Shoes, which follows the rock 'n' roll revival scene in England among Teddy Boys, Rockabilly Rebels, and Rockers. Campi also appeared as himself in the 2007 documentary Rebel Beat: The Story of LA Rockabilly, directed by Elizabeth Blozan, which explores the underground rockabilly culture in Los Angeles from its 1950s origins through later revivals and contemporary scenes. These appearances reflect his ongoing role as a key figure in the rockabilly community.

Teaching career

Role as an educator

Ray Campi maintained a long-term career as a schoolteacher in Los Angeles, which served as his primary profession for decades while he pursued music as a secondary passion. After relocating to the city and working various day jobs, he embarked on a half century of teaching school alongside his ongoing rockabilly activities. Sources describe this educational role as his steady source of income, allowing him to balance classroom responsibilities with recording and performing. He worked full-time for the Los Angeles School District as a high school teacher, with biographies noting he held this position for many years before retiring from full-time duties in the early 2000s. Following retirement, he continued teaching occasionally as a substitute. In a 2014 interview, Campi reflected on his main occupation as a high school teacher for 28 years full-time, indicating he was still doing substitute work at that time. This enduring commitment to education paralleled his musical revival in the 1970s, when he was rediscovered by producer Ron Weiser while still active in the classroom.

Death and legacy

Passing

Ray Campi passed away in his sleep on March 11, 2021, in Los Angeles, California, at the age of 86.

Honors and influence

Ray Campi was inducted into the Austin Music Awards Hall of Fame in 1984 and the Rockabilly Hall of Fame in 1998. He was also voted “King of Rockabilly” by the Rock ‘n’ Roll Appreciation Society of Finland in 1983. Campi was widely known by the nicknames "King of Rockabilly" and "Rockabilly Rebel," which reflected his enduring association with the genre. Campi maintained a vast personal archive dedicated to his own recording legacy, a rarity among musicians that helped preserve his extensive body of work. As one of the few original 1950s rockabilly artists to remain active into the 21st century, he continued performing and recording for more than six decades, releasing new material as late as the 2000s and 2010s. He developed a particularly strong following in Europe, especially Great Britain, where he toured regularly starting in 1977 and released several albums through European labels such as Bear Family Records in Germany. His central role in the 1970s rockabilly revival and dedication to preserving early rock 'n' roll established a lasting influence on the genre.
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